서버 점검 완료 안내 — 서버 점검이 완료되어 SDXL 및 Tsubaki.1 작업의 이미지 생성 속도가 정상화되었습니다. 점검 기간 동안 누적된 작업은 시스템에서 순차적으로 처리될 예정입니다. 이에 따라 일부 작업은 완료까지 다소 시간이 소…
자세히 보기매개변수 표시
- 원본 프롬프트
- 1girl, close angle, long hair, black hair, hat, hair between eyes, witch hat, gloves, skirt, white hat, white gloves, belt, medieval witch outfit, white skirt, white fur cape, long sleeves, white medieval witch outfit, v-shaped eyebrows, short skirt, buckle, heart-shaped buckle, black belt, eyelashes, very long hair, blue eyes, boots, jewelry, witch, glowing eyes, several desiccated charred male bodies lie on the floor in the background, castle background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, maniac look, demanding, flirting
- 모드
- ultra
- 크기
- 1104 x 1824
- 샘플링 방식
- Euler
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기n2
artist: ratatatat74
1girl, solo, close-up, portrait, from below, dutch angle, looking down at viewer, white witch hat, pointed hat, wide-brimmed hat, black very long hair, hair between eyes, straight hair, blue eyes, glowing eyes, v-shaped eyebrows, thick eyelashes, beautiful face, pale skin, white jacket, long sleeves, white fur cape on shoulders, white fur collar, white short skirt, black belt, heart-shaped buckle, white gloves, boots, jewelry, witch, leaning forward, head tilt, maniac grin, open mouth, seductive look, demanding, flirting, one eyebrow raised, half-closed eyes, castle interior background, stone hall, several desiccated charred male bodies lying on the floor in background, charred corpses, volumetric lighting, ominous lighting, depth of field, detailed shading, sharp cel-shading, high contrast, rim lighting, dramatic backlighting, white outline, moody atmosphere, sharp eyes, cinematic perspective, wide angle lens, vibrant accent color, masterwork, high quality
The camera sits low and slightly off-axis, looking up at the witch from a tight close-up: the frame is filled from chest to hat-brim, her face the axis of the picture, the witch hat's broad white brim tilted askew cutting the top corner of the frame. She leans forward into the lens, tipping her head down toward it, weight shifted onto her forward foot so her shoulders angle and her cape's white fur bunches on the near shoulder, riding up at the collar. The very long black hair pours down the sides of her face, one heavy lock falling dead-center between her glowing blue eyes and splitting them, the rest sliding forward past her jaw over the white jacket's long-sleeved shoulder. Her white gloves grip the front edge of her short white skirt — one hand fisted into the fabric pulling it taut, the other resting flat at her hip against the black belt, where the heart-shaped buckle catches the light square-on. Jewelry glints at her throat and ear, small warm metal accents against the cold white of the outfit. Her chin dips, and her eyes angle down the bridge of her nose straight at the viewer: lids half lowered, one eyebrow v-shaped and arched high, the other flat, one corner of her mouth hooked up much higher than the other in a wide grin, teeth bared, a look that reads as maniac and seductive in the same breath, demanding the viewer's attention rather than asking for it.
Behind her the castle hall recedes in depth of field: a vaulted stone corridor, grey buttresses and a shallow stair, softening into darkness and dust motes. In the midground floor, out of focus but legible, several desiccated charred male bodies lie strewn across the flagstones, blackened limbs curled, cracked and dry, ash flaking off the ribs. The lighting is volumetric and ominous — a cold, single shaft from high behind her, beyond the far windows, driving down the hall and rimming the hat brim, the cape's fur and the glossy edge of her hair in bright white, so that her face falls into a clean shadow that makes the glowing blue eyes burn from within it; the dust turns the beam into visible volume. The palette is held tight: white, black and cold blue-grey in the outfit and stonework, with only the heart buckle's metal and her eyes carrying heat. A thin white outline separates her silhouette from the dark hall, and behind her, faint in the haze, the shadow of a corpse's arm is thrown long across the floor by the same shaft.
A single white ray of that light skims the floor and lands on the floor not on her face but at the base of the nearest charred skull, its darkness swallowed by her cast shadow, which spreads across the fallen bodies and stops at her boot toe. Her grin holds, dry lips slightly parted; one earring swings forward as her head tips. Seductive menace.
nyx2222
n2
artist: ratatatat74
1girl, witch, solo, very long hair, black hair, hair between eyes, blue eyes, glowing eyes, long eyelashes, v-shaped eyebrows, white witch hat, white jacket, long sleeves, white skirt, short skirt, white fur cape, black belt, heart-shaped buckle, white gloves, boots, jewelry, medieval witch outfit, seductive pose, malevolent seductive look, maniac look, smug, half-closed eyes, looking at viewer, castle background, several desiccated charred male bodies lying on the floor in the background, white outline, ominous lighting, volumetric lighting, depth of field, dramatic backlighting, sharp cel-shading, high contrast, rim lighting, cinematic perspective, wide angle lens, low angle, foreshortening, cowboy shot,
Thrown low and tilted up, the camera looks from a crouched foreground position along a long castle hall, past the witch toward the vaulted vault above. The white witch hat crowns her head, lifted slightly, and its brim casts a sharp shadow over the upper half of her face; beneath it her two glowing blue eyes are the only source that answers the window light, and the very long black hair falls between her brows and spills down her front and back, its ends straying past the fur. White fur cape rests on her shoulders, dense and rounded around the upper back. The white jacket is long-sleeved and snug, its white skirt short and pleated; the black belt cinches the waist and its heart-shaped buckle catches the light. White gloves cover both hands. She has on boots and wears jewelry — a simple pendant and thin rings over the gloves.
She is caught in a mid-turn: right hip cocked, weight shifted onto that leg, left knee bent, boots planted slightly apart and toes turned out. The left hand rests on the heart buckle, palm out; the right hand hangs at her side with fingers loosely open. Her chin dips and her lips are curved in a faint maniacal smirk; her brows are v-shaped, and the corners of her mouth lift. She looks straight at the viewer, narrowed and playful and dangerous at once, and the axis of her gaze runs from the glowing eyes down the camera to the lens. The fur cape lifts a little behind her shoulders as if a draft passed, and the ends of her hair move with the same draft.
Behind her, the castle hall recedes: tall walls in layered grey stone, a row of lancet windows, a ribbed vault that meets the frame's top edge. On the flagstones far behind her and lower in the frame several desiccated charred male bodies lie in interrupted rows, limbs crooked, ash smeared around them, faces burnt away, so that their scale and their number read clearly without competing with the witch. The foreground flagstones are dark grey and clean. Volumetric light angles through the windows from the upper left, brightens the dust into visible bars, and strikes the left side of her hat and the fur with a pale edge. The right wall and the depths of the hall are swallowed in black. Strong depth of field throws the vault and the bodies into softness while keeping the witch's face and buckle sharp, and the white outline of her silhouette glows faintly against the dark stone.
Palette is restrained: cold greys in the stone and carved shadow, white in the hat and garments, black in the belt and the burnt bodies, with the only color in the glowing blue eyes and the faint heart-shape of the buckle. Moody, magnetic.
nyx2222
n2
artist: ratatatat74
1girl, solo, very long hair, black hair, hair between eyes, white witch hat, witch, white jacket, long sleeves, white fur cape, white short skirt, black belt, heart-shaped buckle, buckle, white gloves, gloves, jewelry, boots, blue eyes, glowing eyes, v-shaped eyebrows, eyelashes, beautiful face, malevolent, seductive look, maniac look, seductive pose, castle background, several desiccated charred male bodies lying on the floor in the background, white outline, volumetric lighting, ominous lighting, depth of field, from below, dutch angle, cowboy shot, looking down at viewer, standing on one leg, hand on own hip, outstretched arm, head tilt, grin, one eye closed, sharp eyes, sharp cel-shading, high contrast, dramatic backlighting, rim lighting, moody atmosphere, wide angle lens,
A low, tilted camera looks up at a single witch from below, the frame canted so the castle hall leans and the floor drops away toward the lens. She stands in the foreground in a white medieval military-esque witch outfit: a white jacket with long sleeves buttoned to the wrist, a short white skirt flaring out over white gloves, a black belt cinched at the waist with a heart-shaped buckle catching the light, a white fur cape draping her shoulders in a dense white halo, a white witch hat tilted on her head, boots planted, jewelry glinting at her throat and ears. Her very long black hair falls in heavy unbroken sheets past her hips, ends lifting in a slow draft, a few strands cut across her brow between her eyes; her v-shaped eyebrows are drawn down, her blue eyes glow from inside, one eye closed, sharp eyelashes edging the open one, her lips pulled into a wide maniac grin. Her weight rides on one leg, the other knee bent and crossed, hips canted, one gloved hand resting on her hip with the buckle right under it, the other arm flung outward with the glove open and fingers spread, so the short white skirt swings against her thigh. She looks straight down at the viewer with a seductive, malevolent stare.
Behind and below her, the castle background opens up: a vaulted stone hall, cold shadowed pillars receding into shallow depth of field, and several desiccated charred male bodies lying on the floor in the background, sprawled between the column bases, dark burned husks with ash sifting off the ribs. Every figure is silhouetted by volumetric light pouring through the high windows behind them, so the light comes from behind her: it rims the white hat brim, the fur cape and the white sleeves with hard bright edges, and throws her face and the front of the outfit into heavy shadow, the glowing eyes and the sharpened white outline cutting clear. The ash falling from the corpses hangs visible in the light shafts. Palette is cold stone grey and shadow black against stark white costume and one hot blue in her eyes. Sharp cel-shading, high contrast, rim lighting, a wide angle lens bending the columns. Ominous, beautiful.
nyx2222
n2
artist: ratatatat74
1girl, solo, close angle, close-up, from below, dutch angle, looking down at viewer, very long black hair, hair between eyes, sidelocks, hime cut strands, blue eyes, glowing eyes, glowing blue iris, v-shaped eyebrows, long eyelashes, beautiful face, pale skin, white tricorn hat, Napoleonic military hat, black brim trim, white jacket, long sleeves, white shirt, white short skirt, black belt, heart-shaped buckle, white gloves, white cape, boots, jewelry, witch, malevolent expression, maniac look, seductive look, demanding demeanor, flirting, wide grin, open mouth, teeth, half-closed eyes, condescending stare, head tilt, hand on hip, outstretched arm, pointing at viewer, manor interior background, dark corridor, wood floor, candelabra, several desiccated charred male bodies lying on the floor in the background, ash, soot, white outline, ominous lighting, volumetric lighting, depth of field, rim lighting, high contrast, sharp cel-shading, dramatic backlighting, moody atmosphere, masterpiece, best quality, absurdres, very absurdres, highres, CG, newest, amazing quality, high quality, high resolution, 8k, full hd, detailed shading, perfect anatomy, very aesthetic, cinematic perspective, ultra hd, ultra-detailed
A low dutch-angle close shot tilts up at the witch from hip height, the camera rocked a few degrees off level so the manor corridor's panelling and the gilded cornice above her slant diagonally across the frame. She fills the left two-thirds of the composition in a tight close crop, thrusting her upper body toward the lens with her weight carried on her back right leg, left knee bent slightly forward, the white skirt flaring at the hem above the tops of her boots. Her chin is lowered and turned a few degrees to her right, head tilted so the white tricorn's front peak dips toward the camera; the long black hair spills over her shoulders in heavy ropes, the central strand hanging straight down between her v-shaped brows and across the bridge of her nose. Her blue eyes glow from within, casting a faint cold bloom onto the black hair around them, and the eyelashes are thick and dark at the upper lids. The grin is wide and open, one corner higher than the other, teeth showing, the lower lid narrowed into a hooded stare that comes straight down the lens; the expression reads as maniac and seductive at once, demanding rather than inviting.
Her left hand presses the white glove flat against her own hip, fingers spread beside the black belt so the heart-shaped buckle catches the light between thumb and forefinger; her right arm is thrown out toward the viewer, a white-gloved finger aimed just off-center at the lens, the sleeve pulled taut and the white cape swinging out behind her shoulder from the same motion. The cape hangs from her shoulders in a stiff wool fold, its inner edge lifting away from her back and revealing the dark corridor at her flank.
Behind and below her, in the lower right of the frame, several desiccated charred male bodies lie strewn on the polished wood floor, limbs crumpled and blackened, ribs and jawlines jutting through cracked carbonized skin, their shapes rendered smaller and softer by depth of field while drifting ash and fine soot settle on the upward-facing planes of their shoulders and chests and on the flat boards around them. The corridor recedes behind her into a manor interior of dark panelled walls, a tall draped window, and a heavy carpet runner, all sinking into brown-black shadow.
The light comes from a single candelabra bracket behind her right shoulder — warm amber, low and raking — laying a hard rim along the tricorn's brim, the cape's edge, the white jacket's sleeve and the black hair's outer contour, while the front of her face is lit by the colder blue spill of her own glowing eyes; the shadows fall steeply down and to the left, the body pile dropped almost to silhouette, and the floorboards carry long distorted reflections of the flames. The palette is strictly white, black and cold blue on the figure against a sepia-brown corridor warmed only by the amber backlight. Her white uniform is left with a thin unlit white outline tracing her silhouette cleanly against the dark interior. Ash motes drift through the light shafts in slow suspension, and every surface she stands above is scuffed and dumped with soot. Ominous, devastatingly confident.
nyx2222
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