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AI artwork featuring #崩壊シリーズ, #崩壊スターレイル and #カフカ
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カフカ・崩壊シリーズ

#崩壊シリーズ#崩壊スターレイル#カフカ
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character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, kafka_(honkai:_star_rail), purple hair, long hair, hair between eyes, purple eyes, sunglasses on head, round eyewear on head, white shirt, jacket, shorts, purple gloves, black pantyhose, glossy pantyhose, shiny skin, shiny pantyhose, sitting backwards, sitting on chair, facing away, looking back, looking at viewer, head tilted up, chin up, confident smile, closed mouth smile, raised thighs, knees up, crossed legs, calves crossed, legs up, feet up, bare feet, feet on chair back, frosted glass chair, transparent chair, frosted glass, blurred body, silhouette through glass, from behind, cowboy shot, pure white background, white background, simple background, no background elements, high contrast, rim lighting, backlighting, Shot from directly in front of the chair's backrest: a single seamless pure-white field with nothing in it — no floor line, no horizon, no cast shadow on the ground — the chair floating in that whiteness at the center of the frame, its tall frosted-glass backrest turned square to the camera and filling the middle of the composition, its thick slab edges faintly luminous where they catch the light. Seated backwards on the chair, so that her chest, hips and the bulk of her body sit on the far side of the glass and the backrest stands between her body and the lens: her long purple hair and the strands between her eyes visible as a soft violet haze through the panel, the round sunglasses pushed up on her head showing only as two blurred dark discs within the fog. She has lifted her thighs — knees drawn high and parted slightly, the tops of both thighs emerging above the upper edge of the backrest — and both calves are folded and crossed one over the other, laid flat along the top rim of the chair back, the near calf resting over the far one, both ankles crossed and both bare feet exposed and hanging over the front lip of the backrest toward the viewer, toes slack, soles tilted up. Part of the thigh tops, all of both calves and both feet are clear of the frosted panel and crisply in focus; everything below the backrest's top edge — torso, hips, the white shirt and the jacket, the shorts, the purple gloves — is seen only through the frosted glass, heavily diffused into soft shape and colour, edges melted, the garment seams gone. Her skin and her black pantyhose carry a wet, lacquered sheen: the pantyhose drawn tight over the crossed calves shows a long hard highlight running the length of each shin, and the exposed thighs above the glass are varnished with the same gloss, small specular pools where the flesh curves. The light comes from a broad soft source high behind the chair, so the exposed legs are rimmed in bright silver along their upper contours, the pantyhose legs glow pale at their edges and darken toward their undersides, and the frosted panel glows milky from within while the glass diffuses rather than blocks the light — the shins' reflected gleam is dimmed and softened by the glass at the lower edge of the frame. Her head is tilted back slightly, chin lifted as she turns her face over her shoulder toward the lens, eyes open and level on the viewer, the corners of her mouth curved in a calm, certain closed-lip smile, one brow faintly raised. Palette locked to pure white, milky frosted translucency, violet hair and eyes, black pantyhose and the white-and-purple costume — nothing else admitted. Cool, glossy, quietly imperious.
パラメーターを見る
オリジナルプロンプト
卡芙卡(崩坏星穹铁道),保留原有衣物和丝袜,背景为纯白色,反着坐在镜头前的磨砂纯玻璃椅子上,椅子靠背朝向镜头,卡芙卡的大腿抬高,小腿盘坐放椅子的靠背上面,一部分大腿、全部小腿和脚露出来,大腿和其余部分从磨砂玻璃中显现出来且十分模糊。人物皮肤和丝袜十分有光泽。看着镜头,略微抬头自信地微笑。
モード
ultra
縦横比
1408 x 1408
サンプリング方法
Euler
ネガティブ
lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換

利用したモデルとLoRA

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AI artwork
m2
character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, kafka, purple hair, long hair, hair between eyes, purple eyes, sunglasses on head, round eyewear on head, white shirt, jacket, shorts, purple gloves, black pantyhose, glossy skin, shiny pantyhose, sitting backwards, facing viewer, chair backrest facing camera, sitting on frosted glass chair, thighs raised, lower legs folded on top of backrest, feet exposed, bare feet, thighs visible through frosted glass, blurred body behind frosted glass, looking at viewer, head tilted up, chin up, confident smile, closed mouth, one eyebrow slightly raised, arms crossed under chest, from below, close-up, vertical composition, pure white background, studio lighting, rim light, depth of field, frosted glass texture, high contrast, sleek, cool-toned palette, confident, A vertical close-up shot from slightly below, the camera facing the backrest of a thick, seamless frosted-glass chair that fills the frame against an absolute pure white void beyond. The chair's backrest is a broad pane of matte, milky glass, its surface scattering everything behind it into a soft, hazy silhouette. Kafka is seated backwards on the chair, her hips resting on the far side of the seat and her torso turned away from the viewer, but her head is twisted back over her shoulder to look directly into the lens. Her thighs are raised, angled up toward the backrest, and her lower legs fold neatly over the top edge of the glass, so both calves and bare feet hang fully outside the frosted pane, sharply in focus and exposed in the clear white air. The soles of her feet face slightly outward; her toes are relaxed. Her folded legs and the narrow strip of her shorts and jacket remain behind the glass, reduced to a very blurry, soft-edged shape in milky lavender-grey, with only the edges of her white shirt and the smooth sheen of her black pantyhose bleeding faintly through the frost. The glossy skin of her shins and calves catches a clean, cool studio highlight; the black pantyhose over her raised thighs and the tops of her feet has a wet-looking satin shine, its highlight cutting a bright line along each limb. Her purple gloves rest against the chair's glass backrest at the bottom of the frame, fingers splayed and partly hidden by the frost. Her purple hair falls forward over one shoulder, a few strands brushing the glass. Her chin is tilted up, her lips curled in a closed, confident smile, her purple eyes fixed on the viewer with a steady, knowing look. The lighting is a single cool-white source from above and slightly behind the camera, blooming softly through the frosted glass, with a faint shadow pooling under the chair on the white floor. The palette is almost entirely white, milky glass, black, and the cool purple of her hair and clothing. Sharp, clean, self-assured.
moriarity202
AI artwork
u9
character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, kafka_(honkai:_star_rail), long purple hair, hair between eyes, purple eyes, round eyewear resting on top of head, white shirt, dark jacket, shorts, purple gloves, pantyhose, glossy skin, shiny pantyhose, sitting backwards on chair, straddling chair, chair backrest facing camera, frosted glass chair, translucent chair, calves crossed, legs over backrest, legs extended, crossed ankles, feet visible, bare feet through glass, thighs blurred, body blurred behind frosted glass, looking at viewer, head tilted up, confident smile, closed mouth, one eyebrow slightly raised, pure white background, from below, cowboy shot, centered, She is seen from a low three-quarter-front angle, the camera below her raised chin, so the whole frame is built around a single object: a chair of thick frosted glass, its flat backrest standing between the camera and her body, its outer face turned to the lens. She sits astride the chair backwards, her chest against the far side of the backrest, her hips behind it; her hands are out of sight on the seat behind her, taking her weight, shoulders rolled back. Her lower legs come up over the top edge of the backrest and cross at the shins, left calf laid over right, ankles crossed just above the glass rim, and both feet hang over toward the viewer, toes relaxed and slightly splayed. Everything above the rim — the seat, her hips, the whole thighs, the torso, arms and the rest of her head — is buried in the frosted glass, reduced to a soft milky purple-grey smear of long hair, dark jacket and white shirt, edges dissolved, no detail readable. Only the crossing calves and the feet stand clear of the glass, and they are unbearably sharp: the pantyhose stretched over shins and arches pulls a hard specular line down each calf, and the sheen breaks into highlights at the ankle bone and across the top of each foot where the light skims them. Her face appears above the chair back's top edge, chin lifted, purple eyes fixed straight into the lens, one brow arched a millimetre higher than the other, lips closed in a small sure smile that just corners up on one side. Long purple hair falls past the glass rim and is caught, pale and unreadable, inside it. The light is a single soft broad source from above and in front, throwing a faint reflective bloom across the outer glass face and a dim shadow of the crossed legs onto the white behind her; the background is an unbroken pure white field with no horizon, no floor line, nothing else in the frame. The palette holds to pure white, cool milky grey-green glass, deep violet and black-violet of her clothing, and the warm pale tone of her skin — nothing else admitted. Poised, quietly self-assured.
usermio9382
AI artwork
u8
character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, kafka_(honkai:_star_rail), long purple hair, purple eyes, hair between eyes, purple gloves, black jacket, white shirt, black shorts, eyewear on head, round eyewear, pantyhose, glossy skin, shiny skin, sitting backwards, straddling chair back, reverse sitting, legs over chair back, from behind, legs up, calves visible, thighs obscured, frosted glass, blurred by glass, looking at viewer, looking back, confident smile, smirk, closed mouth, head turned back over shoulder, pure white background, seamless white void, backlit glass, soft diffused light, from slightly below, cowboy shot, A pure white seamless void fills the whole frame, floor and backdrop indistinguishable, and at its centre a single frosted-glass chair stands alone, its tall rectangular backrest turned square to the camera, the glass a pale cool milk-white slab with softened edges. She sits the chair backwards, her spine toward the backrest's far side and her body facing away from the lens, so that her head is the one thing turned back over her shoulder at the viewer: chin dropped toward her collarbone, one brow arched a fraction, the corners of her lips pulled into a level, self-assured closed-mouth smile, purple eyes locked on the camera without a flicker of hurry. Her long purple hair falls in heavy strands past her shoulder toward the glass, one pointed lock hanging between her eyes and swinging slightly with the turn of her head, the rest of it lost behind the backrest's edge. Both legs are lifted and hooked over the top rail of the chair back, draped down the front face of the glass, calves and ankles fully clear and crisp above the frame of the backrest, black pantyhose stretched tight over the shin so the pale light draws a fine highlight line down each calf; the thighs and everything below the waist dissolve into a broad soft milky blur behind the frosted pane, a shadowy purple-and-black mass with no edge anywhere, only the faintest suggestion of a bent knee and a dark jacket shape melting inside the glass. Her purple-gloved hands grip the top corners of the backrest, fingers curled over the rim, the glove leather catching a narrow specular streak. Her skin is uniformly lustrous, a wet-looking sheen lying on her cheekbone, jaw, neck and the exposed strip of shoulder, brightest where the soft frontal light meets the highest points. Light comes from the front and slightly above the lens, broad and shadowless, so the white background stays blown clean and even, the frosted glass glows from within, a soft darker core of her body shadows the pane directly behind her, and a barely-there cool contact shadow pools beneath the chair's four legs on the white floor. The palette is held to three things: the white void, the milky cool grey-white of the glass, and the saturated purple of her hair, gloves and eyes, with the blurred dark shape of her clothing reading as a soft charcoal stain inside the pane. Everything sharp sits above the backrest; everything below it is treated as light passing through ground glass. Composed, quietly dangerous.
usermio8875
AI artwork
m2
character: kafka_(honkai:_star_rail), copyright: honkai:_star_rail 1girl, solo, kafka, purple hair, long hair, hair between eyes, purple eyes, from below, low angle, looking at viewer, head tilted up, chin up, confident smile, closed mouth smile, half-closed eyes, frosted glass chair, sitting backwards, chair backrest facing camera, crossed ankles, legs up, calves on chair back, bare feet, feet, soles, toes, thighs, black pantyhose, glossy stockings, shiny skin, very glossy, reflections, white background, pure white background, seamless white, white shirt, jacket, purple gloves, eyewear on head, round eyewear, shorts, legs together, arm support, hand on chair, backlight, rim light, softbox, high key lighting, product photography lighting, studio, specular highlights, translucent, frosted glass, blur, depth of field, faint body through glass, silhouette through glass, no text, simple background The camera is low, tilted up, so the tall frosted-glass chair rears above the lens with its backrest squarely facing the viewer: a broad, pale, softly lit slab of sandblasted glass on a slender frame, its front face turned to the lens and the woman on the far side of it, straddling the seat backwards. Her legs are the only sharp thing: both calves folded up and crossed at the ankles, laid along the top edge of the backrest, the near calf overlapping the far one, all of both shins, both bare feet and the tops and soles of her toes resting on the flat top rim, toes curling slightly over the far edge. Her feet hang above the camera and slightly toward it, lit hard from the front so the glossy skin along the instep and the rounded heel catches a long, tight highlight. Below the backrest's top edge, her thighs and the rest of her body sink into the glass: the black stockings sheen dimly through the slab, her thighs, hips, torso, arms and the purple of her jacket reduced to soft, heavily defocused shapes, edges spread and feathering into the white, the white shirt only a pale ghost, her round eyewear on her head a faint blurred ring. Nothing behind the glass is crisp except where her bare legs break the top line. Her face appears above the backrest with her chin lifted, head tilted slightly up, purple eyes looking straight down the lens, lashes lowered a fraction under the confident closed-lip smile that pulls higher on one side; her long purple hair falls behind her shoulders and past the glass edge in soft strands, one lock hanging between her eyes. Her gloved hands rest on the top rim of the backrest on either side of her calves, purple gloves gripping the glass edge, elbows bent, shoulders eased. The pure white background is seamless and empty, the same value above and beyond the chair, so the frosted glass reads only through its softness and its faint milky gradation against the white. Studio light from high front-left and a broad fill from the right: two crisp specular streaks run down the glossy shins and along the top of each bare foot, a softer sheen blooms through the blurred stockings inside the glass, and the sandblasted surface scatters the light into a dull halo around every bright limb, the top rim darker in a thin line where her heels press and slightly dent the soft frosting. Palette of white, milk-grey glass, black stockings and purple hair and gloves, nothing else admitted. Clean, poised, quietly powerful.
moriarity202

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