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AI artwork
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zenox

zenoxさんのAIイラストです。使用モデル: Tsubaki.3 Flash。

Avatar image of zenox

zenox

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1girl, solo, adult woman, long hair, straight hair, black hair, bangs, soft bangs, delicate facial features, black cat-ear headband, holding smartphone, black smartphone, mirror selfie, taking selfie, standing, slightly sideways pose, black sports top, fitted top, gym sports top, black shorts, athletic shorts, H-cup, large breasts, full-body, full-body mirror, cozy bedroom, bed, grey curtains, wall photographs, soft natural indoor lighting, realistic skin texture, subtle shadows, muted grey color grading, sharp focus, detailed surroundings, mirror reflection, phone in one hand, arm raised, looking at phone screen, from side, slightly from below, A full-body mirror selfie shot at a slight low angle: the tall bedroom mirror fills the frame as a clean vertical panel, and inside it stands one adult woman, her body angled roughly three-quarters away toward the mirror's depth while her chest and face turn back toward the glass — the classic posing twist, hips swung to her left, weight carried on her left leg, right knee relaxed forward, right shoulder dropped lower than the left. Her long straight black hair falls in a smooth heavy curtain down past her shoulder blades, soft bangs parted lightly across her forehead; her reflection shows delicate features — small straight nose, fine jaw, softly defined lips — and her chin tips slightly down as she reads the phone screen, lids lowered, lips just parted in a faint closed-mouth softness rather than a posed grin. She raises her right hand to chest height, the black smartphone gripped along its edges with the rear camera facing the glass, her elbow bent and tucked in, the phone's black body overlapping the lower edge of her collarbone; her left arm hangs loosely with the knuckles resting light against her outer thigh. The black cat-ear headband sits back from her hairline, its two soft arcs rising clean above the crown and threading through the black hair without disturbing the bangs. She wears a black fitted gym sports top that hugs the ribcage and holds her full H-cup chest high with a defined underbust seam, and matching black athletic shorts sitting low and flat across the hips, their hem ending high on the thigh; bare arms, bare shoulders, bare midriff between top and shorts, bare legs down to bare feet on the pale floorboards, both ears bare of any earring, wrists bare, no jewellery anywhere, hair completely unadorned but for the headband. Inside the reflection the bedroom reads warm but hushed: the bed sits behind her left hip at midground with a soft grey-toned duvet folded back and one pillow dented where a hand has pressed it; the tall grey curtains hang on the far wall to the right, their pleats catching the daylight and one lower fold curling where it drags the floor; three or four small framed photographs hang as a loose cluster above the bed head, tilted at slightly different angles, their images soft and indistinct at this distance; a low pale dresser edge and a stretch of bare wall fill the background without clutter. The only light is soft daylight diffusing in through the curtain panel from the right, so the right side of her face, the right shoulder and the right edge of her chest and hip take a gentle highlight while the left side falls into a low quiet shadow; the shadows are soft-edged with no hard cast line, and a faint darker softness pools under her jaw, under the bust, and beneath the hem of the shorts. The mirror itself is honest about being glass: a thin vertical smear of reflected light runs the height of the panel, the reflected room is very slightly dimmer and cooler than the room it reflects, and her bare feet meet their own reflections with a hairline gap of seam between them where the mirror's frame meets the floor. Palette held to black, charcoal, muted grey and warm neutral skin — black in the hair, headband, top, shorts and phone; grey in the curtains, duvet and walls; the only warmth in her skin tone and the faint cream of the framed prints. Fine realistic photographic rendering, crisp sharp focus on her face, hands and the phone, detailed fabric weave in the sports top and the curtain pleats, and the softest falloff on the background frames. Quiet, understated, effortlessly intimate.
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オリジナルプロンプト
A beautiful adult woman with long, straight black hair, soft bangs, delicate facial features, and a black cat-ear headband. She is taking a mirror selfie with a black smartphone, standing in a natural, slightly sideways pose. She is wearing a stylish black fitted gym sports top and matching black athletic shorts. A cozy bedroom environment with a bed, grey curtains, and aesthetic wall photographs in the background. Soft natural indoor lighting, realistic skin texture, subtle shadows, muted grey color grading, high-quality realistic photography,H-cup , full-body mirror selfie composition, sharp focus, detailed surroundings.
モード
flash
縦横比
1104 x 1824
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 Flash - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3 Flash
2.22k

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AI artwork
Avatar image of zenox
1girl, solo, mirrored selfie, holding smartphone, black smartphone, from side, standing, long straight black hair, black hair, soft bangs, delicate facial features, black cat-ear headband, black sports top, fitted gym top, black athletic shorts, chubby, full body, mirror reflection, cozy bedroom, grey curtains, wall photographs, soft natural light, soft shadows, realistic skin texture, muted grey color grading, realistic photography, sharp focus, detailed background, bare arms, bare legs, looking at phone screen, phone held at chest height A full-body mirror selfie seen straight into the mirror, the camera occupying the glass rather than the room: the reflected woman stands in the mirror's frame from the cat-ear headband down to her sneakers-capped feet, hips angled a quarter turn away from the glass so her left shoulder is nearer the viewer than her right, weight settled on the back hip, front knee relaxed and slightly bent. Her long straight black hair falls past her shoulder blades in one heavy sheet, soft bangs lying flat across her forehead just above her brows and feathering at the temples; the black cat-ear headband sits behind the bangs with the two rounded ears tipped slightly outward, its band pressing a shallow line into the hair. One arm crosses her chest to hold the black smartphone up at collarbone height, fingers wrapped around the case's edge, the rear camera facing the mirror so the phone's dark rectangle and one small lens glint read clearly; her other hand hangs loose at her side, thumb hooked lightly in the hem of her shorts. Her chin tips a few degrees down toward the phone, eyes tracking the screen rather than the reflection, a faint relaxed closed-lip expression, the smallest asymmetry in one raised brow. The black fitted sports top is a close hug of matte stretch fabric over a soft, full body—creases at the underarm, a faint sheen along the strap seam, a horizontal pull where her arm compresses the chest—and the matching black athletic shorts sit high at the waist with a soft rolled hem, the fabric catching one thin highlight down the outer thigh; both garments keep a gentle compression line where the body meets the cloth. The bedroom behind her reflection is deep and lived-in: a low bed with a rumpled grey-beige duvet at the left, a pale wooden nightstand, and a grey curtain falling in soft vertical folds along the right edge of the mirror, diffusing the light into a wide even glow; a loose cluster of wall photographs in thin black frames hangs above the bed, tilted a few degrees, their images left as small soft-toned shapes, and a second smaller mirror or framed print catches a returning sliver of light near the door. The daylight is soft and directional, entering from the curtain side so the lit shoulder, cheek and thigh face the glass and the subtle shadows pool on the far side of her neck, beneath the jaw, under the top's hem and on the floor at her feet; the phone casts a tight soft shadow onto her collarbone. Everything is in sharp focus, from the cat-ear headband to the grain of the pale wooden floor and the weave of the curtain, rendered in muted grey color grading in which blacks stay rich and undifferentiated and the only warmth is a low, dusty tan in the skin and the floorboards. One honest physical detail: the mirror's silvering marks the scene—the phone's reflection sits a shade darker and softer than the phone itself, and the mirror's surface carries a faint smear where she has wiped it. Quiet, effortlessly stylish.
zenox
AI artwork
Avatar image of zenox
1girl, solo, mirrored selfie, holding smartphone, black smartphone, from side, standing, long straight black hair, black hair, soft bangs, delicate facial features, black cat-ear headband, black sports top, fitted gym top, black athletic shorts, chubby, full body, mirror reflection, cozy bedroom, grey curtains, wall photographs, soft natural light, soft shadows, realistic skin texture, muted grey color grading, realistic photography, sharp focus, detailed background, bare arms, bare legs, looking at phone screen, phone held at chest height A full-body mirror selfie seen straight into the mirror, the camera occupying the glass rather than the room: the reflected woman stands in the mirror's frame from the cat-ear headband down to her sneakers-capped feet, hips angled a quarter turn away from the glass so her left shoulder is nearer the viewer than her right, weight settled on the back hip, front knee relaxed and slightly bent. Her long straight black hair falls past her shoulder blades in one heavy sheet, soft bangs lying flat across her forehead just above her brows and feathering at the temples; the black cat-ear headband sits behind the bangs with the two rounded ears tipped slightly outward, its band pressing a shallow line into the hair. One arm crosses her chest to hold the black smartphone up at collarbone height, fingers wrapped around the case's edge, the rear camera facing the mirror so the phone's dark rectangle and one small lens glint read clearly; her other hand hangs loose at her side, thumb hooked lightly in the hem of her shorts. Her chin tips a few degrees down toward the phone, eyes tracking the screen rather than the reflection, a faint relaxed closed-lip expression, the smallest asymmetry in one raised brow. The black fitted sports top is a close hug of matte stretch fabric over a soft, full body—creases at the underarm, a faint sheen along the strap seam, a horizontal pull where her arm compresses the chest—and the matching black athletic shorts sit high at the waist with a soft rolled hem, the fabric catching one thin highlight down the outer thigh; both garments keep a gentle compression line where the body meets the cloth. The bedroom behind her reflection is deep and lived-in: a low bed with a rumpled grey-beige duvet at the left, a pale wooden nightstand, and a grey curtain falling in soft vertical folds along the right edge of the mirror, diffusing the light into a wide even glow; a loose cluster of wall photographs in thin black frames hangs above the bed, tilted a few degrees, their images left as small soft-toned shapes, and a second smaller mirror or framed print catches a returning sliver of light near the door. The daylight is soft and directional, entering from the curtain side so the lit shoulder, cheek and thigh face the glass and the subtle shadows pool on the far side of her neck, beneath the jaw, under the top's hem and on the floor at her feet; the phone casts a tight soft shadow onto her collarbone. Everything is in sharp focus, from the cat-ear headband to the grain of the pale wooden floor and the weave of the curtain, rendered in muted grey color grading in which blacks stay rich and undifferentiated and the only warmth is a low, dusty tan in the skin and the floorboards. One honest physical detail: the mirror's silvering marks the scene—the phone's reflection sits a shade darker and softer than the phone itself, and the mirror's surface carries a faint smear where she has wiped it. Quiet, effortlessly stylish.
zenox
AI artwork
Avatar image of zenox
1girl, solo, mirrored selfie, holding smartphone, black smartphone, from side, standing, long straight black hair, black hair, soft bangs, delicate facial features, black cat-ear headband, black sports top, fitted gym top, black athletic shorts, chubby, full body, mirror reflection, cozy bedroom, grey curtains, wall photographs, soft natural light, soft shadows, realistic skin texture, muted grey color grading, realistic photography, sharp focus, detailed background, bare arms, bare legs, looking at phone screen, phone held at chest height A full-body mirror selfie seen straight into the mirror, the camera occupying the glass rather than the room: the reflected woman stands in the mirror's frame from the cat-ear headband down to her sneakers-capped feet, hips angled a quarter turn away from the glass so her left shoulder is nearer the viewer than her right, weight settled on the back hip, front knee relaxed and slightly bent. Her long straight black hair falls past her shoulder blades in one heavy sheet, soft bangs lying flat across her forehead just above her brows and feathering at the temples; the black cat-ear headband sits behind the bangs with the two rounded ears tipped slightly outward, its band pressing a shallow line into the hair. One arm crosses her chest to hold the black smartphone up at collarbone height, fingers wrapped around the case's edge, the rear camera facing the mirror so the phone's dark rectangle and one small lens glint read clearly; her other hand hangs loose at her side, thumb hooked lightly in the hem of her shorts. Her chin tips a few degrees down toward the phone, eyes tracking the screen rather than the reflection, a faint relaxed closed-lip expression, the smallest asymmetry in one raised brow. The black fitted sports top is a close hug of matte stretch fabric over a soft, full body—creases at the underarm, a faint sheen along the strap seam, a horizontal pull where her arm compresses the chest—and the matching black athletic shorts sit high at the waist with a soft rolled hem, the fabric catching one thin highlight down the outer thigh; both garments keep a gentle compression line where the body meets the cloth. The bedroom behind her reflection is deep and lived-in: a low bed with a rumpled grey-beige duvet at the left, a pale wooden nightstand, and a grey curtain falling in soft vertical folds along the right edge of the mirror, diffusing the light into a wide even glow; a loose cluster of wall photographs in thin black frames hangs above the bed, tilted a few degrees, their images left as small soft-toned shapes, and a second smaller mirror or framed print catches a returning sliver of light near the door. The daylight is soft and directional, entering from the curtain side so the lit shoulder, cheek and thigh face the glass and the subtle shadows pool on the far side of her neck, beneath the jaw, under the top's hem and on the floor at her feet; the phone casts a tight soft shadow onto her collarbone. Everything is in sharp focus, from the cat-ear headband to the grain of the pale wooden floor and the weave of the curtain, rendered in muted grey color grading in which blacks stay rich and undifferentiated and the only warmth is a low, dusty tan in the skin and the floorboards. One honest physical detail: the mirror's silvering marks the scene—the phone's reflection sits a shade darker and softer than the phone itself, and the mirror's surface carries a faint smear where she has wiped it. Quiet, effortlessly stylish.
zenox
AI artwork
Avatar image of zenox
1girl, solo, mirrored selfie, holding smartphone, black smartphone, from side, standing, long straight black hair, black hair, soft bangs, delicate facial features, black cat-ear headband, black sports top, fitted gym top, black athletic shorts, chubby, full body, mirror reflection, cozy bedroom, grey curtains, wall photographs, soft natural light, soft shadows, realistic skin texture, muted grey color grading, realistic photography, sharp focus, detailed background, bare arms, bare legs, looking at phone screen, phone held at chest height A full-body mirror selfie seen straight into the mirror, the camera occupying the glass rather than the room: the reflected woman stands in the mirror's frame from the cat-ear headband down to her sneakers-capped feet, hips angled a quarter turn away from the glass so her left shoulder is nearer the viewer than her right, weight settled on the back hip, front knee relaxed and slightly bent. Her long straight black hair falls past her shoulder blades in one heavy sheet, soft bangs lying flat across her forehead just above her brows and feathering at the temples; the black cat-ear headband sits behind the bangs with the two rounded ears tipped slightly outward, its band pressing a shallow line into the hair. One arm crosses her chest to hold the black smartphone up at collarbone height, fingers wrapped around the case's edge, the rear camera facing the mirror so the phone's dark rectangle and one small lens glint read clearly; her other hand hangs loose at her side, thumb hooked lightly in the hem of her shorts. Her chin tips a few degrees down toward the phone, eyes tracking the screen rather than the reflection, a faint relaxed closed-lip expression, the smallest asymmetry in one raised brow. The black fitted sports top is a close hug of matte stretch fabric over a soft, full body—creases at the underarm, a faint sheen along the strap seam, a horizontal pull where her arm compresses the chest—and the matching black athletic shorts sit high at the waist with a soft rolled hem, the fabric catching one thin highlight down the outer thigh; both garments keep a gentle compression line where the body meets the cloth. The bedroom behind her reflection is deep and lived-in: a low bed with a rumpled grey-beige duvet at the left, a pale wooden nightstand, and a grey curtain falling in soft vertical folds along the right edge of the mirror, diffusing the light into a wide even glow; a loose cluster of wall photographs in thin black frames hangs above the bed, tilted a few degrees, their images left as small soft-toned shapes, and a second smaller mirror or framed print catches a returning sliver of light near the door. The daylight is soft and directional, entering from the curtain side so the lit shoulder, cheek and thigh face the glass and the subtle shadows pool on the far side of her neck, beneath the jaw, under the top's hem and on the floor at her feet; the phone casts a tight soft shadow onto her collarbone. Everything is in sharp focus, from the cat-ear headband to the grain of the pale wooden floor and the weave of the curtain, rendered in muted grey color grading in which blacks stay rich and undifferentiated and the only warmth is a low, dusty tan in the skin and the floorboards. One honest physical detail: the mirror's silvering marks the scene—the phone's reflection sits a shade darker and softer than the phone itself, and the mirror's surface carries a faint smear where she has wiped it. Quiet, effortlessly stylish.
zenox

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