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AI art "少女心事"
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少女心事

「少女心事」はusermio7080さんのAIイラストです。使用モデル: Tsubaki.3 Flash。

雌雄莫辨

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1boy, solo, androgynous, bishounen, slender, narrow shoulders, soft rounded jawline, smooth pale skin, large eyes, long eyelashes, gentle eyes, medium-length dark hair, wispy bangs, white lace headdress, maid, french maid, black dress, white apron, short puffed sleeves, white collar, holding tray, silver tray, strawberry shortcake, cake slice on plate, holding tray to chest, hand on apron hem, pinching skirt, blush, shy, bashful, looking away, glancing to the side, half-closed eyes, closed mouth, cowboy shot, waist-up, from below, slight dutch angle, depth of field, blurry background, cafe interior, wooden tables, pastel curtains, tall window, sunlight, backlighting, golden hour, warm lighting, cel shading, crisp linework, detailed lace, fabric texture, black, white, strawberry red, honey gold, Shot from slightly below at a light dutch tilt, in waist-up framing that lets the young man fill most of the frame: his narrow shoulders slope from a long slender neck, and the tilt lifts his soft rounded jawline just above the tilt line while the crown of his white lace headdress presses near the top edge of the picture. His face is turned a few degrees off the lens, chin dipped, and his large gentle eyes — long lashes lowered over the lower lid — slide away toward the blurred pastel curtain at frame right, avoiding the viewer entirely; the flush sits high and even across both cheeks, and his lips are pressed closed and slightly tucked at one corner. Medium-length dark hair falls in soft strands along his cheeks, and wispy bangs peek out from beneath the lace headdress, parted off-center so a few thin tips catch the light. His left arm is bent and drawn in tight, the polished silver tray balanced flat near his chest on an open palm and steadied by the spread fingertips beneath its rim; the tray's polished surface holds a dim, warm reflection of his collar and one honey-gold smear of window light. On the tray a small white plate carries a fan of neatly sliced strawberry shortcake — three even slabs, cream and sponge layers aligned, strawberry red glossed on top — sitting dead level because his wrist is level. His right hand hangs lower and gentler, thumb and forefinger pinching a fold of the white apron skirt at hip height so the fabric lifts into a soft peak and the hem swings a half-inch out of true; the same faint breeze that stirs the air lifts the loose lace edging of the headdress away from his hair and floats the apron's ruffled border outward, while his hair tips drift in the same direction. Behind him, melting into shallow depth of field, warm wood tables and chairs recede in soft amber blurs and pastel curtains hang at the window edge; the tall window sits behind his right shoulder, so golden afternoon sunlight rakes in from frame right, rimming his hair, ear and sleeve with honey-gold, glowing through the thin lace in translucent points, and throwing the left side of his face, throat and apron into soft cool shadow — the only light source in the room. Palette stays strictly black dress, white apron and lace, strawberry red in the cake and the flush, honey-gold in the light. Detailed lace and fabric texture in the headdress, apron ruffle and puff sleeves against clean cel-shaded planes and crisp linework. Tender, quietly bashful.
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モード
flash
縦横比
1536 x 2048

利用したモデルとLoRA

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1girl, solo, looking at viewer, smile, open mouth, tongue out, brown hair, medium hair, brown eyes, earrings, jewelry, gold stud earrings, black dress, long sleeves, puffy sleeves, juliet sleeves, white apron, maid apron, maid headdress, maid, holding, holding tray, tray, cake, teacup, cup, food, ghost, picture frame, indoors, cowboy shot, from below, head tilt, dutch angle, one eye half-closed, upper teeth showing, slice of cake, buttercream, porcelain, dust motes, candlelight From a low, slightly tilted cowboy-shot angle, the maid stands just off-center in a dim old-fashioned indoor room, leaning her hip against a sideboard so her weight rides on her left leg while the right knee stays soft and turned a little in. Her medium-length brown hair — straight, cut blunt at the jaw, one side pushed behind the ear — swings with the head tilt, and both brown eyes are aimed straight down into the lens; her lower lip is drawn back so the tip of her tongue shows between her teeth in a teasing, open-mouthed smile, one brow cocked higher than the other. Small gold stud earrings sit in both earlobes, the only jewelry she wears, catching a hard point of light. Her black dress is long-sleeved in puffy juliet sleeves: the sleeves balloon softly from the shoulder and narrow into cuffs at the wrist, and the white maid apron with its bib and waist ties sits over the black skirt, the apron's ruffled hem hanging just above her knees. The stiff white maid headdress is pinned into her hair and its lace edge lifts slightly where she turned her head. Both of her hands are under a silver-edged oval tray held at chest height, fingers spread flat beneath the rim, thumbs braced on top; the tray is level and she hasn't spilled a crumb. On the tray sits a slice of dark cake with thick pale buttercream, and beside it a teacup of thin white porcelain with its handle turned toward her wrist, a wisp of steam rising and bending toward the cold part of the room. Her elbows are tucked in, shoulders relaxed, and the whole torso leans a few degrees toward the camera as though she has just stepped up to be noticed. Behind her, the room is an old parlor: dark wallpaper with a faint repeating pattern, a heavy wooden sideboard under her hip, and to her right a large gilt picture frame hung on the wall holding a faded painted portrait whose face has been scratched away. In the frame's glass, and in the corner behind her shoulder, a pale translucent figure of a ghost shows as a soft white shape with no feet, its outline doubled faintly where the picture glass reflects it — the only cool note in the warm room. The light is a single oil lamp on the sideboard just below the frame, throwing warm amber up across the underside of her chin, the apron bib and the rim of the tray; her back and the edges of the room fall off into brown darkness, the tray's shadow cutting a hard diagonal across the white apron, and the teacup's steam is the one thing in the frame that moves. Palette is kept tight: warm lamp amber, deep brown-black of the dress and wallpaper, the bleached white of apron, headdress and porcelain, a single stroke of dark cake, and the ghost's cold pale gray. Quietly eerie, knowingly charming.
Rebiky

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