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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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1boy, solo, male, short black hair, black eyebrows, robotic eyes, mechanical eyes, mutilated face, gore focus, missing nose, smooth torn skin where nose would be, missing lips, exposed teeth, prosthetic jaw, robotic jaw, metal jaw, blood on face, blood dripping, torn skin, scars, metal plates implanted in head, tubes implanted in face, hoses implanted in face, wires in neck, grey jet pilot suit, flight suit, portrait, close-up, from side, three-quarter view, looking to the side, parted mechanical jaw, linework, crosshatching, heavy shading, ink illustration, monochrome grey palette with blood red A tight head-and-shoulders portrait seen in three-quarter view from his left, the camera slightly below his jaw line so the head looms into the upper frame and the flight suit's collar fills the lower edge. He is turned about forty degrees off the lens, chin lifted a touch, weight settled on the back foot with one shoulder dropped lower than the other; a single strand of the short black hair falls forward across the brow and the rest stays flat and close to the skull. Both black eyebrows sit low and level. The face is the whole detail budget. Where the nose should be, the skin is torn open and smooth at once, a raw stretched plane of it, crusted at the edges and wet in the centre; no nostrils, no bridge. Below it the mouth area has no lips at all, so the gum line and the upper teeth stand bare and the lower face drops away into the prosthetic jaw: a machined grey metal mandible seated into the skull, its hinge bolts driven flush into both temples, the plates joined by visible seam lines and dark grease at the joints, opening a finger's width so the exposed teeth read clearly above the metal chin. The robotic eyes are two recessed grey lenses set in scorched sockets, irises lit by a faint internal glow that spills a thin ring of light onto the surrounding torn skin. Hoses and tubes erupt from the right cheek and the temple, clamped with metal ferrules, looping down along the neck and disappearing under the suit collar; flatter wires run back from the brow into shaved patches of scalp. Scars cross the brow and the left jaw plate in pale old ridges. Blood runs from the temples, from the tube sockets and from the torn nose line, beading on the metal jaw and dripping off the chin to hang in one elongation beneath it, and where the metal is polished the blood smears in long reflective streaks rather than soaking in. Light comes hard from upper left, a single cold source: it strikes the brow, the metal jaw's flat plane and the lens rims, throws the eye sockets and the hollow under the cheekbone into deep black, and casts the hose shadows across his own chest. Behind him the ground is an empty near-black field with no horizon and no props. Palette is disciplined to cold greys and black -- the suit, the metal, the skin -- with blood red as the only warm note, concentrated at the nose wound, the sockets and the jaw. Crosshatched hatching builds the shadows in fine parallel strokes, heavier in the sockets and under the jaw, and the light side is left as bare paper with sparse line only. Still, clinical dread.
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원본 프롬프트
1man, solo, gore, mutilated face, no nose, torn skin, no lips, vires/hoses implanted in face, blood on face, metal parts implanted in head, prosthetic jaw, robotic jaw, robotic eyes, grey jet pilot suit, scars, black eyebrows, short black hair, masterpiece, ultra detailed, linework, crosshatching, heavy shading,
모드
pro
크기
1104 x 1824
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
6.03k

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1boy, solo, gore, mutilated face, no nose, torn skin, no lips, prosthetic jaw, robotic jaw, robotic eyes, short black hair, black eyebrows, bleeding scars, green pilot suit, wires implanted in head, hoses implanted in head, metal parts implanted in head, blood on face, cyborg, portrait, close-up, from side, three-quarter view, head turned, looking at viewer, heavy shading, crosshatching, linework, detailed A tight close-up from slightly to his left, his head turned three-quarters toward the lens, chin lifted a fraction as if he has just raised it against the weight of the apparatus. He is a lone man in a green pilot suit, and the frame holds nothing but his head and the top of his collar: his short black hair is cropped close to the skull, lying flat and matted at the temples where blood has soaked in, and his black eyebrows sit unbroken above the machinery of his eyes. Both eyes are robotic -- paired optical units set into wet, inflamed sockets, dark glass lenses ringed by thin steel bezels, the left unit seated marginally deeper than the right, each iris-plate reflecting one small hard pin of light. Where a nose should be, the face is smooth: the skin drawn tight and glossy over the flat nasal bridge, no nostril, no flare, just an unbroken sealed plane with a hairline seam running up its centre. His mouth is a prosthetic jaw -- a machined lower mandible of brushed dark metal bolted at both hinges, its teeth a rank of square steel blocks, the gum line a raw red channel behind them, the whole assembly leaving the upper lip and cheeks torn open so the exposed muscle of the cheek shows slick and granular at either corner. Torn skin peels back from his cheekbones and forehead in curling flaps, the underside of each flap paler than the outside, edges tacky and darkening as they dry. Bundles of hoses enter his skull at the right temple and behind the left ear, ribbed black tubing sagging an inch before it disappears into a collar port at his neck, thin wires stitched through the scalp along his hairline and pulled taut where they dive into the brow; a flat metal plate is inset above his left brow with four countersunk screws, the skin puckered around it. Blood runs in three separate tracks -- one from the plate, one from the right hose port, one along the jaw hinge -- each track thickest at its source and thinning as surface tension gives out, beading at the chin. Old bleeding scars cross the temple and the corner of the cheek in raised pink lines. The lighting is a single hard key from his upper right, cold and slightly green: it catches the bezel edges, the wet teeth, the glossy no-nose plane, and the blood's high points, while the left side of his skull falls into near-total shadow and the hoses sink into blackness. Palette held to the green of the suit, the cold grey of steel, and the deep red of blood and torn tissue against a background of pure dark, nothing else admitted. Heavy shading laid down in dense crosshatched shadow masses, fine parallel linework modelling the metal and the exposed cheek, ink-dark contour lines closing every edge. Clinical, unflinching.
Siemens
#블랙 클로버
AI artwork
s
1man, solo, male focus, gore, mutilated face, torn skin, exposed muscle, blood on face, blood dripping, no nose, absent nose, exposed nasal cavity, no lips, lipless, exposed teeth, exposed gums, bare jawbone, robotic jaw, prosthetic jaw, metal jaw, robotic eyes, glowing mechanical eyes, metal parts implanted in head, head plating, cranial implants, wires attached to face, hoses attached to face, cables trailing from head, tubes entering the cheek, cyborg, portrait, close-up, from side, three-quarter view, head turned, looking at viewer, half-lidded eyes, blood-streaked neck, bare shoulders, dark background, harsh overhead light, dramatic shadow A close-up portrait framed tight on the head and upper shoulders of a single man, seen in a slight three-quarter view with his head turned just off-axis toward the viewer. The face is a ruin held together by machinery: where the nose should be there is no nose at all, the center of the face a smooth hollow of raw torn tissue and exposed red muscle that caves inward without a bridge, and below it the mouth has no lips whatsoever, so the upper and lower teeth stand bare in a continuous wet grin of enamel and dark gum, the jaw beneath them a machined prosthetic plate of brushed gunmetal screwed into the skull, its hinge pistons visible at both temples. His eyes are robotic — paired spherical optical units seated in the sockets in place of organic eyes, dark glass lenses ringed by thin steel bezels, each with a small pinpoint of pale cyan light burning at its center. Plates of metal are implanted flush into the scalp and brow, seams and bolt heads breaking the skin line, and torn strips of skin hang in curled flaps along the cheekbone and one temple, still wet. Bundles of wires and ribbed hoses enter the face at the left cheek, at the jaw hinge, and at the temple, trailing out of frame behind his head, the rubber flexing as he tilts his chin. Blood is everywhere on him: it sheets down the forehead, pools in the hollow where the nose was, runs in dark strings over the bare teeth, and has dried in browned rivulets down his neck onto bare shoulders. Both eyes angle down toward the viewer; the robotic lenses give no expression, but the tilt of the ruined head reads as a patient, unblinking regard. A single hard light strikes from above and slightly right, catching the wet enamel, the steel bezels and the sheen of the hoses, throwing the left half of the face into deep shadow and leaving the darkness behind him absolute — nothing exists beyond the light but black. Palette is restricted to raw red, pink exposed tissue, cold gunmetal grey and the cyan pinpoints of the eyes. The hoses catch a highlight only along their upper curves, the undersides falling to nothing. Clinical, unsettling.
Siemens
AI artwork
Avatar image of Prodigal Sun
Solo, , The term “Cyber- horror" is drawn from a mix of "cyberpsy- chosis" and "cyber zombies" — in actuality, it’s nothing truly similar to either, but an alteration of the psyche that comes from the blending of cyber- netic augmentation with a form of manifest Dreamborn that bridges flesh and technol- ogy. They form into something similar to the Claimed, but it’s more the technology itself that grows to accommodate the ephemeral entity, rather than a possession and appropriation of the mortal’s mind and body — at least at first. The origins of these mutated larval horrors are unclear, but their numbers are slowly growing, implying some ability to propagate themselves, and they blend in well with their surroundings in a world where technology is so commonplace. ,detailed_style, clean_precise_lineart, smooth_soft_shading, gentle_gradients, highly_detailed, high_quality,chronicles_of_darkness_art-style, detailed_linework, limited_color-palette
Prodigal Sun
AI artwork
Avatar image of Darily97 (Dary)
A wide horizontal banner-style shot for a horror video game, featuring a grotesque mechanical-human hybrid monster centered in a dimly lit, oppressive environment. The creature possesses a humanoid torso and a haunting, distant expression, with its eyes forced wide open by metallic pins piercing through the eyelids and eyelashes. From its mouth, an extremely long, muscular tongue extends outward, poised to strangle. Its lower body is a distorted nightmare, with legs split down the middle to form a multi-jointed, humanoid spider anatomy that supports its weight on the floor. The scene is rendered as a gray-leaning anime illustration with clean color blocks and soft painterly gradients, utilizing minimal linework and smooth surfaces. The atmosphere is cold and suffocating, characterized by a muted color palette with subtle accent colors, controlled highlights, and a cinematic, eerie mood.
Darily97 (Dary)

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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