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默默-joker

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1girl, solo, lying face down on bed, on stomach, torso twisted, head turned to viewer, chin lifted, looking at viewer, one arm outstretched on bed, both legs raised, legs crossed, one calf over the other, sole facing viewer, enlarged sole, foot angled down, dark toenails, dark brown pantyhose, sheer legwear, diamond pattern on thighs, skin creases through fabric, black maid dress, white frilled collar, red necktie, white chest stitching, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, silver bonnet ornaments, white X-shaped hair clips, white bedding, two-tone round cushion, cushion behind legs, open mouth, fang, blush, high angle, from above, three-quarter view, full body, dutch angle, diagonal body, head in upper left, depth of field, soft window light, warm cream palette, textured fabric, From a high three-quarter angle looking steeply down, one girl lies face down on a white bed, her head placed in the upper left of the frame and her body running on a long diagonal toward the lower right corner, the whole figure from bonnet to soles kept inside the frame. Her hips stay pressed to the mattress while her torso twists so her chest turns up toward the lens; her head is turned over her shoulder, chin lifted, and both eyes look straight up into the camera. One arm stretches out along the bedding to the left, palm flat, fingers splayed, the black sleeve pulled taut at the shoulder seam. Both legs are raised off the mattress and crossed, one calf laid over the other, the lower leg's knee bent under it. The upper foot is turned so its sole faces the lens, tilted toward the light and foreshortened large in the foreground; the fabric pulls tight across that sole and across the ball of the foot, so fine creases radiate from the toes and the dark toenails show through the dark brown sheer pantyhose as a soft blurred shadow, their neat oval shapes crisp. The other foot hangs lower at the bottom right, angled downward, its toe pointed toward the mattress. The dark diamond pattern widens across the thighs where the nylon stretches over the bend of the crossed knee, and the pattern thins toward the ankles. Under the legs, half hidden by the upper body, the two-tone round cushion rests on the white bedding exactly behind her legs, one half pale cream and one half deeper rose-brown, compressed and denting where the crossed ankles pass over it. She wears the black maid dress, its white frilled collar turned up at the nape, the red necktie hanging loose and flipped onto the sheet below her chin, the white stitch pattern running down the chest panel that twists toward the lens, the white frilled apron spread over her lower back, and the black miniskirt with its white hem flipped up over the hips. The long black sleeves wrinkle at the stretched elbow. The white frilled maid bonnet sits on the back of her head, four silver pointed ornaments standing up in a fan from the crown, and the white X-shaped hair clips fasten the hair at her temples. Her mouth is open in a small surprised round, a single small fang showing at the corner of her upper lip, and a hot blush spreads across both cheeks and over the bridge of her nose; one brow lifts higher than the other. Daylight comes from a window at the upper left, so the light rakes across her upturned face, the stretched shoulder and the raised sole, while her shadow falls away to the lower right and pools in the dip of the mattress beneath her twisted waist; the bedding in the bottom corner is turned cool grey, and the crumpled sheet carries faint creases radiating out from her hips. Palette held to black, white, dark brown and the red of the necktie, with warm cream light over all. Playful, teasing.
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オリジナルプロンプト
lying face down, torso twisted, head turned to viewer, chin lifted, one arm stretched on bed, both legs raised, crossed, one calf over the other, one sole facing the lens, enlarged, visible skin creases through the sheer fabric, the other foot angled down, neatly shaped dark toenails through the sheer fabric, high angle, from above, three-quarter, head in the upper left of the frame, body diagonal, full body, dark brown sheer pantyhose over hips to toes, dark diamond thigh pattern, black maid dress, white frilled collar, red necktie, white chest stitch pattern, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed bonnet ornaments, white X-shaped hair clips, white bedding, two-tone round cushion behind legs, mouth open, small fang visible, looking at viewer, blushing
モード
flash
縦横比
1104 x 1824
プロンプト自動変換

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AI artwork
Avatar image of 默默-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion, A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest. The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding. Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
默默-joker
AI artwork
Avatar image of 默默-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion, A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest. The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding. Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
默默-joker
AI artwork
Avatar image of 默默-joker
1girl, solo, lying, lying on stomach, face down, on bed, torso twist, head turned to viewer, chin up, looking at viewer, mouth open, fang, blush, one arm extended, outstretched arm, legs up, calves crossed, crossed ankles, one leg raised, foot focus, soles, toes, full body, three-quarter view, from above, high angle, dutch angle, diagonal composition, black maid dress, white frilled collar, red necktie, white embroidery on chest, white frilled apron, black miniskirt, white hem, long black sleeves, white frilled maid bonnet, four silver pointed ornaments, white X hair clips, dark brown pantyhose, sheer pantyhose, diamond pattern, white bedding, round cushion, two-tone cushion, A high-angle three-quarter view looking down onto a bed, the camera tilted so the whole frame runs on a diagonal: her head lands in the upper left, her body falling away toward the lower right, the full figure inside the frame from bonnet to soles. She lies face down on white bedding, chest and belly pressed into the sheet, her torso twisted at the waist so the shoulders turn back up toward the lens. Her chin is lifted clear of the mattress, head turned to the viewer, eyes locked on the lens, cheeks flushed red, mouth open with the small fang catching on the lower lip. Her right arm is stretched flat along the bed toward the upper-left corner, palm down, fingers loose and sinking slightly into the sheet, the black sleeve wrinkled at the elbow. Both legs are raised off the mattress behind her, knees bent, calves crossed with the left calf laid over the right; the right foot turns its sole up toward the lens, toes compressed into the fabric, while the left foot angles down past the edge of the skirt with its toes visible pressing through the sheer. The dark brown sheer pantyhose runs unbroken from the hips to the toes, so the white skin blurs through it, faint horizontal creases gathering behind the knees and at the ankles where the fabric pulls taut, and the dark diamond lattice sits on the thighs where the weave is stretched widest. The black maid dress bunches at the twisted waist; the white frilled collar sits at her throat with the red necktie knotted beneath it and the white stitch pattern tracing the chest of the bodice; the white frilled apron spills across the bedding under her hips; the black miniskirt with its white hem flips up over the raised legs. The white frilled bonnet straps under her chin, its four silver pointed ornaments standing up off the crown, and the white X-shaped clips pin her hair flat at one temple. Behind her raised legs, at the far edge of the sheet, a round two-tone cushion rests half-sunk in the bedding. Light comes from a soft window high at the upper left, the only source: it rakes the crown of the bonnet and her lifted face, skims the top of the raised calf and the upturned sole, and throws a short soft shadow of her crossed ankles down onto the sheet; the underside of her twisted torso and the far side of the cushion hold the deepest tone. Palette: white bedding and white frills against black dress and dark brown hosiery, one saturated red at the necktie, cool silver on the bonnet ornaments. The sheet dips where her hips and elbow press into it. Playful, inviting.
默默-joker

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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