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AI art "白組による「ゴジラ-1.0」コンセプトアート" featuring #와후쿠, #기모노, #구름, #여러 명의 소녀, #송전선, #도시, #주간 and #푸른 하늘
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白組による「ゴジラ-1.0」コンセプトアート

『ゴジラ-1.0』の世界観を、白組が手がけた美しいイラストで表現しました。戦後日本のノスタルジックな街並みと、そこに佇む人々の温もりが心に沁みます。この作品への深い愛情を感じていただけたら嬉しいです。ぜひいいねとフォローをお願いします！

#와후쿠#기모노#구름#여러 명의 소녀#송전선#도시#주간#푸른 하늘
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齋藤哲夫

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copyright: godzilla_(series) The movie "わたしの知らない子どもたち", A drama written and directed by Miwa Nishikawa of "すばらしき世界" and "永い言い訳", depicting children who lost their families and fell through the cracks of society in post-war Japan. Kotoko, a 12-year-old girl whose family and daily life were stolen by the war, chooses to hide her gender and live as a boy in order to survive. It was a decision to escape a reality where being a girl itself was dangerous. Kotoko, who had lived peacefully under her musician father, saw her life change completely due to the war and defeat, forcing her into the harsh choice of "letting go of herself." Meanwhile, Sone, a teacher at the school where Kotoko had previously been evacuated, was on the side that contributed to militaristic education during the war, but lost both conviction and position due to the defeat, and is forced to live while facing responsibility for the past. For the role of 12-year-old Kotoko, Aoi Koyae was selected from approximately 500 people in an audition. Fumi Nikaido plays the female teacher Sone, with Yutaka Takenouchi, Kaito Sakurai, and Kotone Hanase in supporting roles. Composer Marihiko Hara, who won numerous awards for "国宝", handles the music and makes a cameo appearance as a musician in the film. The visual effects production company "白組", which won the Visual Effects award at the 96th Academy Awards for "ゴジラ－1.0", handled the VFX, realistically recreating the streetscapes of 1945.
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映画『わたしの知らない子どもたち』， 「すばらしき世界」「永い言い訳」の西川美和が原案・脚本・監督を務め、戦後の日本で家族を失い社会からこぼれ落ちた子どもたちを題材に描いたドラマ。 戦争で家族と日常を奪われた12歳の少女・琴子は、生き延びるため自らの性別を隠し、少年として生きることを選ぶ。少女であること自体が危険となる現実から逃れるための決断だった。音楽家の父のもとで穏やかに暮らしていた琴子の人生は戦争と敗戦によって一変し、「自分自身を手放す」という過酷な選択を迫られる。一方、かつて琴子が疎開していた学校の教師・曽根は、戦時中は軍国主義教育に加担した側だったが、敗戦により信念も立場も失い、過去の責任と向き合いながら生きることを余儀なくされる。 12歳の琴子役には、オーディションで約500人の中から選ばれた小八重葵美を抜擢。二階堂ふみが女性教師・曽根役を務め、竹野内豊、櫻井海音、花瀬琴音が脇を固める。「国宝」で数々の賞を受賞した作曲家・原摩利彦が音楽を手がけ、劇中にも音楽家役でカメオ出演。「ゴジラ－1.0」で第96回アカデミー賞視覚効果賞に輝いた映像制作プロダクション「白組」がVFXを担い、1945年の街並みをリアルに再現した。
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1104 x 1824
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lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3
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Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
13#카가미네 린#보컬로이드#로파이(Lofi) 드림
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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