パラメーターを見る
- オリジナルプロンプト
- 32-year-old Caucasian male, mountain of a man, over six feet tall, thick muscular build, broad shoulders, deep chest, short-cropped black hair, dense well-groomed beard and mustache, strong square jawline, sharp pink tuxedo, white dress shirt, bulging biceps, silk vest cinching the waist, precision-tied white bowtie, polished pink formal shoes, rugged masculinity, alluring physical presence, wedding,
- モード
- flash
- 縦横比
- 1104 x 1824
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読む
hb
1boy, solo, adult, 32 years old, caucasian, tall male, muscular, very tall, broad shoulders, deep chest, biceps, short hair, black hair, cropped hair, beard, mustache, well-groomed beard, facial hair, square jaw, pink tuxedo, formal, white dress shirt, vest, silk vest, white bowtie, pink shoes, formal shoes, wedding, from below, cowboy shot, standing, arm support, hand on own hip, head tilt, looking down at viewer, half-closed eyes, lopsided grin, raised eyebrow, dutch angle, confetti, depth of field, cinematic lighting,
Seen from below in a low dutch angle that tilts the world a few degrees clockwise, a man in his early thirties fills the frame from polished pink shoes to the crest of his short-cropped black hair, stopping at mid-thigh crop so his height runs off the top edge. He is a mountain of a man: thick muscular build, deep chest swelling the white dress shirt, broad shoulders squaring the pink tuxedo jacket wide, the silk vest cinched hard at the waist so the taper reads under the jacket's open front, sleeves strained around bulging biceps as he hooks one thumb into the vest's lower edge. The white bowtie sits precision-tied, level, tucked tight beneath the collar. His dense well-groomed beard and mustache are combed smooth, edges clean against a strong square jawline, and the jaw is tipped down toward the lens while his chin stays lifted — a head tilt held with lazy confidence. One brow arched, lids half closed, a lopsided grin showing a sliver of teeth; his eyes land straight on the viewer and stay there. Weight shifted onto his right leg, left hip dropped, left hand resting at his hip, coat tail swinging half an inch behind him from the turn. Polished pink formal shoes catch the light on their toes, the leather's reflection soft and darker than the sheen it mirrors. Behind him the space resolves into a blurred wedding hall: an arch of white blossoms at the far left, rows of chairs receding in soft bokeh, warm string lights strung overhead and out of focus. Confetti is still falling — small paper flecks hang at different depths, blurred in the foreground, sharp where a few rest on the upward face of his shoulders and crown, none on the undersides. A single warm key rakes from high left, gilding the left side of his face and the left shoulder of the jacket, while the right side falls into a deep rose-shadow; the only fill is the pale glow bouncing off the white shirtfront. Palette locked to pink, white, black and warm gold — no other colour admitted. Rugged, effortlessly charismatic.
honey bee
hb
1boy, solo, adult, 32 years old, caucasian, tall male, muscular, very tall, broad shoulders, deep chest, biceps, short hair, black hair, cropped hair, beard, mustache, well-groomed beard, facial hair, square jaw, pink tuxedo, formal, white dress shirt, vest, silk vest, white bowtie, pink shoes, formal shoes, wedding, from below, cowboy shot, standing, arm support, hand on own hip, head tilt, looking down at viewer, half-closed eyes, lopsided grin, raised eyebrow, dutch angle, confetti, depth of field, cinematic lighting,
Seen from below in a low dutch angle that tilts the world a few degrees clockwise, a man in his early thirties fills the frame from polished pink shoes to the crest of his short-cropped black hair, stopping at mid-thigh crop so his height runs off the top edge. He is a mountain of a man: thick muscular build, deep chest swelling the white dress shirt, broad shoulders squaring the pink tuxedo jacket wide, the silk vest cinched hard at the waist so the taper reads under the jacket's open front, sleeves strained around bulging biceps as he hooks one thumb into the vest's lower edge. The white bowtie sits precision-tied, level, tucked tight beneath the collar. His dense well-groomed beard and mustache are combed smooth, edges clean against a strong square jawline, and the jaw is tipped down toward the lens while his chin stays lifted — a head tilt held with lazy confidence. One brow arched, lids half closed, a lopsided grin showing a sliver of teeth; his eyes land straight on the viewer and stay there. Weight shifted onto his right leg, left hip dropped, left hand resting at his hip, coat tail swinging half an inch behind him from the turn. Polished pink formal shoes catch the light on their toes, the leather's reflection soft and darker than the sheen it mirrors. Behind him the space resolves into a blurred wedding hall: an arch of white blossoms at the far left, rows of chairs receding in soft bokeh, warm string lights strung overhead and out of focus. Confetti is still falling — small paper flecks hang at different depths, blurred in the foreground, sharp where a few rest on the upward face of his shoulders and crown, none on the undersides. A single warm key rakes from high left, gilding the left side of his face and the left shoulder of the jacket, while the right side falls into a deep rose-shadow; the only fill is the pale glow bouncing off the white shirtfront. Palette locked to pink, white, black and warm gold — no other colour admitted. Rugged, effortlessly charismatic.
honey bee
hb
1boy, solo, adult male, 32 years old, caucasian, tall, muscular, thick muscular build, broad shoulders, deep chest, bulging biceps, black hair, short hair, short-cropped hair, beard, mustache, dense well-groomed beard, square jaw, dark chest hair, chest hair, pink tuxedo, white dress shirt, silk vest, white bowtie, bowtie, pink shoes, formal shoes, wedding, from below, cowboy shot, dutch angle, looking down at viewer, half-closed eyes, smirk, one eyebrow raised, hand adjusting bowtie, one hand in pocket, head tilt, foreshortening, dramatic lighting, depth of field
Shot from a low angle on a slight dutch tilt, in a cowboy shot from mid-thigh up, the man looms toward the lens, his full height carried by the upward perspective so the shoulders and the deep chest fill the upper frame and the ceiling of the hall recedes behind his head. He stands with his weight on his right leg, left hip pushed out, torso canted a few degrees off square to the camera; his left hand is tucked into his trouser pocket with the thumb hooked over the seam, and his right hand has just finished sliding the knot of the white bowtie up to the collar, two fingertips still resting on it, elbow angled out. He looks down at the viewer along the line of the low camera, chin lowered, one dark eyebrow cocked, lids half down, a small lopsided smirk tightening one corner of his mouth behind the cropped beard. Short-cropped black hair sits flat and close to the scalp save for a faint lift at the crown. The suit is brilliant bridal pink: the jacket is open on a crisp white dress shirt, a pink silk vest pulls in hard at the waist and draws the broadness above it into a wedge, and the white bowtie sits dead-center, perfectly symmetrical, its knot a tight dimensionless double knot. The shirt's collar is unfastened one button at the throat, and a coil of dark chest hair shows in the V between the collar points, catching a thread of light. The pink trousers are sharply creased, breaking once across the instep of the polished pink shoes, whose mirrors of light reflect the warm bulbs of the hall. Around him a wedding hall at dusk: rows of pale chairs and white flowers falling out of focus behind, and a low chandelier at his back throwing a bright rim along the top of his shoulders, his hair, and the ridge of the bowtie; his face and the front of the jacket are lit by a softer warm key from the left, leaving deep shadow under the jaw and the pectorals, so the muscles read as masses rather than lines. Palette restricted to pink, white, warm gold and the black of his hair, beard and chest hair. The floor polish around his shoes mirrors the chandelier so the pink leather shows a brighter point of light than the bulb that makes it. Alluring, ruggedly formal.
honey bee
hb
1boy, solo, adult male, 32 years old, caucasian, tall, muscular, thick muscular build, broad shoulders, deep chest, bulging biceps, black hair, short hair, short-cropped hair, beard, mustache, dense well-groomed beard, square jaw, dark chest hair, chest hair, pink tuxedo, white dress shirt, silk vest, white bowtie, bowtie, pink shoes, formal shoes, wedding, from below, cowboy shot, dutch angle, looking down at viewer, half-closed eyes, smirk, one eyebrow raised, hand adjusting bowtie, one hand in pocket, head tilt, foreshortening, dramatic lighting, depth of field
Shot from a low angle on a slight dutch tilt, in a cowboy shot from mid-thigh up, the man looms toward the lens, his full height carried by the upward perspective so the shoulders and the deep chest fill the upper frame and the ceiling of the hall recedes behind his head. He stands with his weight on his right leg, left hip pushed out, torso canted a few degrees off square to the camera; his left hand is tucked into his trouser pocket with the thumb hooked over the seam, and his right hand has just finished sliding the knot of the white bowtie up to the collar, two fingertips still resting on it, elbow angled out. He looks down at the viewer along the line of the low camera, chin lowered, one dark eyebrow cocked, lids half down, a small lopsided smirk tightening one corner of his mouth behind the cropped beard. Short-cropped black hair sits flat and close to the scalp save for a faint lift at the crown. The suit is brilliant bridal pink: the jacket is open on a crisp white dress shirt, a pink silk vest pulls in hard at the waist and draws the broadness above it into a wedge, and the white bowtie sits dead-center, perfectly symmetrical, its knot a tight dimensionless double knot. The shirt's collar is unfastened one button at the throat, and a coil of dark chest hair shows in the V between the collar points, catching a thread of light. The pink trousers are sharply creased, breaking once across the instep of the polished pink shoes, whose mirrors of light reflect the warm bulbs of the hall. Around him a wedding hall at dusk: rows of pale chairs and white flowers falling out of focus behind, and a low chandelier at his back throwing a bright rim along the top of his shoulders, his hair, and the ridge of the bowtie; his face and the front of the jacket are lit by a softer warm key from the left, leaving deep shadow under the jaw and the pectorals, so the muscles read as masses rather than lines. Palette restricted to pink, white, warm gold and the black of his hair, beard and chest hair. The floor polish around his shoes mirrors the chandelier so the pink leather shows a brighter point of light than the bulb that makes it. Alluring, ruggedly formal.
honey bee
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リオ
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