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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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character: yukino_mifuyu_(puuzaki_puuna) view from behind, dynamic angle from behind, from below, pov, 2 subjects, female focus, standing facing glass, hands on glass, ass pushed back towards viewer, feet slightly apart, arched back, deep arch in lower back, perfect butt focus, crop below buttocks, ass not visible, male body cropped out, only male hands visible, male hands gripping her waist, vaginal sex from behind, doggystyle, sex, huge breasts, blue eyes, silver hair, hair between eyes, hair bun, sidelocks, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, latex tight shiny dark blue short micromini pencil skirt, dark brown leggings, juice puddle, detailed hands, ((4k, 8k, Ultra HD)), ((masterpiece:1.2)), ((best quality:1.2)), ((detailed:1.5)), ((detailed background:1.5)), (((cockslut:1.9))), sweat, blush, half-closed eyes, open mouth, heavy breathing, trembling, spoken_heart, night, city lights, curtain wall, Night, inside a high-floor construction room, the camera set low and close behind her right hip, tilted up and off-axis so the whole frame drives forward into her arched back and up along the floor-to-ceiling glass curtain wall that fills the far side of the room. Beyond the glass the night city spreads out in a deep grid of lit windows and scattered signal lights on distant towers, a cold blue-black sea of it falling away below the sill; the glass carries her reflection faintly over that view and carries the hard-edged rectangles of the room's bare work lights. Silver hair is gathered into a bun at the back of her head, sidelocks and a few loose strands hanging between her eyes and along her jaw, and the bun's weight pulls her head slightly down. She stands facing the glass with her feet slightly apart, weight spread evenly through both shoes, pressed up close: both palms and all ten fingers flattened hard against the pane, fingers slightly splayed, knuckles pale where she presses, the pads of her fingers smeared against the surface leaving faint condensation marks around each fingertip. Her back bows into a deep arch, the lower back hollowing sharply, spine curving down and then flaring out as her hips push back toward the lens. The pale blue cardigan sits off both shoulders, sleeves fallen down around the upper arms so her shoulders and the tops of her arms are bare above the sleeveless white turtleneck, whose high collar hugs her throat and whose fabric stretches taut across her huge breasts where they press forward toward the glass. Below that, the dark blue latex pencil skirt is short, micromini, clinging and mirror-shiny, catching a long wet-looking highlight along one hip and darkening into deep shadow on the other side, and the dark brown leggings run down tight over her thighs. Behind her the man is cropped entirely out of the frame except for his two hands, no forearms past the wrist, no body and no face: both hands wrap around her waist from behind, thumbs hooked into the soft of her lower back just above the skirt's waistband, fingers spread and digging in, the grip compressing her flesh so it swells slightly around each thumb. His hips drive forward into her from behind in a steady rhythm; she takes the push with a small forward give at the shoulders, her cheek nearly to the glass, her eyes half-closed and turned toward her own faint reflection, lips parted and breath fogging a small cloud on the pane; a flush spreads across her cheeks and the tops of her ears, a sheen of sweat sits along her neck and above her collar. On the bare concrete floor at her feet a small puddle of clear fluid has gathered and pooled, its surface catching the cold city glow and reflecting the nearest window rectangle as a stretched, broken shape; the fluid traces a thin trail back along a seam in the concrete slab. The room's light is cold and industrial from the ceiling fixtures behind and above the camera, throwing her long shadow forward onto the glass and outlining her silhouette against the bright city beyond. Palette held to cold blue-black, silver-white, pale ice blue, deep glossy navy, and the warm scattered amber of distant windows. Detailed background, crisp reflections, filmic contrast, intimate and electric.
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원본 프롬프트
Inside the Curtain wall construction room, high floor, night view, Yukino Mifuyu, blue eyes, silver hair, hair between eyes, hair bun, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, latex tight shiny dark blue short micromini pencil skirt, dark brown leggings, (((cockslut:1.9))), Rino_Pose_055, standing facing glass, hands on glass, ass pushed back towards viewer, stand with your feet slightly apart, arched back, stick out butt, deep arch in lower back, perfect butt focus, dynamic angle from behind, detailed hands, view from behind, ((4k, 8k, Ultra HD)), ((masterpiece:1.2)), ((best quality:1.2)), ((detailed:1.5)), ((detailed background:1.5)), juice puddle、 主人公視点、女をバックで犯す。Sex、お尻から下はフレームアウト、お尻は画面に映さない。男は女の腰を両手で掴む。男は手だけ映す
모드
pro
품질 태그
﹝프롬프트﹞
크기
1104 x 1824
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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