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オーニングのAIイラスト・プロンプト

トレンドの オーニング の作品 2,793 件を探索する

オーニングは、都市部や日常系アニメの背景イラストで頻繁に描かれる建築要素です。カフェや店舗の入り口にあるキャンバス地の屋根として登場し、ストライプ柄、日当たりの良いテラス、柔らかな影などが人気のモチーフです。ヨーロッパ風の街並みや商店街など、生活感のある情景の演出に欠かせません。

AI artwork
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cel shading, best quality, textured hair, anime style, pastel color, masterpiece, ultra detailed, pale skin, detail illustration, detail eyes, Top quality, a masterpiece; delicate anime-style illustrations, 2D illustrations, a beautiful young girl; extremely cute and beautiful features; a slightly childlike and endearing air; translucent, fair skin; glossy jet-black bobbed hair; neatly trimmed ends; thick, straight-across fringe; a bright red ribbon tied at the nape of her neck; large, rounded, drooping black eyes; deep, clear black pupils; long eyelashes, faintly flushed cheeks, a small mouth, gazing straight at the viewer with an innocent and enigmatic expression, and an otherworldly presence, as if she were a resident of a dream. Showa-era retro, girly vintage fashion; an elegant and charming long-sleeved dress with a classic rounded collar, delicate lace, fluffy puff sleeves, a ribbon at the waist, a colour scheme based on muted burgundy and cream, a fine floral pattern, retro leather shoes—an elegant and nostalgic ensemble. Autumnal Showa-era retro Japanese streetscapes: old wooden shops, old-fashioned coffee shops, retro signboards, old street lamps, cobbled alleys, potted plants lining shopfronts, red and yellow fallen leaves dancing in the wind, the amber light of dusk, colours reminiscent of slightly faded film photographs, a nostalgic and warm atmosphere, a quiet town with few people in sight—a scene where time seems to have stood still. Dreamlike, nostalgic, slightly mysterious, a strange sense of déjà vu, a faint sense of nostalgia; stylish artistic expression reminiscent of Shōwa-era girls’ magazines; meticulous background detail; striking colour schemes; natural shading; compositions that highlight the characters; the girl’s face clearly visible; compositions focusing on the upper body down to the waist; harmony between the background and the figures.
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AI artwork
Avatar image of Mizuki
1girl, solo, maid, maid outfit, black dress, long sleeves, sleeves past wrists, white apron, frilled apron, maid headdress, black hair, medium hair, blunt bangs, red eyes, expressionless, stick in mouth, dango skewer in mouth, holding closed umbrella, red umbrella, closed umbrella pointing down, black boots, ankle boots, bare legs, standing on steps, stone steps, hillside town, stacked houses, cramped alley, taiwan hong kong style street, old apartment buildings, cream walls, weathered walls, air conditioners, window units, balconies, iron railings, spiral of staircases, retaining wall, stone wall, moss, overgrown plants, potted plants, plant pots, rabbit statues, white rabbit figurines, three rabbits, rabbit in bucket, buckets, small shrine, wall shrine, vending shrine niche, utility poles, tangled power lines, antennas, tv antennas, street sign, vertical sign, text: "烏兔匆匆", signboard kanji, teal sky, evening light, warm light on walls, orange sunlight, green shadow tones, flat colors with grain, textured illustration, storybook style, detailed environment, wide shot, character small in scene, whimsical, quiet oddness, A square storybook-textured illustration of a cramped hillside neighborhood at golden hour — stacked old apartments in cream and butter-yellow climbing away in every direction, drawn with dense loving clutter: window AC units, striped awnings, iron balcony railings, potted plants on ledges, TV antennas bristling from rooftops, and a teal evening sky crosshatched with sagging power lines between tilting utility poles. Warm orange sunlight rakes the upper walls while everything at street level cools into mossy green shadow. Down the center, a narrow stone staircase descends toward the viewer between a rock retaining wall and a brick house with a big green-framed window, and on the steps stands a small deadpan maid: black dress with sleeves hanging past her hands, white frilled apron, ruffled headdress on straight black hair with blunt bangs, flat red eyes staring forward, a dango skewer held sideways in her mouth, one hidden hand gripping a closed red umbrella point-down like a cane, black ankle boots on bare legs. She is the composition's only figure and its darkest shape, the red umbrella her one saturated accent, echoed only by a red-orange awning and roof tiles above. The scene's oddness accumulates in details: three white rabbit figurines with red flower garlands sit on the mossy wall to her left, a fourth rabbit peers out of a blue bucket by the trash pails below, and a rabbit-shaped ornament waits inside a tiny lit wall shrine built into the alley's shadowed side; a weathered vertical sign at the left edge reads 「烏兔匆匆」 in worn kanji, and a fragment of signboard high on the right wall shows partial characters. Terracotta pots, leafy plants and an old air-conditioner unit crowd the lower corners. The rendering is flat color shapes with a dry grainy texture over everything, thin irregular outlines, no smooth gradients — like a riso-printed picture book — depth built by light temperature alone. Sleepy, secretive, a town where the rabbits are definitely watching,
Mizuki
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