PちゃんのAIイラスト・プロンプト

本日最もいいね数の多い Pちゃん の作品 492 件を探索する

AI artwork
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character: tendou_akane, saotome_ranma_(male), copyright: ranma_1/2 2girls, saotome ranma (male), tendou akane, medium-wide shot, dynamic diagonal composition, running, chase, ranma in foreground running away from viewer, leaning forward, one hand clutching back of head, looking back over shoulder, wide-eyed, horrified expression, open mouth, screaming, black hair, braided ponytail, single braid, blue eyes, chinese clothes, red tangzhuang shirt, akane in background chasing, running forward, right arm raised and swung back, gripping fly swatter, fly swatter clearly visible, furious, eyebrows sharply lowered, yelling, open mouth, head turned over shoulder, glaring, short blue hair, yellow eyes, fully visible, strong separation, motion lines, traditional japanese home interior, tatami, shoji, crisp anime lineart, clean cel shading, classic 2d anime style, comedic The view is a medium-wide shot cut on a steep diagonal: Ranma Saotome fills the foreground, three-quarters away from the camera, his whole body pitched forward into his sprint down the tatami corridor of the Tendo house, while Akane Tendo runs in the background a good five tatami-mats behind him, both of them tearing toward the same far doorway at the end of the hall — he is unmistakably ahead, she is unmistakably behind, and the long corridor's floorboards and the shoji panels along the right wall draw converging lines that widen the gap between them. Ranma's weight is on his front left leg, right leg kicked back off the mat, torso hinged forward at the hips so the red tangzhuang shirt pulls taut across his shoulders and its hem flips up behind him; his dark braided ponytail streams backward over his shoulder, the tail whipping sideways with the turn of his head. His left hand is clamped flat to the back of his own head, fingers dug into his black hair, elbow thrown up and out. His head is twisted hard over his right shoulder, chin nearly at his collarbone, so his wide blue eyes stare straight back past the fly swatter toward Akane behind him, brows shot high, mouth torn open in a full panicked scream, a bead of sweat flying off his temple. His right arm pumps forward mid-stride. Akane's torso and legs drive straight forward down the corridor, her right foot planted and her left knee lifted high, blue skirt swinging with the stride; only her head is cranked around over her left shoulder to glare back at Ranma, short blue bob whipping across her cheek, yellow eyes narrowed hard under eyebrows slammed down into a furious V, mouth wide open mid-yell. Her right arm is cocked all the way back behind her ear, wrist snapped tight around the thin plastic handle of the fly swatter, the mesh head held high and clearly silhouetted against the pale shoji — a clean gap of empty air between its mesh and the back of Ranma's head, caught in the instant before the swing lands. Light comes from the sunlit garden through the shoji on the right, warm and diffuse, laying soft bands across the tatami and the corridor's wooden frame, with the interior shadows sitting cool and grey under the eaves; the brighter outdoor glow behind the far doorway rims both figures in pale light. Speed lines streak along the tatami seams and the wall panels, and a small vase on a low shelf tips and spills a scatter of tatami dust and one loose petal in the slipstream of their passing. Palette held to warm wood browns, cream shoji, tatami green, Ranma's red shirt and black hair, Akane's blue hair and blue skirt, with the fly swatter's flat yellow popping as the brightest small accent in the frame. Frantic, comic mayhem.
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AI artwork
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character: saotome_genma_(panda), saotome_ranma_(female), copyright: ranma_1/2 character: saotome_genma_(panda), saotome_ranma_(female), copyright: ranma_1/2 character: saotome_genma_(panda), saotome_ranma_(female), copyright: ranma_1/2 2girls, 1girl, 1panda, saotome ranma female, red hair, braided ponytail, single braid, blue eyes, chinese clothes, tangzhuang, red shirt, giant black and white panda, panda, animal ears, panda ears, claws, eating contest, ramen, noodle eating, slurping, eating, chopsticks, holding chopsticks, lifting noodles, noodle strands stretched, puffed cheeks, fierce expression, competitive, determined, serious, leaning forward, both arms forward, sitting, opposite each other, low wooden table, two separate huge bowls of ramen, one bowl directly in front of Ranma, one bowl directly in front of the panda, clearly separated bowls, each eating from their own bowl, hugging own bowl, panda hugging its own bowl with front paws, stacked bowls, empty bowls stacked, steam, small dishes, table crowded with food, ramen shop, traditional japanese restaurant, counter, warm lighting, side view, from side, facing each other, upper body, waist up, comedic, energetic, Dynamic side view composition: the table runs left to right across the frame, female Ranma on the left facing right, the giant panda on the right facing left, both seen from the waist up in profile-to-three-quarter view, the low wooden table edge crossing horizontally between them in the lower third. Two completely separate ramen bowls sit on the table, one directly in front of Ranma on the left and the other directly in front of the panda on the right, with a clearly visible gap between the bowls. Ranma kneels/sits low at the table's near-left corner, torso pitched forward over her own huge bowl, left elbow planted on the tabletop, right hand driving the chopsticks up and back toward her mouth so a long bundle of noodles rises high, a single continuous strand swinging from the chopsticks in a loose arc down into her open mouth. Every noodle strand Ranma lifts comes exclusively from her own bowl. Her cheeks are puffed with the noodles already inside, jaw working, brows drawn down, eyes locked on the noodles and nothing else, the corners of her lips pulled back in a fierce competitive snarl of effort. Her single braid swings behind her shoulder with the forward lunge, the tail of it lifted by her motion, and the loose collar of her red Chinese shirt is caught in the same movement. Opposite her, the giant black and white panda sits heavily cross-legged, looming half a head above her even seated, its huge rounded body hunched over the table. A separate enormous ramen bowl sits directly in front of the panda, clearly apart from Ranma's bowl. Both front paws clamp the sides of its own ramen bowl and hug it to its chest, while one set of chopsticks is worked at the corner of its mouth with a bundle of noodles going in; a second long strand stretches taut and glistening from its own bowl to its muzzle, pulled sideways by the slurp. Every noodle strand the panda lifts comes exclusively from its own bowl. Its black eye patches are angled hard toward the food, the small eyes narrowed to fierce slits beneath a furrowed brow, droplets of broth clinging to the whiskers, its whole face an expression of grim, stubborn seriousness. Its ears stay low and flat with concentration, and one hind paw is braced against the floorboards, taking its weight as it leans further in. The contact points read clearly: both figures' forearms and elbows press down onto the tabletop, chopsticks pinched between fingers and paw-pads, each contestant gripping their own separate bowl, the two bowls positioned apart with a clear visible gap between them, steam curling up and breaking around their faces, empty bowls stacked three and four high at the table's edges beside scattered small dishes, soy-sauce bottles and a chopstick rest. Under the table a sliver of floor is visible, and where each bowl sits a faint ring of moisture has been left on the wood. Environment: a traditional Japanese ramen shop interior -- a dark wooden counter behind them with bottles lined in a row, a steam-fogged window, a hanging noren curtain with illegible brush lettering, small paper lanterns, a wall shelf of stacked bowls; the background simplified into broad shapes and flat planes so the two contestants stay the focus. The light is a single warm overhead hanging lamp plus the warmer glow of the kitchen behind the counter, falling from above-left so their faces catch the light while their backs and the underside of the table sit in warm brown shadow; the steam is lit from above, brightest where it is thinnest, and every noodle strand catches a hard white highlight along its upper edge. Colour: a warm brown-and-amber shop interior against the sharper red of Ranma's shirt and the clean black-white of the panda, plus the gold of the broth and the pale cream of the noodles -- the noodles and the steam are the brightest values in the frame, everything else subordinate. Classic 1990s TV anime cel animation: crisp hand-inked outlines, flat cel fill, simple two-tone cel shading with hard terminator lines, painted background in soft opaque gouache, no gradients on the characters, no digital airbrush. Feverishly funny, high-energy.
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