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Lillo Zuzu
Lillo ZuzuさんのAIイラストです。使用モデル: Tsubaki.3。
パラメーターを見る
- オリジナルプロンプト
- A scene inside a physical education gymnasium at a school in Japan. The interior features basketball hoops, climbing ropes, floor mats, and white lines marked on the wooden floor.
- モード
- pro
- 縦横比
- 1280 x 720
- サンプリング方法
- Euler
- ネガティブ
- (worst quality, low quality, normal quality, medium quality, draft, sketchy, lowres:1.4), deformed anatomy, bad anatomy, bad proportions, disfigured, mutated, gross, ugly face, asymmetric face, poorly drawn eyes, misaligned pupils, cross-eyed, dilated pupils, expressionless, blank stare, Bad hands, extra hands, missing hands, mutated hands, poorly drawn hands, (deformed fingers, extra fingers, missing fingers, fused fingers, webbed fingers, twisted fingers:1.4), elongated fingers, double thumbs, floating limbs, detached limbs, disconnected hands, awkward hand placement, Distorted cane, bent cane, multiple canes, floating cane, cane merging with clothes, cane merging with fingers, Deformed furniture, warped bookshelf, low-detail books, Bad feet, extra legs, poorly drawn clothing folds, modern casual clothes, sportswear, school uniform (unless specified), school blazer, t-shirt, jeans, Loud open-mouthed laughter, crying, panic, blushing, embarrassment, Blurry, motion blur, out of focus character, grain, noise, compression artifacts, text, title, watermark, copyright, signature, artist name, username, logo, border, frame, split screen, low-resolution background, neon colors, over-saturated colors, flat shading, MS Paint style, bad quality, anatomical nonsense, artistic error, interlocked fingers, extra toes, ugly, poorly drawn, censor, simple background, transparent background, old, oldest, glitch, deformed, long body, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands, big head, extra digits, bad eye, bad arms, missing arms, missing digit, missing limbs, fused hands, badly drawn hands, bad drawn hands, three hands, fewer fingers, extra limbs, extra arms, malformed limbs, too many fingers, changed hands, uneven arms, abnormal hands, poorly designed finger, poorly designed hands, abnormal finger, a hand with more than five digits, digit too long, broken limb, stamp, subtitle, date, footer, header, multiple angle, two shots, display uniform, grid view, ugly arms, a hand with more than five fingers, finger too long, poor anatomy, split view, grid display, (bad fingers: 1.3), poor quality, (inaccurate limbs: 1.3), (multiple legs: 1.3), (multiple arms: 1.3), (wrong hand: 1, 3), mutated hand, twisted body, (wrong proportions: 1.3), (low quality, worst quality: 1.4), (very bad anatomy), (inaccurate limb: 1.2), very bad composition, inaccurate eyes, (extra arms: 1.2)
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読むlz
A scene inside a physical education gymnasium at a school in Japan. The interior features basketball hoops, climbing ropes, floor mats, and white lines marked on the wooden floor.
Lillo Zuzu
ml
no humans, empty scene, indoors, sports hall, small stage, backdrop, judges table, folding chairs, stage lights, wide shot, from side, dutch angle, symmetrical equipment, no people, unoccupied chairs, empty stage, wooden gym floor, painted court lines, ceiling trusses, hanging lamps, curtain backdrop, spotlight beams, dust motes in light, high ceiling, deep perspective
A wide shot from a low side angle, tilted slightly off level, looks across an empty school sports hall toward a small raised stage at the far end. Nobody is present; every surface holds still. The stage is a low wooden platform, its front edge skirted in dark fabric, and behind it a tall backdrop curtain hangs in heavy vertical folds, pale cream at the top grading to dusty blue at the floor, its hem pooling an inch onto the boards. Directly in front of the stage, a long judges table draped in a white cloth stands square to the platform, with three folding chairs pushed in behind it at slightly uneven angles -- one pulled out a hand's width, its metal legs catching the light, its seat empty and its backrest still turned a few degrees off true. Two more rows of folding chairs fan out behind the judges table in loose arcs, all vacant, seats flipped down, a few backs left at differing angles as if the last people to leave stood up at different moments. The floor is scuffed varnished wood, its painted court lines running in long converging curves toward the stage and pulling the eye back into depth; scuff marks and a faint taped rectangle mark where equipment once stood. Overhead, steel trusses cross the high ceiling, and from them two stage lights on short arms angle down at the platform, plus a row of hanging industrial lamps receding into the darker far end of the hall. The stage lights are the dominant source: two hard warm-white beams cut down through the dusty air, landing as bright elliptical pools on the boards and spilling onto the backdrop, where the fabric's folds throw soft vertical shadows; the beams are visible as faint cones of suspended dust. Cooler daylight leaks in from high clerestory windows along the left wall, laying pale blue-grey rectangles across the seating rows, so the room reads in two temperatures -- warm on the stage, cold over the chairs. Beyond the lit pools the hall falls into deep shadow, the far bleachers and wall bars reduced to dim silhouettes. Palette is restricted to honey-varnished wood, cream and dusty blue of the curtain, cold grey-blue of the shaded seats, and the warm amber of the spotlights. Empty, expectant, quietly waiting.
me lin
w
no humans, scenery, background art, landscape, interior, japanese school at night, vast courtyard, courtyard seen from a high corner, wide shot, from above, dutch angle, empty, zero people, night, moonlight, deep blue palette, sealed door, magic circle, glowing seal, illusion magic, dimensional rift, sliding entrance hidden in plain sight, school building wings, covered walkway, colonnade, rows of windows, clock tower, trees, manicured hedges, stone paving, long shadows, atmospheric perspective, volumetric light, dust motes, stillness, quiet dread
The view is a high, tilted wide shot looking down across the whole courtyard from a third-floor corner of the school, the camera canted a few degrees so the courtyard's rectangular grid of paving runs diagonally out of the frame. No one is present anywhere in the image; the entire school is empty, every window dark. The courtyard is enormous, a broad quadrangle enclosed on three sides by low Japanese school buildings: two long parallel wings of pale concrete with regular grids of sliding windows, and between them a covered walkway of square pillars running the length of the yard, its roof a dark horizontal band. At the far end a squat clock tower rises above the rooflines, its face unlit, hands frozen. Along the near edge, clipped hedges and a row of bare-branched trees stand in a line, their long shadows raking across the stone paving toward the lower left of the frame, thrown by a single cold moon high behind and to the right of the camera. The moon is the only light source: it strikes the upward-facing surfaces -- the tops of the hedges, the walkway roof, the upper faces of the pillars, the flat stone flags -- and leaves every vertical face in deepening blue shadow, so the yard reads as a grid of lit planes and dark trenches.
The disguise is the whole subject. In the centre of the courtyard the paving stones are not what they seem: a huge circular magic circle lies flush with the ground, its lines disguised as ordinary paving joints and drainage grooves, the inlaid geometry only visible where the moonlight catches the shallow chamfers of the stone -- a faint silver-blue tracery curving through the grey flags, several metres across, partly hidden under a thin film of standing water that has gathered in the low seams. The seal holds: at the circle's exact centre a single vertical seam of faint cold light breathes between two paving slabs, no wider than a finger, glowing dim cyan and fading at its edges, the only warm-free colour in the frame besides the moon. A trickle of water runs along the drainage groove and stops dead at that seam, beading and refusing to cross — the seal is a real barrier, and the water proves it. The light from the seam does not spill; it is a glow, not a lamp, and the surrounding stone stays in shadow. Behind and below the main circle, at the base of the far wing where the covered walkway meets the building, a sliding door stands ajar in its frame — a plain school entrance, apparently ordinary — and the darkness beyond it is absolute, a black rectangle the moonlight does not enter, as though the corridor behind it belongs to another space entirely. Nothing moves; the air holds a few faint dust motes and a low ground mist lying in the paving seams.
Palette: deep indigo and slate blue across the buildings and shadow, cold silver where the moon strikes stone and hedge, one restrained cyan seam of sealed light at the courtyard's heart, the whole image keyed low and dark with the sky a deep navy above the rooflines. Detail budget is spent on the courtyard's geometry — the paving grid, the run of pillars and their shadows, the circle of disguised tracery — while the distant tower and the far windows stay simplified in atmospheric blue haze. Quiet dread.
whitekopper
A wide-angle medium shot of an empty school hallway, viewed from a straight-on perspective. The scene features a polished wooden floor reflecting the soft light, flanked by rows of lockers and sliding classroom doors made of light-colored wood. Large windows along one side allow bright, natural daylight to stream in, casting soft rectangular shadows across the floor. The atmosphere is quiet and nostalgic, evoking a peaceful afternoon in a Japanese high school. The visual style is a clean anime illustration with a bright, airy color palette, characterized by soft lighting and a sense of stillness.
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ᯓ★ ⚡ ♡ ᯓ★
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entrophee_E:
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𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
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reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
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이름
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2
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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