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AI art "Peaceful Slumber" featuring #ベッド, #裸足, #頬染め, #金髪, #仰向け, #瞑目, #シャツ and #女の子
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Peaceful Slumber

There's something so incredibly soothing about this quiet moment, seeing her finally resting so peacefully. I really love the soft lighting and how it captures such a vulnerable, cozy mood that makes me feel calm just looking at it. If you enjoy this gentle style, please leave a like and follow for more art, and let me know your thoughts in the comments!

#ベッド#裸足#頬染め#金髪#仰向け#瞑目#シャツ#女の子
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1girl, solo, long hair, blonde hair, oversized shirt, white shirt, pajamas, lying on back, in bed, white sheets, peeing, urinating, wet clothes, wet pajamas, wet bed, embarrassed, blush, from above, wide shot A high-angle view from above looks down at a young girl with messy pale-blonde hair lying flat on her back across a bed. She wears a single, oversized white cotton t-shirt that reaches her mid-thighs, the fabric now clinging to her skin and the mattress. A translucent yellowish stain spreads rapidly from her groin across the white fabric of the shirt and into the white bed sheets beneath her, the moisture soaking into the mattress. Her legs are slightly parted and heavy on the mattress, her toes curling inward. She is frozen in a state of shame, her face flushed a deep red, eyes squeezed shut, and lips pressed tightly together in a distressed, embarrassed pout. The only light is the soft, cool glow of a bedside lamp casting a dim pool of light over the bed, leaving the rest of the room in heavy shadow. The pale yellow of the spreading wetness contrasts sharply against the stark white of the sheets and her shirt. Humiliating and quiet.
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オリジナルプロンプト
anime girl pee herself in bed
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
768 x 1280
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

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character: kuwayama_chiyuki, kuwayama_chiyuki(idol_master) overhead shot, top-down, from above, looking down, 1girl, solo, lying on back, lying on bed, hotel bed, bed sheet, messy bedding, disheveled sheets, arms at sides, arms splayed, limp arms, palms up, open hands, exhausted, tired, blush, flushed face, embarrassed, averted eyes, purple eyes, brown hair, long hair, braid, ahoge, black bra, lingerie, bare shoulders, bare arms, collarbone, sweaty skin, moist skin, sweat, dim lighting, warm light, ambient light, intimate, mature female, large breasts, from ceiling, room interior, dim room The camera hangs straight overhead at the ceiling, aimed directly down, so the whole bed fills the frame as a rectangle of rumpled white sheeting and the girl lies along its diagonal. She is on her back, her long brown hair fanned out and tangled across the pillow and the sheet, the thin braid trailing to one side against the linen, the short ahoge sprung loose; her face is turned slightly toward her own left shoulder, chin tipped away, so the top-down view gives her flushed cheeks full play — colour high across both cheekbones and the bridge of her nose, mouth slightly open on a shallow breath, brows drawn up in the middle, eyelids low and glancing off to the side rather than up at the ceiling, the whole expression embarrassed and spent. Her black bra sits against her chest, the straps pushed slightly out of line by the way she has collapsed, the cups shifting as her ribcage rises and falls. Both arms lie flung out to either side, well away from her body, elbows slightly bent and wrists slack, the backs of her hands against the sheets and every finger uncurled, palms facing straight up to the lens — nothing gripped, nothing closed. Her legs stretch down the bed with one knee fallen outward and one foot turned in. The bedding is a wreck: the duvet kicked into a ridge along the foot of the bed, the flat sheet pulled loose from the near corner and creased in diagonals under her hips, one pillow shoved half off the far edge, the mattress visibly dipping where her shoulder and hip press it down. In one cupped fold of the sheet beside her hand a small pool of moisture darkens the cotton, and a fine sheen of sweat sits on her throat, her shoulders and the tops of her breasts, catching the light along the bone edges rather than glowing. The only light source is a single warm bedside lamp off-frame to the upper left, so the lamp side of her body is gilded and the opposite side falls into soft brown shadow that deepens into the corners of the room; the shadows of her splayed arms stretch short and soft across the sheets away from the lamp. The palette is held to warm amber light, cream-white linen, deep brown shadow and the flat black of the bra, with the pink flush and faint violet of her irises the only cool accents. Intimate, heavy with fatigue.
uru

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