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AI art "Barnaby Brooks Jr. in bunny suit"
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Barnaby Brooks Jr. in bunny suit

「Barnaby Brooks Jr. in bunny suit」はTrần Văn KhánhさんのAIイラストです。使用モデル: Tsubaki.3 Flash。

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コメント

1girl, solo, bunny girl outfit, black leotard, sleeveless leotard, high-cut leotard, black pantyhose, black high heels, white collar, black bowtie, bunny ears, rabbit ears, black bunny ears upright, white cuffs, from below, low angle, cowboy shot, dutch angle, arm up, outstretched arm, hand on headwear, looking down at viewer, sideways glance, one eye closed, slight smirk, head tilt, leaning forward, fireplace, armchair, night, warm interior, backlighting A low-angle cowboy shot from below, tilted a few degrees into a dutch angle: a young woman in a black bunny girl outfit dominates the frame, her body angled in three-quarter view toward camera-right while her chin tips down and her gaze drops straight to the viewer over one shoulder of her dark bobbed hair. She leans forward over the high back of a deep oxblood leather armchair, hip pressed to the chair's backrest, weight carried through the hip that touches the leather, one knee bent and lifted slightly behind it, the other leg straight to the floor with the toe of a black high heel planted on the rug. Her front foot is slightly raised at the heel, only the toe box in contact, and the pantyhose pull taut over the lifted knee. The black leotard is high-cut at the hip, a white collar banded around her throat with a black bowtie under the chin, black bunny ears standing tall from her hair, white cuffs at each wrist. Her left arm is flung up and out, the white cuff rolled at the wrist, her palm flat on the side of one bunny ear where she holds it tilted, and the ear's fabric dips under her fingers. Her right hand rests on the armchair's backrest near her hip, fingers curled over the top seam. Her lips are shut, pulled to one side in a slight smirk, one eye closed in a wink while the open eye stays locked on the viewer. The tips of her hair swing forward from the lean, and the bunny ears bend with the tilt of her head. The setting is a warm interior at night: a low fire in a stone hearth behind her at frame left casts the only strong light, a warm orange rim along the edge of her raised arm, the curve of her hip and one side of her face; the front of her body falls into softer warm brown shadow. The firelight throws her shadow onto the wall behind her, elongated by the low camera angle, her silhouette spilling over the frame edge. No overhead lamp, no window light, the corners of the room sinking into deep brown-black. Palette is restricted to the black of the outfit and pantyhose, oxblood leather, warm fire-orange and amber highlights, and the single white note of collar and cuffs. The black of the leotard reads matte, the pantyhose catching one thin specular line down the lifted knee, the leather of the chair holding a soft, oily sheen where the fire touches it. Smoky, teasing, low-lit.
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オリジナルプロンプト
woman wearing bunny girl outfit
モード
flash
縦横比
864 x 1152
プロンプト自動変換

利用したモデルとLoRA

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AI artwork
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character: isuzu_hana 1girl, solo, isuzu_hana, long black hair, hair up, ahoge, black eyes, bunny girl outfit, black bunny suit, strapless leotard, white collar with black bow tie, cuffs, white cuffs, rabbit ears, black rabbit ears, pantyhose, black pantyhose, high heels, black high heels, nail polish, black nail polish, sexy pose, seductive, one knee raised, sitting on the floor, leaning back, arm support, head tilt, looking at viewer, faint lopsided smile, half-closed eyes, from above, cowboy shot, elegant, glossy The camera looks down at her from above, close and slightly off-axis, so her head and raised shoulder sit near the upper third of the frame and her legs and one bracing hand occupy the foreground. She sits low on a seamless matte charcoal studio floor, weight pitched back onto her right palm pressed flat to the ground behind her hip, her right elbow softly bent and the shoulder it belongs to rolled a little higher than the other; her left knee is drawn up with that heel planted, the black high heel tilted so its sole just lifts at the toe, and her right leg is folded to the side, its pantyhosed calf lying along the floor with the asphalt-toned shine of the sheen catching along its upper contour. Her hip is cocked out of the square, one shoulder dipped, chin lifted and turned about twenty degrees off the lens, and her gaze comes back to the viewer over that small turn, half-lidded and steady, one brow arched a fraction as if she's reading how this is being received. Her mouth holds a faint closed-lipped smile caught at one corner, not quite a smirk. Her free left hand rests along the top of the drawn-up knee, the long black nails of three fingers barely pressing the glossy black fabric, and the black nail polish on the thumb is a small precise glint against the leotard. The black bunny suit is a single strapless leotard of close-fitting glossy material that catches a long narrow highlight from her left clavicle down over the ribs and another along the sloped torso, and a white stiff collar sits around her throat closed at the front by a small black bow tie; matching white cuffs ring her wrists with a thin elastic edge compressed into the skin just above each bony wrist. The tall black rabbit ears rise from the band of her hair up, their base slightly tilted, one a touch more upright than the other, and their soft nap fuzzes along the lit upper edges. Her black hair is gathered up and away, with the long strands swept into the bun so the nape and jawline are left bare, and one short loose strand swings forward past her cheek where a soft breath of air lifts it; the thin coiled ahoge at her crown stands as the only unruly shape. The environment is reduced to almost nothing: a matte charcoal floor and a seamless dark grey sweep behind her that lifts very gradually toward the upper frame, so the subject-to-ground ratio is almost entirely subject, and the only topography is the slow curve of the backdrop and the hard line where heel, palm and thigh meet the floor. The light source is a single large softbox high and to her right, and it is the only source: it strikes the high side of her raised shoulder, her forehead, the near edge of her lifted knee and the upward-facing top of her drawn-up foot, while the far side of her face, the underside of her jaw, the hollow inside the raised knee and the space behind her hip fall into deep, clean shadow. She casts a long soft shadow back to her left and slightly behind, blurred at its edges, blocking up under her folded leg, and the floor carries one faint compressed shine where her bracing palm has pressed it. Palette is black, a lifted charcoal grey and a single cool white at collar, cuffs and the faint highlight edges of the glossy fabric, nothing else admitted. Mood: quietly confident, effortlessly alluring.
Sakura Ozaki
AI artwork
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character: isuzu_hana 1girl, solo, isuzu_hana, long black hair, hair up, ahoge, black eyes, bunny girl outfit, black bunny suit, strapless leotard, white collar with black bow tie, cuffs, white cuffs, rabbit ears, black rabbit ears, pantyhose, black pantyhose, high heels, black high heels, nail polish, black nail polish, sexy pose, seductive, one knee raised, sitting on the floor, leaning back, arm support, head tilt, looking at viewer, faint lopsided smile, half-closed eyes, from above, cowboy shot, elegant, glossy The camera looks down at her from above, close and slightly off-axis, so her head and raised shoulder sit near the upper third of the frame and her legs and one bracing hand occupy the foreground. She sits low on a seamless matte charcoal studio floor, weight pitched back onto her right palm pressed flat to the ground behind her hip, her right elbow softly bent and the shoulder it belongs to rolled a little higher than the other; her left knee is drawn up with that heel planted, the black high heel tilted so its sole just lifts at the toe, and her right leg is folded to the side, its pantyhosed calf lying along the floor with the asphalt-toned shine of the sheen catching along its upper contour. Her hip is cocked out of the square, one shoulder dipped, chin lifted and turned about twenty degrees off the lens, and her gaze comes back to the viewer over that small turn, half-lidded and steady, one brow arched a fraction as if she's reading how this is being received. Her mouth holds a faint closed-lipped smile caught at one corner, not quite a smirk. Her free left hand rests along the top of the drawn-up knee, the long black nails of three fingers barely pressing the glossy black fabric, and the black nail polish on the thumb is a small precise glint against the leotard. The black bunny suit is a single strapless leotard of close-fitting glossy material that catches a long narrow highlight from her left clavicle down over the ribs and another along the sloped torso, and a white stiff collar sits around her throat closed at the front by a small black bow tie; matching white cuffs ring her wrists with a thin elastic edge compressed into the skin just above each bony wrist. The tall black rabbit ears rise from the band of her hair up, their base slightly tilted, one a touch more upright than the other, and their soft nap fuzzes along the lit upper edges. Her black hair is gathered up and away, with the long strands swept into the bun so the nape and jawline are left bare, and one short loose strand swings forward past her cheek where a soft breath of air lifts it; the thin coiled ahoge at her crown stands as the only unruly shape. The environment is reduced to almost nothing: a matte charcoal floor and a seamless dark grey sweep behind her that lifts very gradually toward the upper frame, so the subject-to-ground ratio is almost entirely subject, and the only topography is the slow curve of the backdrop and the hard line where heel, palm and thigh meet the floor. The light source is a single large softbox high and to her right, and it is the only source: it strikes the high side of her raised shoulder, her forehead, the near edge of her lifted knee and the upward-facing top of her drawn-up foot, while the far side of her face, the underside of her jaw, the hollow inside the raised knee and the space behind her hip fall into deep, clean shadow. She casts a long soft shadow back to her left and slightly behind, blurred at its edges, blocking up under her folded leg, and the floor carries one faint compressed shine where her bracing palm has pressed it. Palette is black, a lifted charcoal grey and a single cool white at collar, cuffs and the faint highlight edges of the glossy fabric, nothing else admitted. Mood: quietly confident, effortlessly alluring.
Sakura Ozaki
AI artwork
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character: kawashima_momo 1girl, solo, kawashima momo, short black bob cut, hair between eyes, black ribbon in hair, black eyes, rabbit ears, fangs, grey-framed under-rim semi-rimless eyewear, monocle over one lens, black leotard, bare shoulders, detached collar, black fishnet pantyhose, Vladimir Putin resemblance, stern heavy-lidded gaze, thin unsmiling mouth, pronounced brow, short blunt nose, square jawline, slight puffy cheek, side profile three-quarter turn, head turned to her right, chin lifted, straight-back formal posture, hands clasped low in front of her waist, shoulders squared, from below, close-up, dutch angle, dramatic upward key light, dark slate-green wall behind, aggressive vertical thrust of the camera. The camera sits low and tilted, looking up at her from hip height so the frame shears diagonally across the dark slate-green wall behind her; the view catches her from her sternum upward, head turned to her right in a three-quarter profile so the far cheek and the far ear sit just out of sight behind the near cheekbone. Every line of the face is angled toward the Putin likeness: the brow sits heavy and low with a flat horizontal crease, the eyes are dark and half-lidded beneath it, narrowed and steady, looking off past the left edge of the frame at nothing the viewer can see; the mouth is a thin closed line pulled slightly down at the near corner, no smile at all, the lips pressed as if she has just finished speaking and disapproves of the answer. The nose is short and blunt with a squared bridge; the jaw is broad and set; one cheek is faintly puffed, giving the likeness a touch of the familiar heavy-jowled look without turning it into a caricature. Her black bob falls straight and blunt to the jaw, one lock caught between her eyes, and the small black ribbon sits tucked at the crown above the near temple; the rabbit ears rise from behind that ribbon and stand up straight, faintly backlit so their inner surface glows a muted rose against the dark wall. Her glasses are grey-framed and under-rimmed, the lower edge of the frame catching the upward light; the monocle lens sits over her near eye on its thin chain, the glass throwing a small hard glint. The detached collar rings her bare throat, black against her skin, and the black leotard cuts across her shoulders; her shoulders are bare and squared, and below the frame edge the fishnet pantyhose is glimpsed only as a fine dark diamond mesh at the very bottom corner. Her hands stay clasped low in front of her waist, fingers laced, thumbs pressed together, knuckles pale where the grip tightens. A single hard light source stands low and to her left, angled steeply upward: it models the underside of her jaw, the near cheekbone, the underside of the glasses frame and the bridge of her nose, and it throws her long shadow up and back against the slate-green wall so the shadow climbs higher than she does. Everything above her brow and outside the light's cone drops into black; the wall behind is otherwise unlit. The palette holds to black, cold slate green, the pale cool cast of skin under the low key, and one dull rose glint inside the rabbit ears -- nothing else admitted. The monocle's reflection is a small bright smear smaller and softer than its source, and the fine mesh of the fishnet at the bottom edge bends and stretches along her thigh's curve. The mood is cold, imperious, faintly absurd.
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