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AI art "Karin \(Blue Archive\)" featuring #ブルアカ and #角楯カリン
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Karin \(Blue Archive\)

#ブルアカ
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Karin \(Blue Archive\), 1girl, general,side pose, hands adjusting hair, relaxed stance, natural smile, soft gaze, gentle lighting, off-stage idol vibe,lace-trimmed night top, deep neckline, satin shorts, gentle contrast textures,convenient censoring, asymmetry, (dramatic angle:1.2), shine, cinematic_lighting, (masterpiece, all intricate, best quality, detailed face), cowboy shot,fu_style
パラメーターを見る
縦横比
896 x 1152
サンプリングステップ
8
サンプリング方法
Euler a
CFGスケール
2.1
ネガティブ
long neck, deformed, mutated, mutation, ugly, disfigured, poorly drawn face, skin blemishes, skin spots, acne, the wrong limb, lowers, bad anatomy, bad hands, text, error, missing fingers, extra digit,Excess fingers, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry,Black line,Excess hands, extra hands, jpeg artifacts

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rs
character: umise_yotsuha, copyright: nijisanji 1girl, solo, umise yotsuha, long purple hair in double buns with multicolored streaks, yellow eyes, bright sparkling eyes, wide natural smile, open mouth, genuine happiness, joyful, relaxed expression, slightly flushed cheeks, blush, looking at viewer, head tilt, futuristic white techwear, cyberpunk-inspired fashion, monochrome white and black aesthetic, fitted white sleeveless high-neck top, smooth stretchy technical fabric, structured bodice, thin black geometric lines across chest, angular black piping, futuristic typography near neckline, corset-inspired waist, central vertical white zipper with circular metallic pull, structured waistline, white high-waisted mini shorts, slightly flared wide leg openings, smooth matte fabric, black angular stripe details on shorts, vertical futuristic lettering along one thigh, detached oversized white balloon sleeves, extremely voluminous long sleeves, bare shoulders, exposed upper arms, gathered fabric around upper biceps, wide black adjustable straps with rectangular silver buckles, black vertical stripes along outer sleeves, gathered cuffs, wide black leather choker, silver buckle, metallic hardware, thin white decorative straps hanging from shorts, minimalist industrial accessories, dramatic flowing silhouette, realistic fabric folds, detailed stitching, highly detailed clothing, cowboy shot, from below, dutch angle, arms up, standing on one leg, motion blur on sleeves, hair ornament, hairclip The camera looks up from hip height at a slight dutch tilt, so the girl's body rises diagonally across the frame and the voluminous sleeves billow out to either side of her. She is caught mid-spin on the ball of her right foot, her left leg lifted and bent behind her with the knee tucked, her left hip pushed out and bearing nothing, her shoulders thrown back and both arms flung up and outward so the oversized balloon sleeves fill the upper corners of the frame. Her chin is lifted and turned a few degrees off-axis, her head tilting toward her raised right shoulder, and both yellow eyes look straight down the lens with a wet, catching sparkle; her wide open smile shows her upper teeth, the corners of her mouth pulled high and uneven, her brows lifted and relaxed, and a warm flush sits high across both cheeks and the bridge of her nose. A few strands of long purple hair have escaped the twin buns and swing across her jaw, and the loose multicolored ends trail after the spin. The high-neck white top hugs her torso as a smooth stretchy technical knit, its structured bodice pulling into faint tension lines over the bust and snapping back taut at the ribs, with thin black geometric lines and angular black piping crossing the chest at an offset angle, and small futuristic lettering sitting just below the collarbone on the high collar. A central white zipper runs vertically from the collar to the corset-inspired waist, its circular metallic pull catching a hard highlight and hanging a little off-center from the spin; the structured waistline cinches in below it and then flares into the matte white high-waisted mini shorts, whose wide leg openings bell away from her thighs to show the dark gap beneath, black angular stripes cutting across the hips and a column of vertical futuristic lettering running down one thigh. The thin white decorative straps hanging from the shorts whip outward with the turn and cross in front of her bare thigh. Her shoulders and upper arms are entirely bare, the voluminous white balloon sleeves riding detached from the body, gathered and cinched around each upper bicep by a wide black strap with a rectangular silver buckle; black vertical stripes run down the outer sleeves, and the gathered cuffs pucker at her wrists. A wide black leather choker with a silver buckle and small metallic hardware wraps her throat above the collar of the top. The environment is a seamless dark charcoal studio void with a faint horizon-less gradient, no floor line, no props; a cool white key light from high camera-left rakes across the top of her head and the tops of the balloon sleeves, producing a crisp rim on every upward-facing fold, while a dim cyan bounce from low right lifts the undersides of the flared shorts and the inner curves of the sleeves, and a soft magenta edge catches the trailing hair. The only shadow is a soft contact one beneath her supporting foot. Palette is disciplined to white, black and the cool charcoal ground, with her purple hair and yellow eyes as the single warm note, and the metallic zipper pull and buckles the only specular accents. Effortlessly bright, buoyant.
Rey Shaut
AI artwork
rs
character: umise_yotsuha, copyright: nijisanji 1girl, solo, umise yotsuha, long purple hair in double buns with multicolored streaks, yellow eyes, bright sparkling eyes, wide natural smile, open mouth, genuine happiness, joyful, relaxed expression, slightly flushed cheeks, blush, looking at viewer, head tilt, futuristic white techwear, cyberpunk-inspired fashion, monochrome white and black aesthetic, fitted white sleeveless high-neck top, smooth stretchy technical fabric, structured bodice, thin black geometric lines across chest, angular black piping, futuristic typography near neckline, corset-inspired waist, central vertical white zipper with circular metallic pull, structured waistline, white high-waisted mini shorts, slightly flared wide leg openings, smooth matte fabric, black angular stripe details on shorts, vertical futuristic lettering along one thigh, detached oversized white balloon sleeves, extremely voluminous long sleeves, bare shoulders, exposed upper arms, gathered fabric around upper biceps, wide black adjustable straps with rectangular silver buckles, black vertical stripes along outer sleeves, gathered cuffs, wide black leather choker, silver buckle, metallic hardware, thin white decorative straps hanging from shorts, minimalist industrial accessories, dramatic flowing silhouette, realistic fabric folds, detailed stitching, highly detailed clothing, cowboy shot, from below, dutch angle, arms up, standing on one leg, motion blur on sleeves, hair ornament, hairclip The camera looks up from hip height at a slight dutch tilt, so the girl's body rises diagonally across the frame and the voluminous sleeves billow out to either side of her. She is caught mid-spin on the ball of her right foot, her left leg lifted and bent behind her with the knee tucked, her left hip pushed out and bearing nothing, her shoulders thrown back and both arms flung up and outward so the oversized balloon sleeves fill the upper corners of the frame. Her chin is lifted and turned a few degrees off-axis, her head tilting toward her raised right shoulder, and both yellow eyes look straight down the lens with a wet, catching sparkle; her wide open smile shows her upper teeth, the corners of her mouth pulled high and uneven, her brows lifted and relaxed, and a warm flush sits high across both cheeks and the bridge of her nose. A few strands of long purple hair have escaped the twin buns and swing across her jaw, and the loose multicolored ends trail after the spin. The high-neck white top hugs her torso as a smooth stretchy technical knit, its structured bodice pulling into faint tension lines over the bust and snapping back taut at the ribs, with thin black geometric lines and angular black piping crossing the chest at an offset angle, and small futuristic lettering sitting just below the collarbone on the high collar. A central white zipper runs vertically from the collar to the corset-inspired waist, its circular metallic pull catching a hard highlight and hanging a little off-center from the spin; the structured waistline cinches in below it and then flares into the matte white high-waisted mini shorts, whose wide leg openings bell away from her thighs to show the dark gap beneath, black angular stripes cutting across the hips and a column of vertical futuristic lettering running down one thigh. The thin white decorative straps hanging from the shorts whip outward with the turn and cross in front of her bare thigh. Her shoulders and upper arms are entirely bare, the voluminous white balloon sleeves riding detached from the body, gathered and cinched around each upper bicep by a wide black strap with a rectangular silver buckle; black vertical stripes run down the outer sleeves, and the gathered cuffs pucker at her wrists. A wide black leather choker with a silver buckle and small metallic hardware wraps her throat above the collar of the top. The environment is a seamless dark charcoal studio void with a faint horizon-less gradient, no floor line, no props; a cool white key light from high camera-left rakes across the top of her head and the tops of the balloon sleeves, producing a crisp rim on every upward-facing fold, while a dim cyan bounce from low right lifts the undersides of the flared shorts and the inner curves of the sleeves, and a soft magenta edge catches the trailing hair. The only shadow is a soft contact one beneath her supporting foot. Palette is disciplined to white, black and the cool charcoal ground, with her purple hair and yellow eyes as the single warm note, and the metallic zipper pull and buckles the only specular accents. Effortlessly bright, buoyant.
Rey Shaut
AI artwork
rs
character: umise_yotsuha, copyright: nijisanji 1girl, solo, umise yotsuha, long purple hair in double buns with multicolored streaks, yellow eyes, bright sparkling eyes, wide natural smile, open mouth, genuine happiness, joyful, relaxed expression, slightly flushed cheeks, blush, looking at viewer, head tilt, futuristic white techwear, cyberpunk-inspired fashion, monochrome white and black aesthetic, fitted white sleeveless high-neck top, smooth stretchy technical fabric, structured bodice, thin black geometric lines across chest, angular black piping, futuristic typography near neckline, corset-inspired waist, central vertical white zipper with circular metallic pull, structured waistline, white high-waisted mini shorts, slightly flared wide leg openings, smooth matte fabric, black angular stripe details on shorts, vertical futuristic lettering along one thigh, detached oversized white balloon sleeves, extremely voluminous long sleeves, bare shoulders, exposed upper arms, gathered fabric around upper biceps, wide black adjustable straps with rectangular silver buckles, black vertical stripes along outer sleeves, gathered cuffs, wide black leather choker, silver buckle, metallic hardware, thin white decorative straps hanging from shorts, minimalist industrial accessories, dramatic flowing silhouette, realistic fabric folds, detailed stitching, highly detailed clothing, cowboy shot, from below, dutch angle, arms up, standing on one leg, motion blur on sleeves, hair ornament, hairclip The camera looks up from hip height at a slight dutch tilt, so the girl's body rises diagonally across the frame and the voluminous sleeves billow out to either side of her. She is caught mid-spin on the ball of her right foot, her left leg lifted and bent behind her with the knee tucked, her left hip pushed out and bearing nothing, her shoulders thrown back and both arms flung up and outward so the oversized balloon sleeves fill the upper corners of the frame. Her chin is lifted and turned a few degrees off-axis, her head tilting toward her raised right shoulder, and both yellow eyes look straight down the lens with a wet, catching sparkle; her wide open smile shows her upper teeth, the corners of her mouth pulled high and uneven, her brows lifted and relaxed, and a warm flush sits high across both cheeks and the bridge of her nose. A few strands of long purple hair have escaped the twin buns and swing across her jaw, and the loose multicolored ends trail after the spin. The high-neck white top hugs her torso as a smooth stretchy technical knit, its structured bodice pulling into faint tension lines over the bust and snapping back taut at the ribs, with thin black geometric lines and angular black piping crossing the chest at an offset angle, and small futuristic lettering sitting just below the collarbone on the high collar. A central white zipper runs vertically from the collar to the corset-inspired waist, its circular metallic pull catching a hard highlight and hanging a little off-center from the spin; the structured waistline cinches in below it and then flares into the matte white high-waisted mini shorts, whose wide leg openings bell away from her thighs to show the dark gap beneath, black angular stripes cutting across the hips and a column of vertical futuristic lettering running down one thigh. The thin white decorative straps hanging from the shorts whip outward with the turn and cross in front of her bare thigh. Her shoulders and upper arms are entirely bare, the voluminous white balloon sleeves riding detached from the body, gathered and cinched around each upper bicep by a wide black strap with a rectangular silver buckle; black vertical stripes run down the outer sleeves, and the gathered cuffs pucker at her wrists. A wide black leather choker with a silver buckle and small metallic hardware wraps her throat above the collar of the top. The environment is a seamless dark charcoal studio void with a faint horizon-less gradient, no floor line, no props; a cool white key light from high camera-left rakes across the top of her head and the tops of the balloon sleeves, producing a crisp rim on every upward-facing fold, while a dim cyan bounce from low right lifts the undersides of the flared shorts and the inner curves of the sleeves, and a soft magenta edge catches the trailing hair. The only shadow is a soft contact one beneath her supporting foot. Palette is disciplined to white, black and the cool charcoal ground, with her purple hair and yellow eyes as the single warm note, and the metallic zipper pull and buckles the only specular accents. Effortlessly bright, buoyant.
Rey Shaut

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