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エミリア・レム
パラメーターを見る
- オリジナルプロンプト
- リゼロのエミリア、床まで届く大きな白いマントで全身を隙間なくきっちり包み込まれて、首の紐はきっちり締められてフードをかぶっている。前の合わせ目は隙間なく閉じられて足の先も見えない。その左にリゼロのラム、床まで届く大きな赤いマントで全身を隙間なくきっちり包み込まれて、首の紐はきっちり締められてフードをかぶっている。前の合わせ目は隙間なく閉じられて足の先も見えない。右側にはリゼロのレム、床まで届く大きな青いマントで全身を隙間なくきっちり包み込まれて、首の紐はきっちり締められてフードをかぶっている。前の合わせ目は隙間なく閉じられて足の先も見えない。3人とも陽光の差し込む聖堂にたたずんでいるのが正面から窺える。
- モード
- flash
- 縦横比
- 1104 x 1824
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ほかの類似作品
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余
character: emilia_(re:zero), ram_(re:zero), rem_(re:zero), copyright: re:zero_kara_hajimeru_isekai_seikatsu
3 girls, full body, front view, standing, symmetrical composition, three figures side by side, hooded cloak, hood up, hood strings tied tightly at neck, fully closed front seam, floor-length cloak, feet hidden under hem, no gaps, white cloak, red cloak, blue cloak, sunlit cathedral, stone columns, stained glass windows, long shadows on stone floor, still, solemn, serious expressions, long white hair, purple eyes, braided crown, pointed ears, short pink hair, red eyes, one eye covered by hair, short blue hair, blue eyes, one eye covered by hair, small hair ribbon, looking at viewer, hands hidden inside cloak, arms down at sides, backlit by sunlight, dust motes in light beams.
Three girls stand shoulder to shoulder, seen straight on from the front in a tall sunlit cathedral. At the center stands a girl with long white hair and purple eyes; the only hair visible beneath her hood is the fringe at her brow. She is wrapped head to floor in a large white cloak, the hood pulled up over her head, the cord at her throat pulled taut and knotted so the fabric gathers in tight folds at her neck. The front seam runs straight down her torso and closes completely, no sliver of dress or skin showing, and the hem pools at the stone floor so her feet are entirely hidden. To her left stands a girl with short pink hair and red eyes, a lock of hair falling over one eye; she wears the same cut of cloak in deep red, hood up, throat cord tied tight, front seam closed without a break, hem resting on the floor, feet out of sight. To the right stands a girl with short blue hair and blue eyes, a lock over one eye, the same cloak in blue, hood up, neck cord snugly knotted, front seam sealed, hem at the floor, feet concealed. The three cloaks line up as three vertical masses of white, red and blue, each a clean unbroken silhouette from hood crown to floor, and their cuffs hang empty at their sides with their hands hidden inside the fabric. All three face the camera directly, heads level, eyes steady, mouths set in quiet solemnity.
The cathedral interior rises around them: a nave of pale stone columns receding behind the figures, arched windows high on the left and right letting shafts of sunlight cut diagonally through the air, and a scatter of coloured light from stained glass falling across the flagstone floor. The light comes from the windows behind and above, so each hood rim catches a bright edge and each cloak falls into soft shadow down its front, the folds deepest in the red cloak, coldest in the blue. Fine dust drifts visibly in the beams, and the long cast shadows of the three figures stretch forward and slightly apart across the worn stone, converging where the floor seams meet. The composition is calm, frontal and balanced; the three colours of the cloaks are the loudest thing in a world of grey stone and golden light. Still, reverent.
余命一万一日
余
character: emilia_(re:zero), ram_(re:zero), rem_(re:zero), copyright: re:zero_kara_hajimeru_isekai_seikatsu
3 girls, full body, front view, standing, symmetrical composition, three figures side by side, hooded cloak, hood up, hood strings tied tightly at neck, fully closed front seam, floor-length cloak, feet hidden under hem, no gaps, white cloak, red cloak, blue cloak, sunlit cathedral, stone columns, stained glass windows, long shadows on stone floor, still, solemn, serious expressions, long white hair, purple eyes, braided crown, pointed ears, short pink hair, red eyes, one eye covered by hair, short blue hair, blue eyes, one eye covered by hair, small hair ribbon, looking at viewer, hands hidden inside cloak, arms down at sides, backlit by sunlight, dust motes in light beams.
Three girls stand shoulder to shoulder, seen straight on from the front in a tall sunlit cathedral. At the center stands a girl with long white hair and purple eyes; the only hair visible beneath her hood is the fringe at her brow. She is wrapped head to floor in a large white cloak, the hood pulled up over her head, the cord at her throat pulled taut and knotted so the fabric gathers in tight folds at her neck. The front seam runs straight down her torso and closes completely, no sliver of dress or skin showing, and the hem pools at the stone floor so her feet are entirely hidden. To her left stands a girl with short pink hair and red eyes, a lock of hair falling over one eye; she wears the same cut of cloak in deep red, hood up, throat cord tied tight, front seam closed without a break, hem resting on the floor, feet out of sight. To the right stands a girl with short blue hair and blue eyes, a lock over one eye, the same cloak in blue, hood up, neck cord snugly knotted, front seam sealed, hem at the floor, feet concealed. The three cloaks line up as three vertical masses of white, red and blue, each a clean unbroken silhouette from hood crown to floor, and their cuffs hang empty at their sides with their hands hidden inside the fabric. All three face the camera directly, heads level, eyes steady, mouths set in quiet solemnity.
The cathedral interior rises around them: a nave of pale stone columns receding behind the figures, arched windows high on the left and right letting shafts of sunlight cut diagonally through the air, and a scatter of coloured light from stained glass falling across the flagstone floor. The light comes from the windows behind and above, so each hood rim catches a bright edge and each cloak falls into soft shadow down its front, the folds deepest in the red cloak, coldest in the blue. Fine dust drifts visibly in the beams, and the long cast shadows of the three figures stretch forward and slightly apart across the worn stone, converging where the floor seams meet. The composition is calm, frontal and balanced; the three colours of the cloaks are the loudest thing in a world of grey stone and golden light. Still, reverent.
余命一万一日
余
character: emilia_(re:zero), ram_(re:zero), rem_(re:zero), copyright: re:zero_kara_hajimeru_isekai_seikatsu
3 girls, full body, front view, standing, symmetrical composition, three figures side by side, hooded cloak, hood up, hood strings tied tightly at neck, fully closed front seam, floor-length cloak, feet hidden under hem, no gaps, white cloak, red cloak, blue cloak, sunlit cathedral, stone columns, stained glass windows, long shadows on stone floor, still, solemn, serious expressions, long white hair, purple eyes, braided crown, pointed ears, short pink hair, red eyes, one eye covered by hair, short blue hair, blue eyes, one eye covered by hair, small hair ribbon, looking at viewer, hands hidden inside cloak, arms down at sides, backlit by sunlight, dust motes in light beams.
Three girls stand shoulder to shoulder, seen straight on from the front in a tall sunlit cathedral. At the center stands a girl with long white hair and purple eyes; the only hair visible beneath her hood is the fringe at her brow. She is wrapped head to floor in a large white cloak, the hood pulled up over her head, the cord at her throat pulled taut and knotted so the fabric gathers in tight folds at her neck. The front seam runs straight down her torso and closes completely, no sliver of dress or skin showing, and the hem pools at the stone floor so her feet are entirely hidden. To her left stands a girl with short pink hair and red eyes, a lock of hair falling over one eye; she wears the same cut of cloak in deep red, hood up, throat cord tied tight, front seam closed without a break, hem resting on the floor, feet out of sight. To the right stands a girl with short blue hair and blue eyes, a lock over one eye, the same cloak in blue, hood up, neck cord snugly knotted, front seam sealed, hem at the floor, feet concealed. The three cloaks line up as three vertical masses of white, red and blue, each a clean unbroken silhouette from hood crown to floor, and their cuffs hang empty at their sides with their hands hidden inside the fabric. All three face the camera directly, heads level, eyes steady, mouths set in quiet solemnity.
The cathedral interior rises around them: a nave of pale stone columns receding behind the figures, arched windows high on the left and right letting shafts of sunlight cut diagonally through the air, and a scatter of coloured light from stained glass falling across the flagstone floor. The light comes from the windows behind and above, so each hood rim catches a bright edge and each cloak falls into soft shadow down its front, the folds deepest in the red cloak, coldest in the blue. Fine dust drifts visibly in the beams, and the long cast shadows of the three figures stretch forward and slightly apart across the worn stone, converging where the floor seams meet. The composition is calm, frontal and balanced; the three colours of the cloaks are the loudest thing in a world of grey stone and golden light. Still, reverent.
余命一万一日
余
character: emilia_(re:zero), ram_(re:zero), rem_(re:zero), copyright: re:zero_kara_hajimeru_isekai_seikatsu
3girls, multiple girls, emilia_(re:zero), ram_(re:zero), rem_(re:zero), standing, full body, from directly in front, front view, facing viewer, white cloak, red cloak, blue cloak, hooded cloak, hood up, hood down?, long cloak, ground-length cloak, cloak covering whole body, cloak fully closed, tightly tied neck cord, no gaps, feet hidden, feet not visible, fully covered, wilderness, wasteland, barren ground, sunlight, outdoors, day, standing still, arms hidden under cloak, hands hidden, long hair, white hair, silver hair, purple eyes, hair ornament, hair flower, braid, pink hair, short hair, red eyes, hair over one eye, blue hair, blue eyes, three figures side by side, symmetric composition, horizon,
Front view, full bodies, the three stand in a row on bare wasteland ground: the white-cloaked figure at the left, the red-cloaked figure in the middle, the blue-cloaked figure at the right, all three square to the lens and separated by clear gaps of empty ground so each silhouette reads independently. Each cloak is one continuous sealed volume from the crown of the hood to the hem: the hood is pulled up and its front edge rises around the face, the thick cord at the throat is knotted tight and pulls the fabric into deep gathered creases under the chin, and the front seam runs straight down the centerline, its two edges overlapped and stitched shut so not one sliver of inner clothing, throat, wrist or ankle shows. The cloaks fall to the ground and their hems pool and crush flat against the dry soil, the fabric folding over itself where it meets the dirt; no foot, boot or shadow of a leg breaks that line. Arms are inside the cloth, and the only suggestion of them is a slight outward swell of the fabric at the hips and a vertical fall of folds where the sleeves hang. All three faces are visible inside their hoods, light and calm: the left figure's long silver-white hair spills out over the hood's front edge and a thin braid with a small flower ornament rests on the white wool; the middle figure's short pink hair is pushed aside over one eye by the hood's rim; the right figure's short blue hair shows one eye through the strands across her face. Their eyes go slightly to the side and up, off into the distance beyond the frame rather than into the lens, chins level, mouths closed.
The wasteland is a low, cracked plain of pale ochre dirt and scattered grit that recedes to a flat empty horizon under a wide hard sky; no tree, no building, no road, and the only texture is stone and dust. The sun is high and slightly behind the camera's left shoulder, so the light falls on the cloaks' fronts and casts short, hard shadows straight back and to the right of each hem; the white cloak blows out almost to pure white where the sun hits it, the red glows deep and warm, the blue sinks dark except along its top folds, and the three colors sit against the ochre ground with nothing else in the palette. Dust that the still air has lifted clings to the bottom third of each hem where it touches the dirt. Cool, sunlit, solemn.
余命一万一日
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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