popia

「popia」はうざぴょいさんのAIイラストです。使用モデル: Tsubaki.3。

「ioppa」で解剖学的におかしい右手、「ippao」(水彩グロー+水色の息吹)で過剰な濡れ感のセンシティブ画、が出てしまったのでワンプロンプトチャレンジもそろそろこのあたりで打ち止めにしときましょうかw で、この画はさすがに僕でも元ネタはわかるというか、「poppy」でヒナゲシとして拾ったというワケね！最後にキレイな画で終わるのもなかなか風流でござんせん？ (この数日間で「おっぱい」という文字列を何回入力したかわからないマン)

参加作品

Ultimate One-Prompt Challenge!!!

#リアル絵 #自然 #花 #背景ぼかし

投稿日は Nov 15, 2026

うざぴょい

さらに表示

no humans, solo, scenery, still life, plant focus, close-up, from below, looking up, poppy, red poppy, single poppy flower, tall slender stem, four crumpled scarlet petals, dark near-black petal base, papery translucent petals, backlit petals, dew droplet, poppy bud, closed green bud beside the bloom, feathery dissected leaves, bristly hairy stem, soil level view, upward foreshortening, shallow depth of field, dark forest floor, deep viridian shadow, moss-covered ground, scattered leaf litter, specks of dust in air, watercolor (medium), paper texture, muted woodland palette, quiet melancholy A close-up from below, the camera almost at soil level, so the single poppy tilts up and away into the top of the frame on its long bristly stem and the eye travels up the stem rather than across the flower. The bloom itself is the only warm thing in the picture: four crumpled petals of deep scarlet, their bases running almost to black where they cup the seed head, backlit so the thin papery tissue glows at the rim and shows the darker veining through it. One dew droplet sits caught in the crease where two petals meet, and it holds a tiny inverted image of the pale sky. Just below and to the right, a second stem ends in a closed green bud, its sepals tightly overlapping, the whole bud fuzzed with fine silver hairs that catch the light along one edge. Feathery, deeply dissected leaves splay out around the two stems at ankle height, and the coarse bristles of the main stem stand out individually against the dark behind them. The background is a dark forest floor seen at a very shallow depth of field: a broad soft wash of deep viridian and near-black shadow, moss-covered ground losing its edges into blur, scattered leaf litter reduced to a few soft pale flecks, one blurred patch of warm ochre where a dead leaf lies. Everything behind the bloom is smooth and out of focus, so the flower detaches from it cleanly. The light comes from behind and above, a low diffuse glow through the canopy: it rims the petals, silhouettes the bud's hairs, and leaves the front of the stem in cool shade; no second light source, and the ground around the plants falls away into darkness. The palette is held to deep forest greens, near-black shadow, and the muted yellow-greens of moss and dead leaves, with all the colour concentrated in the one scarlet bloom and its dark base; the dew and the papery petal edges carry the only pale notes. Translucent washes bleed a little past the loose linework, colour pooling darker where petals overlap and fading where the petals thin, the texture of the paper showing through the sky-gap at the top. A single poppy, half in shadow, waiting out the morning — quiet and melancholy.

popia

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