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Shahnozaxon Ilhomova

si
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Shahnozaxon Ilhomova

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character: komi_shouko 1girl, solo, komi_shouko, long black hair, purple eyes, hair bow, maid outfit, maid headdress, white apron, short sleeves, black pantyhose, wet pantyhose, damp shiny fabric, paw print pattern on pantyhose, cute paw pads print, glasses, round frames, shy, embarrassed, heavy blush, standing straight, upright posture, one leg lifted, foot close-up, bare foot through sheer wet toe, showing sole, from below, close-up, foreshortening, looking down at viewer, closed mouth, tense fingers, gripping apron hem, toes curled, only pantyhose wet, dress dry, hair dry, indoor maid cafe, checkerboard floor, warm ceiling light, dutch angle slight, depth of field shallow, soft cel shading, pale pink palette accent The camera sits low and close, tilted a few degrees off level, looking up the length of a single standing girl: she holds her spine perfectly straight, shoulders squared, chin tucked down toward the viewer, knees together, weight on her right leg while her left leg lifts a half-step forward so the sole of that foot turns toward the lens in extreme foreshortening — the foot large and near, the rest of her receding upward, the underside of the lifted foot filling the lower third of the frame with the black pantyhose pulled taut across the arch, the paw-pad print drawn as rounded toe-bean and heel-bean shapes catching the light in a soft matte black-on-black sheen. Her right hand grips the hem of her white apron, knuckles pale, tugging it a little; her left arm hangs straight with the fingers curled in. Round-framed glasses sit on her nose, the lenses throwing two faint highlights, and her eyes drop to the viewer's low angle with a strained downward glance, brows drawn up at the inner ends, a hot blush spreading across both cheeks and the bridge of her nose, mouth pressed into a small tight closed line. The black pantyhose are the only wet thing in the picture: the damp catch of light runs down the shin and clings to the lifted foot, a slightly darker sheen along the toe seams, water-cooled fabric hugging the ankle — the white apron, the black maid dress, the short sleeves and the long black hair stay bone dry, the hair falling in two straight curtains past her ribs with the bow sitting still and loose. Behind her the room drops away in shallow focus: a warm checkerboard floor, the blurred edge of a table leg, a soft ceiling lamp above and behind her head as the single light source, its pool falling down the front of her apron and skimming the wet shine of the leg, the floor darkening beyond the light's reach, her long shadow thrown back and to the left. Palette kept to black, white, warm skin, a faint warm room tone and one soft pink flush — nothing else. Quietly flustered, tenderly funny.
パラメーターを見る
オリジナルプロンプト
Коми в костюме горничных и в колготках , сексуалный , видеть близко , мокрый колготки только колготки мокрые , в очках , стесняется , стоит ровно , официальный коми , official Komi San , show foot , показывает одну ступню близко , в колготках есть paws рисунок милый чёрный колготки
モード
pro
縦横比
1104 x 1824
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3
7.46k

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続きを読む
AI artwork
si
character: komi_shouko 1girl, solo, komi_shouko, long black hair, purple eyes, hair bow, maid outfit, maid headdress, white apron, short sleeves, black pantyhose, wet pantyhose, damp shiny fabric, paw print pattern on pantyhose, cute paw pads print, glasses, round frames, shy, embarrassed, heavy blush, standing straight, upright posture, one leg lifted, foot close-up, bare foot through sheer wet toe, showing sole, from below, close-up, foreshortening, looking down at viewer, closed mouth, tense fingers, gripping apron hem, toes curled, only pantyhose wet, dress dry, hair dry, indoor maid cafe, checkerboard floor, warm ceiling light, dutch angle slight, depth of field shallow, soft cel shading, pale pink palette accent The camera sits low and close, tilted a few degrees off level, looking up the length of a single standing girl: she holds her spine perfectly straight, shoulders squared, chin tucked down toward the viewer, knees together, weight on her right leg while her left leg lifts a half-step forward so the sole of that foot turns toward the lens in extreme foreshortening — the foot large and near, the rest of her receding upward, the underside of the lifted foot filling the lower third of the frame with the black pantyhose pulled taut across the arch, the paw-pad print drawn as rounded toe-bean and heel-bean shapes catching the light in a soft matte black-on-black sheen. Her right hand grips the hem of her white apron, knuckles pale, tugging it a little; her left arm hangs straight with the fingers curled in. Round-framed glasses sit on her nose, the lenses throwing two faint highlights, and her eyes drop to the viewer's low angle with a strained downward glance, brows drawn up at the inner ends, a hot blush spreading across both cheeks and the bridge of her nose, mouth pressed into a small tight closed line. The black pantyhose are the only wet thing in the picture: the damp catch of light runs down the shin and clings to the lifted foot, a slightly darker sheen along the toe seams, water-cooled fabric hugging the ankle — the white apron, the black maid dress, the short sleeves and the long black hair stay bone dry, the hair falling in two straight curtains past her ribs with the bow sitting still and loose. Behind her the room drops away in shallow focus: a warm checkerboard floor, the blurred edge of a table leg, a soft ceiling lamp above and behind her head as the single light source, its pool falling down the front of her apron and skimming the wet shine of the leg, the floor darkening beyond the light's reach, her long shadow thrown back and to the left. Palette kept to black, white, warm skin, a faint warm room tone and one soft pink flush — nothing else. Quietly flustered, tenderly funny.
Shahnozaxon Ilhomova
AI artwork
si
character: komi_shouko 1girl, solo, komi_shouko, long black hair, purple eyes, hair bow, maid outfit, maid headdress, white apron, short sleeves, black pantyhose, wet pantyhose, damp shiny fabric, paw print pattern on pantyhose, cute paw pads print, glasses, round frames, shy, embarrassed, heavy blush, standing straight, upright posture, one leg lifted, foot close-up, bare foot through sheer wet toe, showing sole, from below, close-up, foreshortening, looking down at viewer, closed mouth, tense fingers, gripping apron hem, toes curled, only pantyhose wet, dress dry, hair dry, indoor maid cafe, checkerboard floor, warm ceiling light, dutch angle slight, depth of field shallow, soft cel shading, pale pink palette accent The camera sits low and close, tilted a few degrees off level, looking up the length of a single standing girl: she holds her spine perfectly straight, shoulders squared, chin tucked down toward the viewer, knees together, weight on her right leg while her left leg lifts a half-step forward so the sole of that foot turns toward the lens in extreme foreshortening — the foot large and near, the rest of her receding upward, the underside of the lifted foot filling the lower third of the frame with the black pantyhose pulled taut across the arch, the paw-pad print drawn as rounded toe-bean and heel-bean shapes catching the light in a soft matte black-on-black sheen. Her right hand grips the hem of her white apron, knuckles pale, tugging it a little; her left arm hangs straight with the fingers curled in. Round-framed glasses sit on her nose, the lenses throwing two faint highlights, and her eyes drop to the viewer's low angle with a strained downward glance, brows drawn up at the inner ends, a hot blush spreading across both cheeks and the bridge of her nose, mouth pressed into a small tight closed line. The black pantyhose are the only wet thing in the picture: the damp catch of light runs down the shin and clings to the lifted foot, a slightly darker sheen along the toe seams, water-cooled fabric hugging the ankle — the white apron, the black maid dress, the short sleeves and the long black hair stay bone dry, the hair falling in two straight curtains past her ribs with the bow sitting still and loose. Behind her the room drops away in shallow focus: a warm checkerboard floor, the blurred edge of a table leg, a soft ceiling lamp above and behind her head as the single light source, its pool falling down the front of her apron and skimming the wet shine of the leg, the floor darkening beyond the light's reach, her long shadow thrown back and to the left. Palette kept to black, white, warm skin, a faint warm room tone and one soft pink flush — nothing else. Quietly flustered, tenderly funny.
Shahnozaxon Ilhomova
AI artwork
si
character: komi_shouko 1girl, solo, komi_shouko, long black hair, purple eyes, hair bow, maid outfit, maid headdress, white apron, short sleeves, black pantyhose, wet pantyhose, damp shiny fabric, paw print pattern on pantyhose, cute paw pads print, glasses, round frames, shy, embarrassed, heavy blush, standing straight, upright posture, one leg lifted, foot close-up, bare foot through sheer wet toe, showing sole, from below, close-up, foreshortening, looking down at viewer, closed mouth, tense fingers, gripping apron hem, toes curled, only pantyhose wet, dress dry, hair dry, indoor maid cafe, checkerboard floor, warm ceiling light, dutch angle slight, depth of field shallow, soft cel shading, pale pink palette accent The camera sits low and close, tilted a few degrees off level, looking up the length of a single standing girl: she holds her spine perfectly straight, shoulders squared, chin tucked down toward the viewer, knees together, weight on her right leg while her left leg lifts a half-step forward so the sole of that foot turns toward the lens in extreme foreshortening — the foot large and near, the rest of her receding upward, the underside of the lifted foot filling the lower third of the frame with the black pantyhose pulled taut across the arch, the paw-pad print drawn as rounded toe-bean and heel-bean shapes catching the light in a soft matte black-on-black sheen. Her right hand grips the hem of her white apron, knuckles pale, tugging it a little; her left arm hangs straight with the fingers curled in. Round-framed glasses sit on her nose, the lenses throwing two faint highlights, and her eyes drop to the viewer's low angle with a strained downward glance, brows drawn up at the inner ends, a hot blush spreading across both cheeks and the bridge of her nose, mouth pressed into a small tight closed line. The black pantyhose are the only wet thing in the picture: the damp catch of light runs down the shin and clings to the lifted foot, a slightly darker sheen along the toe seams, water-cooled fabric hugging the ankle — the white apron, the black maid dress, the short sleeves and the long black hair stay bone dry, the hair falling in two straight curtains past her ribs with the bow sitting still and loose. Behind her the room drops away in shallow focus: a warm checkerboard floor, the blurred edge of a table leg, a soft ceiling lamp above and behind her head as the single light source, its pool falling down the front of her apron and skimming the wet shine of the leg, the floor darkening beyond the light's reach, her long shadow thrown back and to the left. Palette kept to black, white, warm skin, a faint warm room tone and one soft pink flush — nothing else. Quietly flustered, tenderly funny.
Shahnozaxon Ilhomova

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