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息耐者カール

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息耐者カール

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3girls, 1boy, male focus, man in the center, two brides kissing his cheeks at the same time, cheek kiss, lips pressed to left cheek, lips pressed to right cheek, heart-shaped eyes, heart pupils, delighted open smile, blush, eyes closed brides, leaning in, cleavage, large breasts, breasts pressed together, visible cleavage, white bridal dress, veil, bridal bouquet held low, heart-shaped frame of light around the trio, glowing heart ring, floating hearts, pink hearts drifting, sparkles, upper body, close-up, from front, slightly from below, symmetrical composition, cel shading, flat colors, clean outlines, high contrast, anime screencap, TV anime frame. A frontal, slightly low camera holds all three figures in a tight upper-body composition: a young man sits dead center, shoulders square to the lens, his head tipped back a little and his mouth open in a wide delighted laugh; his eyes are two glossy magenta hearts, bright and fully heart-shaped, catching the light. Two brides lean in from either side of him, one at each shoulder, their heads tilted toward his face so that their lips press flat against his left and right cheeks at the same instant -- his skin dimples slightly under each kiss, and his cheeks are flushed pink where their mouths touch. The left bride has long straight chestnut hair falling over one shoulder and a short white veil pinned at the crown of her head; the right bride has black hair in a loose low bun with a trailing veil down her back; both wear strapless white bridal gowns, and both have their eyes shut, lashes lowered, absorbed in the kiss. Their gowns are cut low and their bodies are turned inward toward the man, so their chests press together against his sides, each bust pushed up and inward by the other -- the cleavage between them reads as a deep soft line of shadow where the two curves meet, skin flushed and lit from the front. Each bride's near hand rests flat on the man's chest, fingers spread over his collar; his own hands hang loose at his sides, forgotten, one shoulder lifted in a helpless shrug of pleasure. The whole group is enclosed inside a heart-shaped frame of light: a continuous luminous rim of warm pink-white glow that arcs up behind their heads, curves down past their shoulders and closes in a point below -- its inner edge blooms softly onto the brides' veils and the man's hair, and the glow spills warm pink light across their faces from behind. Small hearts float all around them in the air, several in front of the frame drifting out of focus, a few catching specular highlights; fine sparkles scatter near the frame's bright edge. Beyond the light frame the background is a soft flat dusty-rose gradient with no detail, so the three figures pop forward. Palette is restricted to whites, warm skin tones, chestnut brown, black and a single saturated magenta-pink that lives in the heart eyes, the light frame and the floating hearts. Classic cel-shaded anime frame: flat high-contrast fills, crisp black linework, one simple shadow tone per surface; the light frame is the only light source, so its glow rims the back of the hair and veils while the fronts of the faces stay evenly lit. Overwhelmingly sweet and giddy.
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モード
flash
スタイル
90年代レトロセル画
縦横比
1632 x 1232
スタイル: 90年代レトロセル画

利用したモデルとLoRA

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Avatar image of 息耐者カール
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink — white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink — white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
息耐者カール
#マリ
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink — white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
息耐者カール
AI artwork
Avatar image of 息耐者カール
3girls, 1boy, male focus, in the center, bride on each side, kissing cheek, simultaneous kiss, two girls kissing his cheeks, heart-shaped eyes, heart eyes, cleavage, large breasts, heart-shaped frame, heart-shaped light frame, glowing heart border, floating hearts, heart motes, valentine, romantic, symmetrical composition, frontal, from front, cowboy shot, close-up on faces, looking at viewer, blush, closed eyes on the brides, wedding dress, white bridal gown, veil, bouquet, arms linked, hugging arm, head tilt, open mouth, smile, warm light, glowing, lens flare, bright background, pastel palette A symmetrical frontal cowboy shot frames three figures against a luminous backdrop: a man square in the middle of the frame, and on either side of him a bride, one to his left and one to his right, their bodies turned inward toward him so the three read as a single triangle of heads. The bride on his left presses her lips to his left cheek, the bride on his right presses her lips to his right cheek, both kissing him at the same instant; each bride's far hand is laid flat against his opposite shoulder, their near shoulders overlapping his arms, their veils falling forward over his sleeves, and both brides have their eyes closed in the kiss with a soft blush across their cheeks. The man's face fills the center of the shot: his eyes are two glossy pink heart shapes, pupils replaced entirely by the hearts, and a hot blush blooms across his nose and cheeks under the two mouths pressed to him; his mouth is open in a delighted gasp, brows lifted, chin slightly raised as he leans into the double kiss. The brides wear white bridal gowns with sweetheart necklines, and the woman on his right is angled so her deep cleavage shows clearly between the gathered white fabric, a strand of her hair falling across her collarbone. Around the trio a heart-shaped frame of glowing light encloses them, its two lobes arcing above the man's head and its point closing below their waists, drawn in warm radiant pink-white with soft bloom at the edges; inside and outside that frame, small hearts drift and float in the air at different depths, some sharp in the foreground, some soft and translucent behind the shoulders. Light comes from the heart frame itself: the glow rims the three figures from behind and above, catching the veil hems, the curve of cheeks and the edges of hair, while the fronts of their faces stay lit by a warm, even key, and the falling hearts cast faint colored speckles onto the white dresses. The palette is disciplined to white, warm skin tones and pink — white in the gowns and veils, pink in the light frame and every floating heart, warm rose in the blush. Background is a bright, soft, out-of-focus glow with no readable scenery. Flat cel-shaded anime rendering with bold clean outlines, high-contrast flat color fills, simple two-tone shadows and classic TV-anime frame crispness. Joyful, giddy.
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