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AI artwork featuring #Fateシリーズ and #Fate/Grand Order
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Fateシリーズ・Fate/Grand Order

#Fateシリーズ#Fate/Grand Order
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C9I

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no humans, still life, dark vintage microscope, brass and black enamel microscope, dusty laboratory, wooden table, glass vial, glowing green liquid, ethereal green glow, scalpel, velvet cloth, dark red velvet, window, heavy rain outside, rain streaks on glass, deep shadows, film grain, chiaroscuro, rim light, shallow depth of field, 16:9, cinematic composition, no text, no writing, no letters, no watermark, no logo, clean unmarked surfaces, hyper-detailed, quiet serious scientific mood A cinematic still-life composition at 16:9, camera at a low three-quarter angle just above tabletop height, tilted slightly downward along the grain of the wooden table so the objects recede in a diagonal row from lower-left to right: on the left, a dark vintage microscope of blackened brass and worn black enamel, its curved arm and rack-and-pinion barrel rising against the dark; at the center-right a finger-length glass vial stopped with a ground-glass stopper, filled with luminous ethereal green liquid that throws a soft emerald pool of light onto the tabletop beneath it and a green caustic thread onto the varnish; at the near right, ahead of the vial, a slim scalpel laid flat across a folded dark red velvet cloth, its steel blade catching one thin cold highlight, the cloth's nap flattened where the blade and handle press into it. The three objects sit in a dimly lit, dusty laboratory: a worn wooden tabletop with visible grain and a soft film of settled dust, a faint darkened shelf and blurred glassware in the deep background, and at the back left a tall window with heavy rain falling outside, streaking water down the panes and beading on the sill. Lighting: a single cold blue-grey source through the window rakes in from the back left, rimming the microscope's brass edges and the vial's shoulder from behind; the green liquid is the only other light, a small living glow that lights the vial's glass walls from within and stains the immediate wood green; everywhere else the shadows go nearly absolute, with the table's far edge and the corners of the room sinking into black. Everything on the table is clean and unmarked: polished brass and enamel, clear glass, spotless steel, velvet with no dust on its raised folds; nothing in the frame carries letters, numbers, labels or writing of any kind, and the image is one unbroken rectangle with no overlaid marks, borders, or logos. The green glow is the picture's single warm-hearted thing in a cold clinical room, and the visual argument sits in the small distance between the sterile instrument row and that fragile, living light. Quiet, serious, ethically charged.
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オリジナルプロンプト
A dark, vintage microscope in a dimly lit, dusty laboratory. Beside it on a wooden table lies a glass vial filled with a glowing, ethereal green liquid, and a scalpel resting on a velvet cloth. Outside the window, heavy rain is falling. The contrast between clinical coldness and the fragile miracle of life. Mood: quiet, serious, scientific, ethical. Cinematic still life, deep shadows, 8k, hyper-detailed, film grain. No text, no watermark. --ar 16:9
モード
pro
縦横比
992 x 992
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

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AI artwork
Avatar image of C9I
no humans, still life, dark vintage microscope, brass and black enamel microscope, dusty laboratory, wooden table, glass vial, glowing green liquid, ethereal green glow, scalpel, velvet cloth, dark red velvet, window, heavy rain outside, rain streaks on glass, deep shadows, film grain, chiaroscuro, rim light, shallow depth of field, 16:9, cinematic composition, no text, no writing, no letters, no watermark, no logo, clean unmarked surfaces, hyper-detailed, quiet serious scientific mood A cinematic still-life composition at 16:9, camera at a low three-quarter angle just above tabletop height, tilted slightly downward along the grain of the wooden table so the objects recede in a diagonal row from lower-left to right: on the left, a dark vintage microscope of blackened brass and worn black enamel, its curved arm and rack-and-pinion barrel rising against the dark; at the center-right a finger-length glass vial stopped with a ground-glass stopper, filled with luminous ethereal green liquid that throws a soft emerald pool of light onto the tabletop beneath it and a green caustic thread onto the varnish; at the near right, ahead of the vial, a slim scalpel laid flat across a folded dark red velvet cloth, its steel blade catching one thin cold highlight, the cloth's nap flattened where the blade and handle press into it. The three objects sit in a dimly lit, dusty laboratory: a worn wooden tabletop with visible grain and a soft film of settled dust, a faint darkened shelf and blurred glassware in the deep background, and at the back left a tall window with heavy rain falling outside, streaking water down the panes and beading on the sill. Lighting: a single cold blue-grey source through the window rakes in from the back left, rimming the microscope's brass edges and the vial's shoulder from behind; the green liquid is the only other light, a small living glow that lights the vial's glass walls from within and stains the immediate wood green; everywhere else the shadows go nearly absolute, with the table's far edge and the corners of the room sinking into black. Everything on the table is clean and unmarked: polished brass and enamel, clear glass, spotless steel, velvet with no dust on its raised folds; nothing in the frame carries letters, numbers, labels or writing of any kind, and the image is one unbroken rectangle with no overlaid marks, borders, or logos. The green glow is the picture's single warm-hearted thing in a cold clinical room, and the visual argument sits in the small distance between the sterile instrument row and that fragile, living light. Quiet, serious, ethically charged.
C9I
AI artwork
Avatar image of C9I
no humans, still life, dark vintage microscope, brass and black enamel microscope, dusty laboratory, wooden table, glass vial, glowing green liquid, ethereal green glow, scalpel, velvet cloth, dark red velvet, window, heavy rain outside, rain streaks on glass, deep shadows, film grain, chiaroscuro, rim light, shallow depth of field, 16:9, cinematic composition, no text, no writing, no letters, no watermark, no logo, clean unmarked surfaces, hyper-detailed, quiet serious scientific mood A cinematic still-life composition at 16:9, camera at a low three-quarter angle just above tabletop height, tilted slightly downward along the grain of the wooden table so the objects recede in a diagonal row from lower-left to right: on the left, a dark vintage microscope of blackened brass and worn black enamel, its curved arm and rack-and-pinion barrel rising against the dark; at the center-right a finger-length glass vial stopped with a ground-glass stopper, filled with luminous ethereal green liquid that throws a soft emerald pool of light onto the tabletop beneath it and a green caustic thread onto the varnish; at the near right, ahead of the vial, a slim scalpel laid flat across a folded dark red velvet cloth, its steel blade catching one thin cold highlight, the cloth's nap flattened where the blade and handle press into it. The three objects sit in a dimly lit, dusty laboratory: a worn wooden tabletop with visible grain and a soft film of settled dust, a faint darkened shelf and blurred glassware in the deep background, and at the back left a tall window with heavy rain falling outside, streaking water down the panes and beading on the sill. Lighting: a single cold blue-grey source through the window rakes in from the back left, rimming the microscope's brass edges and the vial's shoulder from behind; the green liquid is the only other light, a small living glow that lights the vial's glass walls from within and stains the immediate wood green; everywhere else the shadows go nearly absolute, with the table's far edge and the corners of the room sinking into black. Everything on the table is clean and unmarked: polished brass and enamel, clear glass, spotless steel, velvet with no dust on its raised folds; nothing in the frame carries letters, numbers, labels or writing of any kind, and the image is one unbroken rectangle with no overlaid marks, borders, or logos. The green glow is the picture's single warm-hearted thing in a cold clinical room, and the visual argument sits in the small distance between the sterile instrument row and that fragile, living light. Quiet, serious, ethically charged.
C9I
AI artwork
Avatar image of C9I
no humans, still life, dark vintage microscope, brass and black enamel microscope, dusty laboratory, wooden table, glass vial, glowing green liquid, ethereal green glow, scalpel, velvet cloth, dark red velvet, window, heavy rain outside, rain streaks on glass, deep shadows, film grain, chiaroscuro, rim light, shallow depth of field, 16:9, cinematic composition, no text, no writing, no letters, no watermark, no logo, clean unmarked surfaces, hyper-detailed, quiet serious scientific mood A cinematic still-life composition at 16:9, camera at a low three-quarter angle just above tabletop height, tilted slightly downward along the grain of the wooden table so the objects recede in a diagonal row from lower-left to right: on the left, a dark vintage microscope of blackened brass and worn black enamel, its curved arm and rack-and-pinion barrel rising against the dark; at the center-right a finger-length glass vial stopped with a ground-glass stopper, filled with luminous ethereal green liquid that throws a soft emerald pool of light onto the tabletop beneath it and a green caustic thread onto the varnish; at the near right, ahead of the vial, a slim scalpel laid flat across a folded dark red velvet cloth, its steel blade catching one thin cold highlight, the cloth's nap flattened where the blade and handle press into it. The three objects sit in a dimly lit, dusty laboratory: a worn wooden tabletop with visible grain and a soft film of settled dust, a faint darkened shelf and blurred glassware in the deep background, and at the back left a tall window with heavy rain falling outside, streaking water down the panes and beading on the sill. Lighting: a single cold blue-grey source through the window rakes in from the back left, rimming the microscope's brass edges and the vial's shoulder from behind; the green liquid is the only other light, a small living glow that lights the vial's glass walls from within and stains the immediate wood green; everywhere else the shadows go nearly absolute, with the table's far edge and the corners of the room sinking into black. Everything on the table is clean and unmarked: polished brass and enamel, clear glass, spotless steel, velvet with no dust on its raised folds; nothing in the frame carries letters, numbers, labels or writing of any kind, and the image is one unbroken rectangle with no overlaid marks, borders, or logos. The green glow is the picture's single warm-hearted thing in a cold clinical room, and the visual argument sits in the small distance between the sterile instrument row and that fragile, living light. Quiet, serious, ethically charged.
C9I
#Fateシリーズ#Fate/Grand Order

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