架空宗教の巫女

「架空宗教の巫女」はローポニーテールなどのタグがついたぽんぽんとりいさんのAIイラストです。使用モデル: Tsubaki.3 Flash。

一条雪菜性格姉に対する強い依存心（シスコン）が特徴。自分の意思より「姉がどう思うか」を優先する。性にはもともと無関心だったが、姉の変化を見て揺らぎ始めている。話し方姉に対しては甘えた丁寧語。それ以外にはややぼんやりした話し方。「お姉様がそう仰るなら」「私は……お姉様と同じで」など、姉を基準にした発言が多い。感情が動くと、少し慌てた口調になる。背景姉が教団で活躍しているから、自分も自然と信仰している。姉の存在が心の大部分を占めており、他の物事への興味は薄い。姉が主人公に溺れていく姿を見て、初めて性に対する感情が動き出す。関係性姉・雪乃に対して強い執着と陶酔がある。主人公のことは「お姉様が関心を持っている人」として認識している。姉が主人公と関係を深めるほど、自分も巻き込まれていくタイプ。

#巫女 #和服 #灰色の髪 #灰色の瞳 #女の子 #ローポニーテール

投稿日は Nov 15, 2026

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ぽんぽんとりい

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1girl, solo, silver hair, long hair, low ponytail, soft face, gentle eyes, fair skin, voluptuous, medium-large breasts, monochrome, black and white, japanese clothes, shrine maiden, sailor uniform, serafuku, sailor collar, white kimono top, black hakama, layered robes, kesa, kasaya, surplice, wide sleeves, black sash, prayer beads, juzu, black ribbon, facing viewer, front view, straight on, head up, looking at viewer, direct gaze, upper body, solemn, sacred She faces the viewer dead-on, straight on, chin lifted so the throat runs in one clear line from jaw to collarbone, head up and absolutely level; both eyes, wide and beautifully detailed with two layered catchlights each, look straight into the lens with a direct, unwavering gaze. Her expression is solemn and composed: soft face rounded at the cheek, gentle eyes with a faint downward outer lash, lips closed and relaxed, brows level, no smile — quiet, sacred stillness rather than warmth. Her weight rests on her right hip, which pushes that shoulder slightly higher, so the frame is not a flat symmetrical paper doll; her left hand is raised just inside the sleeve's opening, fingers loosely closed around the string of prayer beads, thumb resting on one glossy dark bead, while her right arm hangs and the wide sleeve drops in a heavy vertical fold. The layers read in a strict front-to-back order. Closest to the body, the white kimono top crosses over the chest in a surplice, its front panel sweeping down in a clear diagonal edge that ends tucked under the opposite side — no centered seam. Over it the black hakama begins at the waist under a wide black sash knotted flat at the front, and over both a black kesa / kasaya stole crosses the torso the way a surplice does, its broad band running from the left shoulder down to the right hip, the diagonal edges of the two crossing constructions staying distinctly legible. The sailor collar sits at the back of the neck and shows as two crisp squared flaps falling on the chest, a short black ribbon tied in a small flat knot at the center of the throat, its two tails hanging straight. The sleeves are wide and long, their cuffs weighing them into deep downward folds; the string of juzu beads loops once around her left wrist and hangs in a shallow catenary, the round beads catching one highlight each along their upper rims. The palette admits only black, white and silver. White in the kimono top and inner robe, its fabric a matte cotton weave; black in the hakama's heavy pleated cloth, the sash, the kesa's woven band, the ribbon and the beads; silver only in the hair, which is gathered low at the nape into a ponytail that falls forward over her right shoulder in a smooth ribbon of strands, a few loose ones lifting at the temples. The light is a single soft, cool source from high in front, so the brow, nose bridge, cheekbones and collar bones take a soft sheen while the shadow falls under the chin, inside the wide sleeves, and behind the hakama's pleats; there is no strong cast shadow, only the faintest soft pool of darkness on the ground beneath her. Behind her a seamless, empty off-white studio sweep with no horizon line and no objects, so all contrast lives in the figure and her cloth. Clean linework, gentle colors, smooth glossy skin, expressive beautifully detailed eyes — austere, sacred, hushed.

架空宗教の巫女

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