ナツキ・スバル

ナツキ・スバルのAIイラスト・プロンプト

トレンドの ナツキ・スバル の作品 14,612 件を探索する

ナツキ・スバルは、長月達平による異世界作品『Re:ゼロから始める異世界生活』の主人公です。ルグニカ王国に召喚された彼は、エミリア、レム、ラム、ベアトリス、パックたちと深い絆を築きます。独自の能力「死に戻り」を駆使し、過酷なダークファンタジーの世界を生き抜く姿が描かれます。

AI artwork
羽
character: natsuki_subaru, ram_(re:zero) 2girls, ram \(re:zero\), natsuki_subaru, kiss, french kiss, lips touching, eyes closed, pink hair, short hair, hair over one eye, x hair ornament, red eyes, maid, maid headdress, white apron, black dress, detached sleeves, frilled sleeves, black hair, short hair, brown eyes, casual clothes, black jacket, hotel room, indoors, bed, window, curtains, night, warm lamp light, from side, profile, close-up, upper bodies, arms around waist, hand on cheek, depth of field, kissing, romantic, tender A side-profile close-up, both figures seen exactly from the side, face to face in the middle of the frame. On the left, the pink-haired maid: short pink hair cut just below the ear, the long fringe swept over her right eye, a small red x-shaped hair ornament pinned above her left temple, her visible red eye closed, her short pale neck rising from the black dress's collar, the white apron straps and frilled detached sleeves at the edge of the shot. On the right, the black-haired young man: short black hair with a fringe falling over his brow, brown eyes shut, a plain dark jacket with the collar open, one hand lifted to cup her jaw, thumb resting along her cheekbone. Their lips meet and press softly in the center of the composition, noses just clear of each other, chins tilted to fit, her head tipped slightly back, his slightly down. Her left hand curls into the front of his jacket at chest height, fabric bunched around her fingers; his other arm circles her waist, pulling her an inch closer so her apron presses against his shirt. Both stand with weight shifted onto the near foot, shoulders angled toward each other, the contact points clean and unbroken. The only light is a warm bedside lamp off-frame to the left, laying a soft glow across the left side of her face and the bridge of his nose, leaving the backs of their heads and the far side of the room in deep shadow; a faint rim of cooler window light traces the outline of his shoulder and the curve of her hair. Behind them the hotel room recedes out of focus: a made bed with pale linens, a nightstand, heavy curtains half-drawn over a dark window, the geometry softened by shallow depth of field. Palette of warm amber, deep shadow brown, the pink of her hair, the black of his jacket against white linen. A single strand of her pink hair lifted by the small movement of the kiss, catching the lamplight. Tender, intimate.
羽多良ケイ
AI artwork
s
character: natsuki_subaru 1boy, solo, natsuki_subaru, short black hair, long side-swept black hair strands over one eye, brown eyes, pointy ears, hatred route, black long-sleeved coat, high collar, frilled sleeves, black gloves, dark shirt, dark pants, half-closed eyes, empty smile, heavy-lidded stare, standing in rain, soaking wet, from below, close-up, dutch angle, looking down at viewer, outstretched arm, open hand, rain, night, ruined street, dark The camera sits low and tilted, looking up past his outstretched hand at a face seen slightly from below in the left of the frame. He is soaked to the skin — or to the coat — his black hair matted dark and flat across his forehead, one wet strand of long hair stuck across his cheek and down past his jaw towards his collarbone. His high-collared black coat is heavy with water and hangs stiffly from his shoulders, its frilled sleeves drenched and clinging at his wrists, the long sleeves and black gloves hiding his hands so that only the fingers are visible where he holds them open towards the viewer. His arm is stretched across the frame towards the lens, so that the hand is large and the shape of it crosses at his glove and the rain curves around his forearm. His smile is thin and empty, a faint line barely pulling at one corner of his mouth, and his heavy eyes look at the viewer from under a wet brow — the dark brown of his eyes turned almost black. The rain falls in lit streaks from above; the only source is a streetlamp high and to the side, so the light catches the water running down his cheek and nose and flings silver down the curling edges of the frills at his sleeve; every pit and seam in the puddles around his feet sits filled with black. His coat drips onto the wet asphalt where he stands with his weight on the back leg, the other foot just beginning to leave the ground. The palette is limited to wet black, the warm orange-brown of the lamp and the dull grey of the rain that ricochets off his hands and the ground. bleak, unrelenting
Salchipapa

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