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AI artwork
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Lukas

LukasさんのAIイラストです。使用モデル: Tsubaki.3 Flash。

l

Lukas

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full body armor, full armor, complete armor coverage, suit of armor, helmet with visor, armored gauntlets, armored boots, white background, plain white background, seamless white background, solo, one figure, standing, three-quarter view, from below, low angle, cowboy shot, looking to the side, arms at sides, armored hand resting on helmet at hip level, world war 2 German theme, muted field grey underlayer, weathered steel, feldgrau cloth at the joints, historical military styling, stark studio lighting, cel shading, crisp linework A single armored figure stands on an entirely empty, seamless white ground in a low, three-quarter view from below, framed in a cowboy shot from mid-thigh to just above the helmet. The figure faces slightly to the viewer's right, weight settled on the back leg so the front hip carries a relaxed counter-tilt, shoulders squared but not stiff. The head turns just enough that the visor points off-frame to the right; the slit of the closed helmet hides the face, so nothing of the features reads, and the gaze is implied only by the chin's direction. Both arms hang with purpose: the right hand grips the rim of the helmet at hip level, fingers curled around the brow, the armored knuckles catching the light; the left arm hangs loose, gauntlet fingers half-curled and empty. Every surface of the body is covered — pauldrons, vambraces, cuirass and faulds, greaves, sabatons — overlapping plates riding on one another with clear seams, and beneath them narrow strips of muted field-grey cloth show at the joints. The steel carries a matte weathered patina, scuffs and a faint brushed grain, the edges lighter where they have been handled. Lighting comes from a single hard key high and to the left, so the left side of the cuirass and the helmet's crown flare while the right side falls into cool shadow and a crisp cast shadow drops to the white floor just behind the feet; the background stays pure white with no gradient or props. The palette is disciplined: the white ground, the cool grey of the steel, the field-grey cloth, and nothing else admitted. The white ground reflects up faintly into the polished lower edge of the greaves, a soft re-bounce that reads only on the downward-facing metal — a single quiet note of light. The figure's bulk fills the frame with quiet historical menace.
パラメーターを見る
オリジナルプロンプト
Ein deutscher ww2 weißer Hintergrund und kompletter aus Rüstung
モード
flash
縦横比
1104 x 1824
プロンプト自動変換

利用したモデルとLoRA

Tsubaki.3 Flash - AI Modelのカバー画像

PixAI DiT.3

Tsubaki.3 Flash
2.25k

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続きを読む
AI artwork
l
full body armor, full armor, complete armor coverage, suit of armor, helmet with visor, armored gauntlets, armored boots, white background, plain white background, seamless white background, solo, one figure, standing, three-quarter view, from below, low angle, cowboy shot, looking to the side, arms at sides, armored hand resting on helmet at hip level, world war 2 German theme, muted field grey underlayer, weathered steel, feldgrau cloth at the joints, historical military styling, stark studio lighting, cel shading, crisp linework A single armored figure stands on an entirely empty, seamless white ground in a low, three-quarter view from below, framed in a cowboy shot from mid-thigh to just above the helmet. The figure faces slightly to the viewer's right, weight settled on the back leg so the front hip carries a relaxed counter-tilt, shoulders squared but not stiff. The head turns just enough that the visor points off-frame to the right; the slit of the closed helmet hides the face, so nothing of the features reads, and the gaze is implied only by the chin's direction. Both arms hang with purpose: the right hand grips the rim of the helmet at hip level, fingers curled around the brow, the armored knuckles catching the light; the left arm hangs loose, gauntlet fingers half-curled and empty. Every surface of the body is covered — pauldrons, vambraces, cuirass and faulds, greaves, sabatons — overlapping plates riding on one another with clear seams, and beneath them narrow strips of muted field-grey cloth show at the joints. The steel carries a matte weathered patina, scuffs and a faint brushed grain, the edges lighter where they have been handled. Lighting comes from a single hard key high and to the left, so the left side of the cuirass and the helmet's crown flare while the right side falls into cool shadow and a crisp cast shadow drops to the white floor just behind the feet; the background stays pure white with no gradient or props. The palette is disciplined: the white ground, the cool grey of the steel, the field-grey cloth, and nothing else admitted. The white ground reflects up faintly into the polished lower edge of the greaves, a soft re-bounce that reads only on the downward-facing metal — a single quiet note of light. The figure's bulk fills the frame with quiet historical menace.
Lukas
AI artwork
l
full body armor, full armor, complete armor coverage, suit of armor, helmet with visor, armored gauntlets, armored boots, white background, plain white background, seamless white background, solo, one figure, standing, three-quarter view, from below, low angle, cowboy shot, looking to the side, arms at sides, armored hand resting on helmet at hip level, world war 2 German theme, muted field grey underlayer, weathered steel, feldgrau cloth at the joints, historical military styling, stark studio lighting, cel shading, crisp linework A single armored figure stands on an entirely empty, seamless white ground in a low, three-quarter view from below, framed in a cowboy shot from mid-thigh to just above the helmet. The figure faces slightly to the viewer's right, weight settled on the back leg so the front hip carries a relaxed counter-tilt, shoulders squared but not stiff. The head turns just enough that the visor points off-frame to the right; the slit of the closed helmet hides the face, so nothing of the features reads, and the gaze is implied only by the chin's direction. Both arms hang with purpose: the right hand grips the rim of the helmet at hip level, fingers curled around the brow, the armored knuckles catching the light; the left arm hangs loose, gauntlet fingers half-curled and empty. Every surface of the body is covered — pauldrons, vambraces, cuirass and faulds, greaves, sabatons — overlapping plates riding on one another with clear seams, and beneath them narrow strips of muted field-grey cloth show at the joints. The steel carries a matte weathered patina, scuffs and a faint brushed grain, the edges lighter where they have been handled. Lighting comes from a single hard key high and to the left, so the left side of the cuirass and the helmet's crown flare while the right side falls into cool shadow and a crisp cast shadow drops to the white floor just behind the feet; the background stays pure white with no gradient or props. The palette is disciplined: the white ground, the cool grey of the steel, the field-grey cloth, and nothing else admitted. The white ground reflects up faintly into the polished lower edge of the greaves, a soft re-bounce that reads only on the downward-facing metal — a single quiet note of light. The figure's bulk fills the frame with quiet historical menace.
Lukas
AI artwork
l
full body armor, full armor, complete armor coverage, suit of armor, helmet with visor, armored gauntlets, armored boots, white background, plain white background, seamless white background, solo, one figure, standing, three-quarter view, from below, low angle, cowboy shot, looking to the side, arms at sides, armored hand resting on helmet at hip level, world war 2 German theme, muted field grey underlayer, weathered steel, feldgrau cloth at the joints, historical military styling, stark studio lighting, cel shading, crisp linework A single armored figure stands on an entirely empty, seamless white ground in a low, three-quarter view from below, framed in a cowboy shot from mid-thigh to just above the helmet. The figure faces slightly to the viewer's right, weight settled on the back leg so the front hip carries a relaxed counter-tilt, shoulders squared but not stiff. The head turns just enough that the visor points off-frame to the right; the slit of the closed helmet hides the face, so nothing of the features reads, and the gaze is implied only by the chin's direction. Both arms hang with purpose: the right hand grips the rim of the helmet at hip level, fingers curled around the brow, the armored knuckles catching the light; the left arm hangs loose, gauntlet fingers half-curled and empty. Every surface of the body is covered — pauldrons, vambraces, cuirass and faulds, greaves, sabatons — overlapping plates riding on one another with clear seams, and beneath them narrow strips of muted field-grey cloth show at the joints. The steel carries a matte weathered patina, scuffs and a faint brushed grain, the edges lighter where they have been handled. Lighting comes from a single hard key high and to the left, so the left side of the cuirass and the helmet's crown flare while the right side falls into cool shadow and a crisp cast shadow drops to the white floor just behind the feet; the background stays pure white with no gradient or props. The palette is disciplined: the white ground, the cool grey of the steel, the field-grey cloth, and nothing else admitted. The white ground reflects up faintly into the polished lower edge of the greaves, a soft re-bounce that reads only on the downward-facing metal — a single quiet note of light. The figure's bulk fills the frame with quiet historical menace.
Lukas

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