ガレージのAIイラスト・プロンプト

トレンドの ガレージ の作品 251 件を探索する

AI artwork
Avatar image of Mizuki
character: soda_kazuichi, souda_kazuichi, copyright: danganronpa_(series) character: souda_kazuichi, copyright: danganronpa_(series), 1boy, solo, halloween, garage, workshop, mechanic, building robot, (pumpkin robot:1.3), jack-o'-lantern robot, mechanical pumpkin, robot with pumpkin head, glowing eyes, glowing carved face, led eyes, wires, gears, servo, robot arms, cowboy shot, from side, slightly from below, kneeling, kneeling beside robot, holding screwdriver, screwdriver in hand, tightening screw, wrench in back pocket, pink hair, beanie, pink eyes, sharp teeth, shark teeth, grin, proud, excited, yellow jumpsuit, jumpsuit tied at waist, black tank top, grease stains, goggles on forehead, night, workbench, tools on wall, pegboard, sparks, orange glow, pumpkin glow, warm orange light, cool blue shadows, playful, proud, mischievous, cel shading, clean lineart, A cluttered garage at night, a young mechanic with pink hair under a beanie kneeling beside his latest creation, seen from the side and slightly below. The robot stands about as tall as he is when kneeling: a boxy metal body of riveted panels, exposed gears and bundled wires, two jointed claw arms, and a real carved pumpkin for a head bolted onto a servo neck, its jagged carved face and triangle eyes glowing orange from LEDs inside. He grins with sharp shark teeth, pink eyes bright with pride, safety goggles pushed up on his forehead, one hand on the robot's shoulder plate and the other turning a screwdriver into a screw at its neck joint. A small spark jumps from a wire near his screwdriver tip. His yellow jumpsuit is unzipped and tied around his waist over a black tank top, grease smeared on one cheek, a wrench in his back pocket. The robot's glowing pumpkin face is the main light, throwing warm orange over his face, hands and the robot's arms, while the tool-covered pegboard and the corners of the garage fall into cool blue shadow. Orange and blue palette, the glowing pumpkin face the brightest point. Clean cel shading. Playful, proud, mischievous,
Mizuki
AI artwork
Avatar image of Mizuki
character: soda_kazuichi, souda_kazuichi, copyright: danganronpa_(series) character: souda_kazuichi, copyright: danganronpa_(series), 1boy, solo, risograph, riso print, (two-color print:1.3), fluorescent pink and teal, limited palette, halftone, grain, misregistration, overprint, cowboy shot, from below, low angle, mechanic, garage, workshop, using angle grinder, grinding metal, (sparks:1.2), spark shower, sparks flying, holding tool, wrench in back pocket, pink hair, messy hair, beanie, pink eyes, sharp teeth, shark teeth, grin, excited, goggles, safety goggles, goggles on forehead, yellow jumpsuit, jumpsuit tied at waist, black tank top, grease stains, oil smudge on cheek, motorcycle, half-built motorcycle, engine parts, tools on wall, pegboard, flat graphic, screen print texture, bold shapes, energetic, playful, gritty, A two-color risograph print in fluorescent pink and teal only, the overlaps making a dark purple, everything built from flat shapes, halftone dots and print grain. A young mechanic stands in a cluttered garage seen from a low angle at cowboy-shot distance, leaning his weight forward onto his front foot, both hands gripping an angle grinder against a bar of metal clamped to a half-built motorcycle in the foreground. A shower of sparks sprays off the cutting disc in one fan toward the lower left, every spark a short pink dash traveling in the same direction, a few bouncing off the concrete floor. He grins wide showing sharp shark teeth, pink eyes narrowed against the glare, safety goggles pushed up on his forehead over a beanie, messy pink hair sticking out under it. His yellow jumpsuit — printed here as a teal and pink overlap — is unzipped and tied around his waist over a black tank top, a smear of grease across one cheek, a wrench poking out of his back pocket. Behind him a pegboard full of hanging tools reads as flat silhouettes. The sparks are the brightest pink in the image and the only light source drawn, lighting his face and hands in pink. The two ink layers sit slightly out of register, a thin teal edge peeking past pink shapes, with uneven ink density and a few faint roller streaks. Energetic, playful, gritty,
Mizuki
AI artwork
d
character: bellibolt, iono_(pokemon), copyright: pokemon_horizons, pokemon wide shot, from behind, from above, high angle, 2d anime, clean lineart, cel shading, 1girl, 1creature, walking, looking at phone, holding phone, glowing phone screen, signal icon, oversized jacket, yellow jacket, extra long sleeves, two-tone hair, pink hair, light blue hair, bow-shaped hair, giant twintails, single-leg pantyhose, round green creature, stubby limbs, orange discharge organs, night, dark, abandoned factory, industrial ruins, rusted silos, scaffolding, electrical equipment, sagging power cables, faint blue lights, speech bubble, text, suspenseful, isolated From behind and slightly above in an expansive high-angle wide shot, a petite girl wearing an enormous bright yellow puff jacket with sleeves draping past her fingertips walks down a cracked asphalt road alongside a rotund, smooth-skinned green creature with stubby legs and orange bulb-like nodes on the sides of its head. The shot captures both figures in three-quarter back view, appearing small and isolated against the looming industrial expanse. The girl raises her right arm, holding a smartphone in her sleeve-covered grasp; her head turns slightly over her shoulder toward the screen, revealing a nervous yet inquisitive expression in her visible pink eye and slightly parted lips. The lit phone screen distinctly displays a flashing red weak-signal antenna icon. Beside her, the green creature waddles with a cautious, alert posture, its head tilted slightly upward as it monitors the surrounding shadows. Hovering stacked in the open air to the upper right of the girl are two crisp white manga-style speech bubbles with neat black borders and pointer tails directed toward her: the upper bubble reads "The signal is really weak here…", while the lower bubble reads "This place is seriously empty…". The pair navigates the deserted outskirts of an industrial zone beneath a pitch-black night sky. Colossal decommissioned silos, skeletal steel gantries, dead electrical transformers, and corrugated metal warehouses tower in the midground and background, partially veiled in heavy shadow. Thick black industrial cables droop in deep catenary curves between rusted transmission poles, with several disconnected lines trailing onto the fractured tarmac. Sparse, faint cyan indicator LEDs blink weakly on rusted junction boxes, puncturing the gloom. The cold blue-white glow of the smartphone screen casts crisp cel-shaded rim light along the girl's yellow jacket and the underside of her pastel twintails, while damp fissures in the asphalt catch dim, specular blue glints from the distant equipment. The palette is dominated by dark industrial slates, gunmetal greys, and deep midnight blues, sharply punctuated by the vivid yellow outerwear and eerie blue diode points. Suspenseful and hauntingly isolated.
Dicavecdff
AI artwork
ど
copyright: mobile_suit_gundam, gundam, gundam_seed 1boy, solo, young adult, early twenties, full-body, full figure, head to boots, three-quarter view, standing, hand on hip, chin up, relaxed pose, confident smirk, looking at viewer, blond hair, swept-back hair, wavy hair, short sides, undercut, reddish-brown eyes, sharp eyes, white military uniform, stand collar, red trim, gold piping, black shoulder pads, black undershirt, crew neck, open collar, white slacks, black side stripe, black boots, warship hangar, hangar interior, mecha hangar, blurred background, depth of field, bright lighting, warm lighting, cel shading, sharp lineart, 2000s anime style, Full-body vertical three-quarter view of a single young man in his early twenties, seen from slightly below eye level so his raised chin sits high in the frame and his boots anchor the bottom edge; the whole figure from the crown of his head to the soles of his polished black boots stays inside the crop with a sliver of hangar floor beneath heel and toe. He stands with his weight settled on his straight left leg, right knee eased forward and slightly bent, hips canted; his right hand is planted flat on his right hip so the jacket hem lifts a fraction over the back of that hand, while his left arm hangs loose with the fingers relaxed and the thumb hooked into the slacks pocket seam. His chin is lifted just enough to look down the line of his nose, and his smirking mouth pulls higher at one corner with one eyebrow faintly raised, sharp reddish-brown eyes fixed on the viewer. His blond hair is swept back from the forehead in loose waves, the closely trimmed short sides tapering clean above the ears, a few wave tips stirring at his temple. The white military jacket is buttoned to the black crew-neck undershirt showing at the open collar, its stand collar banded in red trim edged with thin gold piping that catches a line of warm light along the jaw; the black shoulder panels sit flat and square across each shoulder. The white slacks break once over the instep of the boots, the thin black side stripe running unbroken down the outer seam of each leg, and the black boots are buffed to a high shine. The lighting is even and bright with warm accents: a broad warm key from the front-left lifts the collar piping, the shoulder-panel edge and the cheekbone nearest it, a cooler fill from the right keeps the shaded side of his face readable, and the polished toe of each boot catches a small, hard, mirror-bright point of reflection from a hangar work lamp; a soft shadow pools directly under his soles. Behind him the warship hangar falls into shallow blur: an open elevator shaft, a ribbed gray bulkhead, catwalk rails and hanging cables, a service crane arm crossing the upper third, a maintenance gantry with warm amber lamps glowing behind his shoulder, all softened so nothing competes with his outline. Palette limited to white, black, gray steel and warm amber with the red-and-gold collar as the single hot accent. Early-2000s Sunrise broadcast-anime look, Hisashi Hirai-style face design with a narrow jaw, high cheekbones and large sharply outlined eyes, crisp cel shading in two clean tones, clean sharp lineart. Effortlessly self-assured.
どうするどうする?
AI artwork
k1
(masterpiece, best quality, highres:1.2), (pure flat color:1.6), (cel shading:1.4), crisp clean lineart, bold black outlines, (no shading, flat lighting:1.5), (1girl, solo focus:1.5), original character, mature female, long white hair, elegant wavy hair, red eyes, beautiful face, (cold gaze, condescending look, slight smirk, seductive aura:1.5), (sitting on the hood of a formula one race car:1.6), (leaning back on hands:1.3), (crossed legs:1.3), (tight black and red racing suit:1.5), (zipper pulled down to mid-chest, heavy cleavage:1.6), (form-fitting, curvy figure, long legs:1.4), (race track background, pit lane, checkered flags:1.4), (bright hard sunlight:1.3), (perfect hands, delicate fingers:1.3), from below, low angle, full body, looking down at viewer, arms behind her, head tilted down, hair falling forward, parted lips, half-closed eyes, open collar, high collar folded back, zipper, boots, glossy car paint, reflections on hood, asphalt, white pit lane markings, garage buildings, tall flagpoles, clear blue sky, hard cast shadow on hood Shot from a low front-three-quarter angle, the camera below hood height so the nose of the formula one car rises into the lower left of the frame and she towers slightly above the lens. She sits squarely on the sloping engine cover just ahead of the cockpit, hips planted on the painted bodywork, torso tipped back so her weight rides through both straight arms, palms flat on the hood behind her hips, delicate fingers spread and pressing the glossy panel, wrists lightly bent. Her legs are crossed at the knee, the upper leg laid over the lower one, the top boot's heel hooked just behind the lower ankle, both boots hanging down the curve of the nose without touching the asphalt. The tight black racing suit is the whole outfit: black panels cut by red stripes running down the sides of the ribs, the outer thighs and the shoulders, the fabric stretched taut over the curvy figure with a narrow waist and wide hips, the high collar folded back open and the zipper dragged down to mid-chest, the suit's open V framing heavy cleavage, the sleeves ending in flat cuffs at the wrists and the suit running seamlessly into the boots. Her long white hair is wavy, one heavy wave breaking over each shoulder, the ends drifting slightly to her right where the air moves across the pit lane. Her chin is tipped down and her half-lidded red eyes look straight down into the lens, one brow faintly arched, one corner of her mouth pulled up in a slight smirk, her whole posture loose and unhurried — a cold, condescending, seductive challenge rather than a greeting. Background reads in clean flat layers behind her: wide grey asphalt of the pit lane running off to the left, a crisp white lane stripe, then the low pit garages with dark roll-up doors and a row of red-and-white checkered flags hanging limp on tall poles, and beyond them a strip of hard blue sky free of clouds. Bright hard sunlight comes from high on the right, so every shadow is a single crisp shape: her dark cast shadow lies flat and hard-edged on the hood and cuts down the car's flank, the underside of the nose and the inside of the wheel arches fall into solid unlit tone, and the dividers of the checkered flags glow on their sun side while their far halves sit flat. Reflections of her boots and knees smear along the polished curve of the hood, softer and darker than the objects they mirror. Flat fills wall to wall, no gradients, no soft shadow. Effortlessly cool.
ki11yukii

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