매개변수 표시
- 원본 프롬프트
- [Style] Oppressive hand-drawn analogue horror portrait combining frantic black-ink crosshatching, smeared charcoal and grimy blocks of digital colour. Rough uneven linework, subtly warped anatomy, waxy desaturated skin, bruised shadows beneath the eyes, individually rendered pores and damp strands of hair. Sickly petrol-station palette of nicotine yellow, mould green, faded uniform blue, rust red and deep featureless black. Harsh overhead fluorescent lighting that flattens the face and creates severe shadows beneath the brow and nose, with no flattering glow. Slight fisheye distortion and an uncomfortably close composition, as though captured by a badly positioned security camera. Heavy VHS grain, horizontal tracking tears, scan lines, chromatic misalignment, frame ghosting, photocopied textures, compression artefacts and fingerprints across the image. She should remain recognisably human and strangely compelling, but contain small visual inconsistencies that create immediate distrust. Resembling a corrupted character portrait from a forgotten late-1990s rural horror game; grimy, claustrophobic and psychologically unsettling. No dreamy lighting, no glamorous beauty, no soft painterly finish, no polished modern photography, no exaggerated monster features [Subject] A young female petrol-station attendant standing behind the counter during the graveyard shift, shown from the waist up and looking directly toward the viewer. She is in her late twenties, with choppy shoulder-length dark hair, tired hooded eyes and a pale, narrow face that might be beautiful under different lighting. She wears a faded blue service-station polo beneath an oversized red uniform jacket, with a crooked plastic name badge reading “MARA.” One sleeve is rolled above her elbow while the other covers her hand completely. She leans casually against the cigarette cabinet and holds a steaming paper cup, her expression caught somewhere between amusement, exhaustion and quiet warning. At first she appears entirely human, but her smile is slightly delayed from the rest of her expression, one pupil reflects the fluorescent lights while the other absorbs them, and her fingers curl around the cup with one joint too many. The security mirror above the counter shows the back of her head even though its angle should reveal her face. Behind her, the darkened petrol-station windows reflect the empty shop—except for several tall customers standing silently in line where nobody is actually present. Mara seems completely unconcerned, as though this is a normal part of the shift.
- 모드
- standard
- 크기
- 768 x 1280
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비슷한 작품
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🥤🖤
hinu
semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin, p1xel, semi-realistic anime illustration, pixelated anti-aliased edges, crayon-textured linework, parallel hair hatching, high-contrast eye detail, flat overexposed skin, loose gestural marks, scattered sparkle bloom, muted palette with vivid chromatic pop, rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth.
Unsettling hand-drawn analogue horror portrait created with rough black ink, smeared charcoal and thin layers of dirty, faded colour. Dense crosshatching beneath the eyes and around the hands, visible pores, chipped nail polish, uneven clothing textures and subtly distorted perspective. Harsh petrol-station fluorescents bleach the skin and catch individual strands of damaged hair while the aisles behind her disappear into oily black shadow. Limited palette of chemical blue, nicotine yellow, faded black, bruised violet and rust red. Close, slightly low security-camera angle with coarse VHS grain, horizontal tracking tears, duplicated edges, chromatic misalignment and worn photocopied texture.
She should be strikingly attractive beneath the exhaustion and grime: sharp but imperfect features, confident body language and a face with real character. Her beauty should feel incidental rather than polished. The image should resemble a corrupted character portrait from a forgotten late-1990s rural horror game: intimate, grimy, flirtatious and faintly threatening. No dreamy lighting, no glossy blue hair, no glamour styling, no flawless skin, no polished digital finish.
A striking woman in her mid-to-late twenties leaning across the petrol-station counter during the graveyard shift, close enough to speak privately to the attendant. She has badly home-dyed cobalt-blue hair cut into a messy shoulder-length shag, with several inches of dark brown roots, uneven patches of turquoise and blue dye staining her ears, neck and fingertips. Her hair is dry and slightly singed at the ends. She has sharp cheekbones, heavy-lidded dark eyes, thick brows, a small silver nose ring and a crooked half-smile suggesting she knows exactly how attractive she is but has more urgent things to worry about.
She wears a battered black leather jacket over a faded band shirt, loose dark jeans and several cheap silver rings. One sleeve is pushed up, revealing old pen-written phone numbers and warnings covering her forearm. She holds an unopened can of energy drink against her cheek and watches the attendant with amused, unnervingly direct eye contact.
At first she appears completely human. However, every security monitor behind the counter shows her standing in a different aisle of the station at the same time. In one screen she is staring into a freezer; in another she stands outside beside Pump Six; in the third she is immediately behind the attendant. The real woman remains leaning casually across the counter, her crooked smile widening slightly as though she can see the monitors reflected in the attendant’s eyes.
Meemow
semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin, p1xel, semi-realistic anime illustration, pixelated anti-aliased edges, crayon-textured linework, parallel hair hatching, high-contrast eye detail, flat overexposed skin, loose gestural marks, scattered sparkle bloom, muted palette with vivid chromatic pop, rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth.
Unsettling hand-drawn analogue horror portrait created with rough black ink, smeared charcoal and thin layers of dirty, faded colour. Dense crosshatching beneath the eyes and around the hands, visible pores, chipped nail polish, uneven clothing textures and subtly distorted perspective. Harsh petrol-station fluorescents bleach the skin and catch individual strands of damaged hair while the aisles behind her disappear into oily black shadow. Limited palette of chemical blue, nicotine yellow, faded black, bruised violet and rust red. Close, slightly low security-camera angle with coarse VHS grain, horizontal tracking tears, duplicated edges, chromatic misalignment and worn photocopied texture.
She should be strikingly attractive beneath the exhaustion and grime: sharp but imperfect features, confident body language and a face with real character. Her beauty should feel incidental rather than polished. The image should resemble a corrupted character portrait from a forgotten late-1990s rural horror game: intimate, grimy, flirtatious and faintly threatening. No dreamy lighting, no glossy blue hair, no glamour styling, no flawless skin, no polished digital finish.
A striking woman in her mid-to-late twenties leaning across the petrol-station counter during the graveyard shift, close enough to speak privately to the attendant. She has badly home-dyed cobalt-blue hair cut into a messy shoulder-length shag, with several inches of dark brown roots, uneven patches of turquoise and blue dye staining her ears, neck and fingertips. Her hair is dry and slightly singed at the ends. She has sharp cheekbones, heavy-lidded dark eyes, thick brows, a small silver nose ring and a crooked half-smile suggesting she knows exactly how attractive she is but has more urgent things to worry about.
She wears a battered black leather jacket over a faded band shirt, loose dark jeans and several cheap silver rings. One sleeve is pushed up, revealing old pen-written phone numbers and warnings covering her forearm. She holds an unopened can of energy drink against her cheek and watches the attendant with amused, unnervingly direct eye contact.
At first she appears completely human. However, every security monitor behind the counter shows her standing in a different aisle of the station at the same time. In one screen she is staring into a freezer; in another she stands outside beside Pump Six; in the third she is immediately behind the attendant. The real woman remains leaning casually across the counter, her crooked smile widening slightly as though she can see the monitors reflected in the attendant’s eyes.
Meemow
semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin, p1xel, semi-realistic anime illustration, pixelated anti-aliased edges, crayon-textured linework, parallel hair hatching, high-contrast eye detail, flat overexposed skin, loose gestural marks, scattered sparkle bloom, muted palette with vivid chromatic pop, rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth.
Hand-drawn analogue horror portrait made from harsh black ink, smeared charcoal and dirty, uneven colour. Thick crosshatching around the eyes and mouth, coarse paper texture, waxy skin, fluorescent highlights and deep areas of solid black. Sickly cream, petrol blue, rust red and mould green palette. An awkward, close security-camera angle with visible VHS tracking damage, scan lines, duplicated edges and slight colour misalignment. The image should feel like a damaged character portrait from a forgotten rural horror game: mundane, abrasive and physically uncomfortable. No soft glow, no glamour, no dreamy atmosphere, no polished digital finish.
A woman in her forties standing at the petrol-station counter at 2:17 a.m., wearing a raincoat over her pyjamas. Her hair is dry and her expression is politely impatient. She holds a single carton of milk, although rainwater pours continuously from its sealed bottom and pools around her shoes. Behind her, the glass entrance door reveals a completely dry forecourt. She glances toward the CCTV camera above the register with the expression of someone who knows exactly what it can see.
Meemow
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