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AI art "Demon girl on a park bench"
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Demon girl on a park bench

#ニーハイソックス#座る#尖った耳#スカート#ブーツ#野外#影#鬼#ロングヘア#ソロ#黒髪#角#黒ニーハイ#翼#草#木#ウイスキー#金眼#夜#悪魔娘#肩出し#カメラ目線#アンクルブーツ#女の子#赤肌#持つ#ベンチ#全身#悪魔の角#異色肌
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Avatar image of Joshua Froat
1girl, solo, demon girl, pure white skin, pure white eyes, blank white irises, black squiggly tattoo from both eye corners to ears, plump black lips, pointed ears, wide hips, large breasts, long black hair, bangs, black fingernails, black horns on forehead, womb tattoo on lower abdomen, long black demon tail, open lavender leather jacket, oversized jacket, jacket covers most of hands, one sleeve rolled up, fishnet shirt, tube top over fishnet shirt, tight short leather shorts, fishnet stockings, japanese sandals, geta, sitting, sitting on bench, holding phone, smartphone, scrolling, looking at phone, crossed legs, leaning back, hell, hellscape, flames, embers, dark red sky, dutch angle, cowboy shot, from below, looking down, Low dutch angle, cowboy shot from slightly below: a single demon woman slouches at one end of a scarred iron-and-bone bench, her weight dropped onto the right hip with the right thigh crossed over the left, the left sandal hanging half off the toes of her foot. Her torso leans back against the bench's cold upright, shoulders loose, head tipped forward and down so her bangs fall across her brow and her pure white eyes — white irises with only the faintest ring of structure, no visible pupil — fix on the phone screen in her right hand. Her right thumb hovers just above the glass, mid-scroll. Everything above her collarbone is closed by the described anatomy: pure white skin without a blemish, plump black lips parted slightly on a slow exhale, pointed ears breaking the silhouette of her hair, the two black squiggly tattoos scribbling from the outer corners of both eyes back to the ears, and the black horns rising from her forehead in front of her long black hair. The white of her eyes catches the phone's glow as two small hard rectangles. The lavender leather jacket sits open and a size too big on her, its shoulders slipping wide past her own, the left cuff swallowing most of her hand so only her black-nailed fingertips and the phone's lower edge emerge; the right sleeve is rolled once, tight above the wrist, leaving her bare white forearm and the black nails of her right hand fully visible around the phone's body. Under the jacket, a black fishnet shirt, and over the fishnet a tube top stretched across her large chest. Below it, tight short black leather shorts crease at the hip, and the fishnet stockings run down over her wide hips' line to the geta sandals. The womb tattoo sits at her lower abdomen just above the shorts' waistband, its lines partly crossed by the fishnet's grid. Her long black demon tail slides off the bench's edge behind her, its spade tip hanging beside the left rear leg, the tip twitching slightly. The bench stands mid-frame on a cracked basalt ledge; behind her the hellscape falls away in receding layers — a broken iron railing, distant tower silhouettes jagged against a churning dark-red sky, and lower still the glow of a lava channel running through the rock. Embers drift upward on the thermal draft, and every one that lands on an upward-facing surface — the bench's top edge, her shoulders, the phone's screen bezel — sits there and dims, while the undersides of the bench and her jaw stay in shadow. The only real light on her comes from below-left: the lava's orange-red bounce, which rims the underside of her chin, the inner edges of her arms, and the undersides of her breasts where the tube top meets skin, leaving her crown and the tops of her horns in near-dark. The phone throws a second, smaller cold white light straight up into her face, and that is the light her white eyes and black lips are reading against. Palette: white skin, black hair and ink, lavender leather, and the red-orange hellglow — nothing else. Moody, unhurried.
Joshua Froat

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