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AI art "Unconscious Condemnation 4" featuring #立つ, #ローブ, #多腕, #ペストマスク and #あなたがカッコいいと思うポーズ
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Unconscious Condemnation 4

Killing European Sons (Redefined)

参加作品
自分が思うカッコいいポーズ#あなたがカッコいいと思うポーズ
#立つ#ローブ#多腕#ペストマスク
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うざぴょい

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``` <character> <character_tag>plague_doctor, multi_arm, nonhuman_head, goggles</character_tag> <artist_tag>monochrome, ink_wash, surrealism, high_contrast</artist_tag> <natural_language_description>A monochrome, decadent scene captured with highest quality artistic composition. The background is extremely simple and devoid of color, resembling a screen almost entirely covered in black and white. The ceiling is not visible, yet a figure hangs down from the top edge of the frame, assuming a complex, modern dance pose. Its clothing appears very simple, like a draped cloth or a futuristic costume, covering its entire body with almost no skin exposed. From the gaps in the fabric, the figure's head is visible, featuring a deformed, unclear face that resembles a reptile wearing a plague doctor's beak mask and goggles. The limbs are anatomically precise, yet it possesses more arms than a human. Numerous arms move freely from above, appearing to lure the viewer down an evil path or offer condolences to a doomed world. The entire form is rendered with black, smudged ink strokes, evoking a harsh industrial, noise-music atmosphere with a sense of explicit evil.</natural_language_description> </character> ```
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オリジナルプロンプト
Birmingham Techno Style, Surgeon Style, sfw, hard, Industrial, Noise-Music Atmosphere, explicit evil, artistic composition, Regis - killing european sons, モノクロームな退廃的光景を表している表現です。天井は見えませんが、画面上から異形の頭部を持った存在がぶら下がり、現代舞踊的な複雑なポーズを決めています。衣服は非常に簡素な布とも、未来的なコスチュームとも見えます。肌の露出はほとんどなく、布で全身覆われていています。布の隙間から覗く頭部は、ペスト医師(plague doctor)のような、くちばし付きのゴーグルを被った爬虫類のような風貌にも見えます。不明瞭です。解剖学的に正確な手足の描写ですが、腕の本数は人間より多いです。何本もの腕を画面上から自在に操り、こちらを悪の道に誘っているようにも、破滅していく世界に弔意を表しているようにも見えます。画面はほぼ白黒に覆われ、背景は極めてシンプルです。異形の存在のみが黒くかすれたインクで描かれているような、最高のクオリティの表現です。
品質タグ
high quality, year_2025, year_2024, ﹝プロンプト﹞
縦横比
768 x 1280
サンプリングステップ
25
サンプリング方法
Euler
CFGスケール
4.5
ネガティブ
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

利用したモデルとLoRA

Tsubaki - AI Modelのカバー画像

PixAI DiT.1

Tsubaki
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copyright: scp_foundation 1boy, solo, plague doctor, long black hooded robe, white beaked crow mask, holding syringe, hood up, beak mask, from below, close-up, cowboy shot, three-quarter view, looking at viewer, head tilted down, gloved hand, black leather gloves, dark fabric folds, low key lighting, chiaroscuro, cold palette, vertical composition, dutch angle, ominous The camera sits low, looking up, and the figure fills the frame from mid-thigh to the top of the hood: a lone boy in a long black hooded robe, three-quarters turned, head tilted down so the white beaked crow mask points straight at the lens. The hood's heavy black fabric is drawn up over the crown of the head, its front edge casting a hard shadow across the mask's brow, so only the mask's curve and the slit of its two eye holes catch the light; beneath the hood's lip the mask's long beak juts forward and down, its white surface scuffed at the tip, tapering to a point that nearly meets the viewer's eye line in foreshortening. The robe hangs to the ankles in thick, matte black folds, its hem broken where one knee presses forward through the cloth; a rope cord cinches the waist, and the sleeves swallow the arms to the wrists. The right hand is raised across the chest, elbow bent, black-gloved fingers wrapped around a glass syringe held upright, thumb braced against the plunger flange, the needle rising past the collarbone toward the bottom edge of the beak; a thin bright line runs down the glass barrel where a single low light source grazes it from the upper left, and the metal needle catches a pinpoint highlight. The left arm hangs at the side, gloved hand slightly open, half lost in shadow against the robe. The only light is a single cold source from upper left, behind and above the viewer's shoulder, rimming the left edge of the hood and the left side of the beak while the right side of the mask and the whole front of the robe fall into deep charcoal shadow; no fill light, the background a near-black void with a faint suggestion of a stone wall receding out of focus at the right edge. The palette holds to white mask, black robe, glass and steel, and the muted blue-grey of the shadows, nothing else admitted. The gaze of the mask's dark eye holes is fixed on the viewer. Ominous, clinical stillness.
Ziro Chan

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