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新規登録当日にクレジットを付与!
宮水 三葉・君の名は。
YUKIさんのAIイラストです。使用モデル: Tsubaki.3。
パラメーターを見る
- オリジナルプロンプト
- character: miyamizu_mitsuha, copyright: kimi_no_na_wa., kimi_no_na_wa digital painting, detailed illustration, elaborate background, japanese anime art style, extremely detailed cg, detailed eyes, detailed skin, Anime screencap, (Anime coloring:1.5), source_anime, (anime coloring:2.0), detailed body, smooth skin, sharp focus, sd digital animation, (clean lines:1.2), (anime line art:1.5), bright and soft anime style, skin tone, character: miyamizu_mitsuha, miyamizu_mitsuha_(kimi_no_na_wa), copyright: kimi_no_na_wa. 1girl, solo, miko, miyamizu mitsuha, black hair, hair tied back, golden hair ornament, brown eyes, red lips, serious expression, red hakama, hakama skirt, plain white chihaya, japanese clothes, wide sleeves, kagura suzu, bell, red braided cord, standing, holding bell and string, elegant kagura dance, hinoki stage, wooden stage, surrounded by railings, night, bonfires, dark background, full body, low angle view, from below, looking down, arms up, outstretched arm, cel animation style, refined line art, ambient occlusion, ultra-detailed, theatrical film quality, Viewed from a low angle near the floorboards, a single girl stands alone at the exact center of a cypress stage, her full body framed from the soles of her white tabi to the crown of her tied-back black hair. She is caught mid-turn in a kagura dance: hips pivoted, weight sunk onto her back leg, one knee slightly bent, her red hakama skirt swinging outward in a wide bell so its stiff pleats open and the hem lifts clear of the polished hinoki planks. Her plain white chihaya is unpatterned and immaculate over the red, its wide sleeves falling back from her forearms as both arms lift; in her raised right hand she grips the dark wooden handle of a three-tiered kagura suzu, five bell clusters of coiled brass wire fanning above her fist, and from the base of the handle a long red braided cord runs down through her fingers to left hand, the cord pulled taut between her two hands, catching the firelight along its braid. Her hair is gathered and tied back so it swings behind her shoulders, and a golden hair ornament glints where it sits against the dark hair above her forehead. Her lips are painted a deep red, held in a flat serious line, brows drawn level, eyes lowered toward the stage floor beneath her — absorbed in the step, not the audience. The stage is the only lit thing: a raised square of pale hinoki, its grain running toward the camera, its plank seams dark and precise under the low viewpoint, and a low wooden railing posts-and-rails wraps the stage edge behind and to either side of her, the rail tops catching a thin orange rim of light. Beyond the railings the shrine grounds fall into complete night darkness, and at the edge of that blackness two iron bonfire baskets burn at a distance, their orange firelight reaching her from the right and slightly behind, so her shadow stretches forward across the planks toward the camera and the fire's glow rims her right sleeve, her right cheek, the brass wire of the suzu and the curve of the hanging bell, while her left side stays in cool shadow. Fire sparks drift up thinly against the black. The palette holds to the red of hakama, cord and lips, the white and gold of the chihaya and ornament, the pale warm wood, and the deep black of the night, with fire-orange as the only key light. Shadows are grounded and dense at her feet, the wide sleeve fabric hangs heavy with its own weight, and her gaze stays fixed down at the boards. Quiet, ceremonial intensity.
- モード
- pro
- 品質タグ
- ﹝プロンプト﹞
- 縦横比
- 1408 x 1408
- サンプリング方法
- Euler
- ネガティブ
- lowres, worst quality, low quality, bad anatomy, explicit
プロンプト自動変換
利用したモデルとLoRA
ほかの類似作品
続きを読むy
character: miyamizu_mitsuha, copyright: kimi_no_na_wa., kimi_no_na_wa
digital painting, detailed illustration, elaborate background, japanese anime art style, extremely detailed cg, detailed eyes, detailed skin, Anime screencap, (Anime coloring:1.5), source_anime, (anime coloring:2.0), detailed body, smooth skin, sharp focus, sd digital animation, (clean lines:1.2), (anime line art:1.5), bright and soft anime style, skin tone, character: miyamizu_mitsuha, copyright: kimi_no_na_wa., kimi_no_na_wa
digital painting, character: miyamizu_mitsuha, miyamizu_mitsuha_(kimi_no_na_wa), copyright: kimi_no_na_wa.
1girl, solo, miko, miyamizu mitsuha, black hair, hair tied back, golden hair ornament, brown eyes, red lips, serious expression, red hakama, hakama skirt, plain white chihaya, japanese clothes, wide sleeves, kagura suzu, bell, red braided cord, standing, holding bell and string, elegant kagura dance, hinoki stage, wooden stage, surrounded by railings, night, bonfires, dark background, full body, low angle view, from below, looking down, arms up, outstretched arm, cel animation style, refined line art, ambient occlusion, ultra-detailed, theatrical film quality, Viewed from a low angle near the floorboards, a single girl stands alone at the exact center of a cypress stage, her full body framed from the soles of her white tabi to the crown of her tied-back black hair. She is caught mid-turn in a kagura dance: hips pivoted, weight sunk onto her back leg, one knee slightly bent, her red hakama skirt swinging outward in a wide bell so its stiff pleats open and the hem lifts clear of the polished hinoki planks. Her plain white chihaya is unpatterned and immaculate over the red, its wide sleeves falling back from her forearms as both arms lift; in her raised right hand she grips the dark wooden handle of a three-tiered kagura suzu, five bell clusters of coiled brass wire fanning above her fist, and from the base of the handle a long red braided cord runs down through her fingers to left hand, the cord pulled taut between her two hands, catching the firelight along its braid. Her hair is gathered and tied back so it swings behind her shoulders, and a golden hair ornament glints where it sits against the dark hair above her forehead. Her lips are painted a deep red, held in a flat serious line, brows drawn level, eyes lowered toward the stage floor beneath her — absorbed in the step, not the audience.
The stage is the only lit thing: a raised square of pale hinoki, its grain running toward the camera, its plank seams dark and precise under the low viewpoint, and a low wooden railing posts-and-rails wraps the stage edge behind and to either side of her, the rail tops catching a thin orange rim of light. Beyond the railings the shrine grounds fall into complete night darkness, and at the edge of that blackness two iron bonfire baskets burn at a distance, their orange firelight reaching her from the right and slightly behind, so her shadow stretches forward across the planks toward the camera and the fire's glow rims her right sleeve, her right cheek, the brass wire of the suzu and the curve of the hanging bell, while her left side stays in cool shadow. Fire sparks drift up thinly against the black. The palette holds to the red of hakama, cord and lips, the white and gold of the chihaya and ornament, the pale warm wood, and the deep black of the night, with fire-orange as the only key light. Shadows are grounded and dense at her feet, the wide sleeve fabric hangs heavy with its own weight, and her gaze stays fixed down at the boards. Quiet, ceremonial intensity.
YUKI
y
character: miyamizu_mitsuha, copyright: kimi_no_na_wa., kimi_no_na_wa
digital painting, detailed illustration, elaborate background, japanese anime art style, extremely detailed cg, detailed eyes, detailed skin, Anime screencap, (Anime coloring:1.5), source_anime, (anime coloring:2.0), detailed body, smooth skin, sharp focus, sd digital animation, (clean lines:1.2), (anime line art:1.5), bright and soft anime style, skin tone, character: miyamizu_mitsuha, copyright: kimi_no_na_wa., kimi_no_na_wa
digital painting, character: miyamizu_mitsuha, miyamizu_mitsuha_(kimi_no_na_wa), copyright: kimi_no_na_wa.
1girl, solo, miko, miyamizu mitsuha, black hair, hair tied back, golden hair ornament, brown eyes, red lips, serious expression, red hakama, hakama skirt, plain white chihaya, japanese clothes, wide sleeves, kagura suzu, bell, red braided cord, standing, holding bell and string, elegant kagura dance, hinoki stage, wooden stage, surrounded by railings, night, bonfires, dark background, full body, low angle view, from below, looking down, arms up, outstretched arm, cel animation style, refined line art, ambient occlusion, ultra-detailed, theatrical film quality, Viewed from a low angle near the floorboards, a single girl stands alone at the exact center of a cypress stage, her full body framed from the soles of her white tabi to the crown of her tied-back black hair. She is caught mid-turn in a kagura dance: hips pivoted, weight sunk onto her back leg, one knee slightly bent, her red hakama skirt swinging outward in a wide bell so its stiff pleats open and the hem lifts clear of the polished hinoki planks. Her plain white chihaya is unpatterned and immaculate over the red, its wide sleeves falling back from her forearms as both arms lift; in her raised right hand she grips the dark wooden handle of a three-tiered kagura suzu, five bell clusters of coiled brass wire fanning above her fist, and from the base of the handle a long red braided cord runs down through her fingers to left hand, the cord pulled taut between her two hands, catching the firelight along its braid. Her hair is gathered and tied back so it swings behind her shoulders, and a golden hair ornament glints where it sits against the dark hair above her forehead. Her lips are painted a deep red, held in a flat serious line, brows drawn level, eyes lowered toward the stage floor beneath her — absorbed in the step, not the audience.
The stage is the only lit thing: a raised square of pale hinoki, its grain running toward the camera, its plank seams dark and precise under the low viewpoint, and a low wooden railing posts-and-rails wraps the stage edge behind and to either side of her, the rail tops catching a thin orange rim of light. Beyond the railings the shrine grounds fall into complete night darkness, and at the edge of that blackness two iron bonfire baskets burn at a distance, their orange firelight reaching her from the right and slightly behind, so her shadow stretches forward across the planks toward the camera and the fire's glow rims her right sleeve, her right cheek, the brass wire of the suzu and the curve of the hanging bell, while her left side stays in cool shadow. Fire sparks drift up thinly against the black. The palette holds to the red of hakama, cord and lips, the white and gold of the chihaya and ornament, the pale warm wood, and the deep black of the night, with fire-orange as the only key light. Shadows are grounded and dense at her feet, the wide sleeve fabric hangs heavy with its own weight, and her gaze stays fixed down at the boards. Quiet, ceremonial intensity.
YUKI
y
character: miyamizu_mitsuha, copyright: kimi_no_na_wa., kimi_no_na_wa
digital painting, detailed illustration, elaborate background, japanese anime art style, extremely detailed cg, detailed eyes, detailed skin, Anime screencap, (Anime coloring:1.5), source_anime, (anime coloring:2.0), detailed body, smooth skin, sharp focus, sd digital animation, (clean lines:1.2), (anime line art:1.5), bright and soft anime style, skin tone, character: miyamizu_mitsuha, copyright: kimi_no_na_wa., kimi_no_na_wa
digital painting, character: miyamizu_mitsuha, miyamizu_mitsuha_(kimi_no_na_wa), copyright: kimi_no_na_wa.
1girl, solo, miko, miyamizu mitsuha, black hair, hair tied back, golden hair ornament, brown eyes, red lips, serious expression, red hakama, hakama skirt, plain white chihaya, japanese clothes, wide sleeves, kagura suzu, bell, red braided cord, standing, holding bell and string, elegant kagura dance, hinoki stage, wooden stage, surrounded by railings, night, bonfires, dark background, full body, low angle view, from below, looking down, arms up, outstretched arm, cel animation style, refined line art, ambient occlusion, ultra-detailed, theatrical film quality, Viewed from a low angle near the floorboards, a single girl stands alone at the exact center of a cypress stage, her full body framed from the soles of her white tabi to the crown of her tied-back black hair. She is caught mid-turn in a kagura dance: hips pivoted, weight sunk onto her back leg, one knee slightly bent, her red hakama skirt swinging outward in a wide bell so its stiff pleats open and the hem lifts clear of the polished hinoki planks. Her plain white chihaya is unpatterned and immaculate over the red, its wide sleeves falling back from her forearms as both arms lift; in her raised right hand she grips the dark wooden handle of a three-tiered kagura suzu, five bell clusters of coiled brass wire fanning above her fist, and from the base of the handle a long red braided cord runs down through her fingers to left hand, the cord pulled taut between her two hands, catching the firelight along its braid. Her hair is gathered and tied back so it swings behind her shoulders, and a golden hair ornament glints where it sits against the dark hair above her forehead. Her lips are painted a deep red, held in a flat serious line, brows drawn level, eyes lowered toward the stage floor beneath her — absorbed in the step, not the audience.
The stage is the only lit thing: a raised square of pale hinoki, its grain running toward the camera, its plank seams dark and precise under the low viewpoint, and a low wooden railing posts-and-rails wraps the stage edge behind and to either side of her, the rail tops catching a thin orange rim of light. Beyond the railings the shrine grounds fall into complete night darkness, and at the edge of that blackness two iron bonfire baskets burn at a distance, their orange firelight reaching her from the right and slightly behind, so her shadow stretches forward across the planks toward the camera and the fire's glow rims her right sleeve, her right cheek, the brass wire of the suzu and the curve of the hanging bell, while her left side stays in cool shadow. Fire sparks drift up thinly against the black. The palette holds to the red of hakama, cord and lips, the white and gold of the chihaya and ornament, the pale warm wood, and the deep black of the night, with fire-orange as the only key light. Shadows are grounded and dense at her feet, the wide sleeve fabric hangs heavy with its own weight, and her gaze stays fixed down at the boards. Quiet, ceremonial intensity.
YUKI
😴
もっと探す
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
8
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
6#雪景色
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
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₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
1
...
Tofu
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이름
이름
2
...
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1
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Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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