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character: lelouch_vi_britannia 1girl, solo, lelouch_vi_britannia, rule 63, female, black hair, purple eyes, sidelocks, french rococo curled updo, powdered towering pompadour updo with ringlet side-curls, rococo noble lady gown, panniers, wide skirt, ornate embroidery, lace, ruffles, ribbon rosettes, corseted bodice, low wide neckline, white thighhigh stockings, high heels, from below, dutch angle, full body, standing, one hand lifting skirt hem, other hand holding folding fan, head tilt, looking down at viewer, half-closed eyes, smug, closed mouth, blush, dark background, candlelight, chiaroscuro The camera looks steeply up from floor level at a slight dutch tilt, so the figure towers: a young woman reimagined from a raven-haired boy, her huge panniered skirt filling the lower half of the frame. She stands in the centre, weight settled on her back right leg, left hip thrust forward so the skirt's left side bulges out; her left hand pinches the front hem of the overskirt and lifts it to mid-calf, which reveals the white thighhigh stockings running taut over her shins and the arched insteps of her high heels, the pointed toes set close together on the polished floor. Her right forearm is drawn up across her waist, a closed folding fan held loosely between two fingers, its mother-of-pearl ribs catching the flame. Her head is tilted a little to her right as she looks straight down into the lens through heavy lids, chin lifted, one corner of her lips pulled into a lopsided smirk, the faintest colour warmed across her cheekbones. Her black hair is built into a tall rococo updo — a powdered pompadour puffed high off the brow, one fat ringlet spiralling loose down each side of her jaw — and the whole mass sits off-centre, leaning toward the raised hip. The gown is a riot of surface: a corseted bodice of ivory green silk with gold-thread acanthus embroidery climbing the seams, a low square neckline edged in scalloped lace, a cascade of pink ribbon rosettes pinned along the stomacher, and a skirt of pale gold brocade whose ruffled, lace-frothed overskirt breaks over the wide panniers in layered tiers. A single string of pearls sits at the hollow of her throat. Behind her there is nothing but a warm dark wall; a single candle on a low gilded stand at the right of the frame is the only light source, and its flame sits well below her chin. The light rakes upward across the underside of her jaw, the pearls, the lace at her neckline and the lifted hem, and throws a long soft shadow of her skirt and updo across the wall to the upper left; above the candle's reach the darkness is total except for a narrow warm rim tracing the topmost puff of her hair. Palette is held to ivory green, pale gold, blush pink, the flat white of the stockings and the black of her hair, with the room in warm brown shadow. Her hair-powder catches a faint dusting of light at the crown as she moves. Opulent, imperious mischief.
パラメーターを見る
オリジナルプロンプト
叛逆的鲁路修 鲁路修 女体化 法国洛可可风格贵妇礼服 华丽 白丝袜 高跟鞋 法国洛可可卷发发髻
モード
pro
品質タグ
﹝プロンプト﹞
縦横比
1104 x 1824
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3
7.44k

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AI artwork
j
character: lelouch_vi_britannia 1girl, solo, lelouch_vi_britannia, rule 63, female, black hair, purple eyes, sidelocks, french rococo curled updo, powdered towering pompadour updo with ringlet side-curls, rococo noble lady gown, panniers, wide skirt, ornate embroidery, lace, ruffles, ribbon rosettes, corseted bodice, low wide neckline, white thighhigh stockings, high heels, from below, dutch angle, full body, standing, one hand lifting skirt hem, other hand holding folding fan, head tilt, looking down at viewer, half-closed eyes, smug, closed mouth, blush, dark background, candlelight, chiaroscuro The camera looks steeply up from floor level at a slight dutch tilt, so the figure towers: a young woman reimagined from a raven-haired boy, her huge panniered skirt filling the lower half of the frame. She stands in the centre, weight settled on her back right leg, left hip thrust forward so the skirt's left side bulges out; her left hand pinches the front hem of the overskirt and lifts it to mid-calf, which reveals the white thighhigh stockings running taut over her shins and the arched insteps of her high heels, the pointed toes set close together on the polished floor. Her right forearm is drawn up across her waist, a closed folding fan held loosely between two fingers, its mother-of-pearl ribs catching the flame. Her head is tilted a little to her right as she looks straight down into the lens through heavy lids, chin lifted, one corner of her lips pulled into a lopsided smirk, the faintest colour warmed across her cheekbones. Her black hair is built into a tall rococo updo — a powdered pompadour puffed high off the brow, one fat ringlet spiralling loose down each side of her jaw — and the whole mass sits off-centre, leaning toward the raised hip. The gown is a riot of surface: a corseted bodice of ivory green silk with gold-thread acanthus embroidery climbing the seams, a low square neckline edged in scalloped lace, a cascade of pink ribbon rosettes pinned along the stomacher, and a skirt of pale gold brocade whose ruffled, lace-frothed overskirt breaks over the wide panniers in layered tiers. A single string of pearls sits at the hollow of her throat. Behind her there is nothing but a warm dark wall; a single candle on a low gilded stand at the right of the frame is the only light source, and its flame sits well below her chin. The light rakes upward across the underside of her jaw, the pearls, the lace at her neckline and the lifted hem, and throws a long soft shadow of her skirt and updo across the wall to the upper left; above the candle's reach the darkness is total except for a narrow warm rim tracing the topmost puff of her hair. Palette is held to ivory green, pale gold, blush pink, the flat white of the stockings and the black of her hair, with the room in warm brown shadow. Her hair-powder catches a faint dusting of light at the crown as she moves. Opulent, imperious mischief.
jshs
AI artwork
j
character: lelouch_vi_britannia 1girl, solo, lelouch_vi_britannia, rule 63, female, black hair, purple eyes, sidelocks, french rococo curled updo, powdered towering pompadour updo with ringlet side-curls, rococo noble lady gown, panniers, wide skirt, ornate embroidery, lace, ruffles, ribbon rosettes, corseted bodice, low wide neckline, white thighhigh stockings, high heels, from below, dutch angle, full body, standing, one hand lifting skirt hem, other hand holding folding fan, head tilt, looking down at viewer, half-closed eyes, smug, closed mouth, blush, dark background, candlelight, chiaroscuro The camera looks steeply up from floor level at a slight dutch tilt, so the figure towers: a young woman reimagined from a raven-haired boy, her huge panniered skirt filling the lower half of the frame. She stands in the centre, weight settled on her back right leg, left hip thrust forward so the skirt's left side bulges out; her left hand pinches the front hem of the overskirt and lifts it to mid-calf, which reveals the white thighhigh stockings running taut over her shins and the arched insteps of her high heels, the pointed toes set close together on the polished floor. Her right forearm is drawn up across her waist, a closed folding fan held loosely between two fingers, its mother-of-pearl ribs catching the flame. Her head is tilted a little to her right as she looks straight down into the lens through heavy lids, chin lifted, one corner of her lips pulled into a lopsided smirk, the faintest colour warmed across her cheekbones. Her black hair is built into a tall rococo updo — a powdered pompadour puffed high off the brow, one fat ringlet spiralling loose down each side of her jaw — and the whole mass sits off-centre, leaning toward the raised hip. The gown is a riot of surface: a corseted bodice of ivory green silk with gold-thread acanthus embroidery climbing the seams, a low square neckline edged in scalloped lace, a cascade of pink ribbon rosettes pinned along the stomacher, and a skirt of pale gold brocade whose ruffled, lace-frothed overskirt breaks over the wide panniers in layered tiers. A single string of pearls sits at the hollow of her throat. Behind her there is nothing but a warm dark wall; a single candle on a low gilded stand at the right of the frame is the only light source, and its flame sits well below her chin. The light rakes upward across the underside of her jaw, the pearls, the lace at her neckline and the lifted hem, and throws a long soft shadow of her skirt and updo across the wall to the upper left; above the candle's reach the darkness is total except for a narrow warm rim tracing the topmost puff of her hair. Palette is held to ivory green, pale gold, blush pink, the flat white of the stockings and the black of her hair, with the room in warm brown shadow. Her hair-powder catches a faint dusting of light at the crown as she moves. Opulent, imperious mischief.
jshs
AI artwork
j
character: lelouch_vi_britannia 1girl, solo, lelouch_vi_britannia, rule 63, female, black hair, purple eyes, sidelocks, french rococo curled updo, powdered towering pompadour updo with ringlet side-curls, rococo noble lady gown, panniers, wide skirt, ornate embroidery, lace, ruffles, ribbon rosettes, corseted bodice, low wide neckline, white thighhigh stockings, high heels, from below, dutch angle, full body, standing, one hand lifting skirt hem, other hand holding folding fan, head tilt, looking down at viewer, half-closed eyes, smug, closed mouth, blush, dark background, candlelight, chiaroscuro The camera looks steeply up from floor level at a slight dutch tilt, so the figure towers: a young woman reimagined from a raven-haired boy, her huge panniered skirt filling the lower half of the frame. She stands in the centre, weight settled on her back right leg, left hip thrust forward so the skirt's left side bulges out; her left hand pinches the front hem of the overskirt and lifts it to mid-calf, which reveals the white thighhigh stockings running taut over her shins and the arched insteps of her high heels, the pointed toes set close together on the polished floor. Her right forearm is drawn up across her waist, a closed folding fan held loosely between two fingers, its mother-of-pearl ribs catching the flame. Her head is tilted a little to her right as she looks straight down into the lens through heavy lids, chin lifted, one corner of her lips pulled into a lopsided smirk, the faintest colour warmed across her cheekbones. Her black hair is built into a tall rococo updo — a powdered pompadour puffed high off the brow, one fat ringlet spiralling loose down each side of her jaw — and the whole mass sits off-centre, leaning toward the raised hip. The gown is a riot of surface: a corseted bodice of ivory green silk with gold-thread acanthus embroidery climbing the seams, a low square neckline edged in scalloped lace, a cascade of pink ribbon rosettes pinned along the stomacher, and a skirt of pale gold brocade whose ruffled, lace-frothed overskirt breaks over the wide panniers in layered tiers. A single string of pearls sits at the hollow of her throat. Behind her there is nothing but a warm dark wall; a single candle on a low gilded stand at the right of the frame is the only light source, and its flame sits well below her chin. The light rakes upward across the underside of her jaw, the pearls, the lace at her neckline and the lifted hem, and throws a long soft shadow of her skirt and updo across the wall to the upper left; above the candle's reach the darkness is total except for a narrow warm rim tracing the topmost puff of her hair. Palette is held to ivory green, pale gold, blush pink, the flat white of the stockings and the black of her hair, with the room in warm brown shadow. Her hair-powder catches a faint dusting of light at the crown as she moves. Opulent, imperious mischief.
jshs

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リオ
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