서버 점검 완료 안내 — 서버 점검이 완료되어 SDXL 및 Tsubaki.1 작업의 이미지 생성 속도가 정상화되었습니다. 점검 기간 동안 누적된 작업은 시스템에서 순차적으로 처리될 예정입니다. 이에 따라 일부 작업은 완료까지 다소 시간이 소…
자세히 보기
매개변수 표시
- 원본 프롬프트
- 1girl, close angle, long hair, black hair, hat, hair between eyes, witch hat, gloves, skirt, white hat, white gloves, jacket, belt, medieval witch outfit, white skirt, white fur cape, long sleeves, white medieval witch outfit, v-shaped eyebrows, short skirt, buckle, heart-shaped buckle, black belt, eyelashes, very long hair, blue eyes, boots, jewelry, witch, glowing eyes, several desiccated charred male bodies lie on the floor in the background, castle background, background, white outline, beautiful face, masterpiece, best quality, absurdres, very absurdres, highres, volumetric lighting, depth of field, CG, newest, very awe, amazing quality, high quality, high resolution, 8k, full hd, illustrating, detailed shading, perfect anatomy, very aesthetic, ratatatat74, 4k, ultra hd, ominous lighting, malevolent, seductive look, maniac look, demanding, flirting
- 모드
- ultra
- 크기
- 1104 x 1824
- 샘플링 방식
- Euler
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기
n2
artist: ratatatat74
1girl, solo, close-up, portrait, low angle, from below, looking down at viewer, dutch angle, very long black hair, black hair, hair between eyes, long hair, white witch hat, pointed hat, wide-brimmed hat, hat ribbon, white medieval witch outfit, white fur cape, fur-trimmed cape, long sleeves, white skirt, short skirt, black belt, heart-shaped buckle, buckle, white gloves, elbow gloves, boots, jewelry, necklace, blue eyes, glowing eyes, v-shaped eyebrows, long eyelashes, beautiful face, malevolent expression, seductive look, maniacal grin, open mouth, toothy smirk, half-closed eyes, demanding, flirting, leaning forward, head tilt, hand on hip, outstretched arm, pointing at viewer, black fingernails visible through glove seam, castle background, stone hall, gothic arches, several desiccated charred male bodies lying on the floor in the background, crumbling corpses, ash and soot, white outline, white rim outline, volumetric lighting, god rays through shattered windows, ominous lighting, depth of field, dramatic backlighting, sharp cel-shading, high contrast, rim lighting, wide angle lens, vibrant accent color, moody atmosphere, detailed shading, cinematic perspective
Shot from a low angle close-in, the witch fills the frame from mid-thigh up, her wide white hat brim cutting the top edge and one white-gloved hand thrust toward the lens so the glove foreshortens huge and soft while her grinning face stays pin-sharp behind it; she leans down over the camera from a raised dais, weight on her left boot on the dais lip and her right hip cocked, chin tucked so she looks down the bridge of her nose, the v-shaped brows drawn low and one raised, half-lidded glowing blue eyes fixed on the viewer with a lash-fringed squint, lips curled back off her teeth in a demanding maniacal smile that is half flirt. The white fur cape sits across her shoulders and stands in dense tufts bristling at the rim light, its long white sleeves ending in the white gloves; the black belt crosses the short white skirt tight at her waist and the heart-shaped buckle turns to face the lens, catching a single hard specular; jewelry glitters at her throat. Behind her the depth of field drops the castle hall into a cool blur: broken gothic arches, a shaft of cold light pouring through a shattered window behind her head so her hat and hair carry a bright white outline and her face falls into shadow except for the blue glow of her eyes and the wet shine on her teeth. On the flagstones at the floor's background several charred desiccated male bodies lie crumpled against each other, blackened fingers curled, ash and torn cloth scattered around them, one faint curl of smoke still rising, all of it steeply out of focus and smaller than her raised hand. Her shadow, cast by the backlight, stretches toward the viewer and swallows the nearest corpse. The palette stays her white costume, her black hair and belt, blue eye-light, and the ochre-and-soot tones of the burnt dead, with the castle's slate grey behind; light comes only from the window behind and a low warm glow at the floor's far edge, so every lit surface faces back or down and her front is held in high-contrast darkness broken by rim light. Cold air stirs the fur and the loose strands between her eyes. Ominous, magnetic.
nyx2222
n2
artist: ratatatat74
1girl, solo, close angle, close-up, from below, dutch angle, looking down at viewer, very long black hair, hair between eyes, sidelocks, hime cut strands, blue eyes, glowing eyes, glowing blue iris, v-shaped eyebrows, long eyelashes, beautiful face, pale skin, white tricorn hat, Napoleonic military hat, black brim trim, white jacket, long sleeves, white shirt, white short skirt, black belt, heart-shaped buckle, white gloves, white cape, boots, jewelry, witch, malevolent expression, maniac look, seductive look, demanding demeanor, flirting, wide grin, open mouth, teeth, half-closed eyes, condescending stare, head tilt, hand on hip, outstretched arm, pointing at viewer, manor interior background, dark corridor, wood floor, candelabra, several desiccated charred male bodies lying on the floor in the background, ash, soot, white outline, ominous lighting, volumetric lighting, depth of field, rim lighting, high contrast, sharp cel-shading, dramatic backlighting, moody atmosphere, masterpiece, best quality, absurdres, very absurdres, highres, CG, newest, amazing quality, high quality, high resolution, 8k, full hd, detailed shading, perfect anatomy, very aesthetic, cinematic perspective, ultra hd, ultra-detailed
A low dutch-angle close shot tilts up at the witch from hip height, the camera rocked a few degrees off level so the manor corridor's panelling and the gilded cornice above her slant diagonally across the frame. She fills the left two-thirds of the composition in a tight close crop, thrusting her upper body toward the lens with her weight carried on her back right leg, left knee bent slightly forward, the white skirt flaring at the hem above the tops of her boots. Her chin is lowered and turned a few degrees to her right, head tilted so the white tricorn's front peak dips toward the camera; the long black hair spills over her shoulders in heavy ropes, the central strand hanging straight down between her v-shaped brows and across the bridge of her nose. Her blue eyes glow from within, casting a faint cold bloom onto the black hair around them, and the eyelashes are thick and dark at the upper lids. The grin is wide and open, one corner higher than the other, teeth showing, the lower lid narrowed into a hooded stare that comes straight down the lens; the expression reads as maniac and seductive at once, demanding rather than inviting.
Her left hand presses the white glove flat against her own hip, fingers spread beside the black belt so the heart-shaped buckle catches the light between thumb and forefinger; her right arm is thrown out toward the viewer, a white-gloved finger aimed just off-center at the lens, the sleeve pulled taut and the white cape swinging out behind her shoulder from the same motion. The cape hangs from her shoulders in a stiff wool fold, its inner edge lifting away from her back and revealing the dark corridor at her flank.
Behind and below her, in the lower right of the frame, several desiccated charred male bodies lie strewn on the polished wood floor, limbs crumpled and blackened, ribs and jawlines jutting through cracked carbonized skin, their shapes rendered smaller and softer by depth of field while drifting ash and fine soot settle on the upward-facing planes of their shoulders and chests and on the flat boards around them. The corridor recedes behind her into a manor interior of dark panelled walls, a tall draped window, and a heavy carpet runner, all sinking into brown-black shadow.
The light comes from a single candelabra bracket behind her right shoulder — warm amber, low and raking — laying a hard rim along the tricorn's brim, the cape's edge, the white jacket's sleeve and the black hair's outer contour, while the front of her face is lit by the colder blue spill of her own glowing eyes; the shadows fall steeply down and to the left, the body pile dropped almost to silhouette, and the floorboards carry long distorted reflections of the flames. The palette is strictly white, black and cold blue on the figure against a sepia-brown corridor warmed only by the amber backlight. Her white uniform is left with a thin unlit white outline tracing her silhouette cleanly against the dark interior. Ash motes drift through the light shafts in slow suspension, and every surface she stands above is scuffed and dumped with soot. Ominous, devastatingly confident.
nyx2222
n2
artist: ratatatat74
1girl, witch, solo, very long hair, black hair, hair between eyes, blue eyes, glowing eyes, long eyelashes, v-shaped eyebrows, white witch hat, white jacket, long sleeves, white skirt, short skirt, white fur cape, black belt, heart-shaped buckle, white gloves, boots, jewelry, medieval witch outfit, seductive pose, malevolent seductive look, maniac look, smug, half-closed eyes, looking at viewer, castle background, several desiccated charred male bodies lying on the floor in the background, white outline, ominous lighting, volumetric lighting, depth of field, dramatic backlighting, sharp cel-shading, high contrast, rim lighting, cinematic perspective, wide angle lens, low angle, foreshortening, cowboy shot,
Thrown low and tilted up, the camera looks from a crouched foreground position along a long castle hall, past the witch toward the vaulted vault above. The white witch hat crowns her head, lifted slightly, and its brim casts a sharp shadow over the upper half of her face; beneath it her two glowing blue eyes are the only source that answers the window light, and the very long black hair falls between her brows and spills down her front and back, its ends straying past the fur. White fur cape rests on her shoulders, dense and rounded around the upper back. The white jacket is long-sleeved and snug, its white skirt short and pleated; the black belt cinches the waist and its heart-shaped buckle catches the light. White gloves cover both hands. She has on boots and wears jewelry — a simple pendant and thin rings over the gloves.
She is caught in a mid-turn: right hip cocked, weight shifted onto that leg, left knee bent, boots planted slightly apart and toes turned out. The left hand rests on the heart buckle, palm out; the right hand hangs at her side with fingers loosely open. Her chin dips and her lips are curved in a faint maniacal smirk; her brows are v-shaped, and the corners of her mouth lift. She looks straight at the viewer, narrowed and playful and dangerous at once, and the axis of her gaze runs from the glowing eyes down the camera to the lens. The fur cape lifts a little behind her shoulders as if a draft passed, and the ends of her hair move with the same draft.
Behind her, the castle hall recedes: tall walls in layered grey stone, a row of lancet windows, a ribbed vault that meets the frame's top edge. On the flagstones far behind her and lower in the frame several desiccated charred male bodies lie in interrupted rows, limbs crooked, ash smeared around them, faces burnt away, so that their scale and their number read clearly without competing with the witch. The foreground flagstones are dark grey and clean. Volumetric light angles through the windows from the upper left, brightens the dust into visible bars, and strikes the left side of her hat and the fur with a pale edge. The right wall and the depths of the hall are swallowed in black. Strong depth of field throws the vault and the bodies into softness while keeping the witch's face and buckle sharp, and the white outline of her silhouette glows faintly against the dark stone.
Palette is restrained: cold greys in the stone and carved shadow, white in the hat and garments, black in the belt and the burnt bodies, with the only color in the glowing blue eyes and the faint heart-shape of the buckle. Moody, magnetic.
nyx2222
n2
artist: ratatatat74
1girl, solo, very long black hair, hair past waist, black hair, hair between eyes, blue eyes, glowing eyes, glowing blue eyes, v-shaped eyebrows, long eyelashes, beautiful face, white tricorn, napoleonic military hat, white military uniform, white jacket, long sleeves, white shirt, white skirt, white cape, white gloves, black belt, heart-shaped buckle, boots, jewelry, witch, seductive pose, seductive look, maniac look, malevolent expression, manic grin, half-closed eyes, looking at viewer, head tilt, from below, dutch angle, cowboy shot, manor interior, crumbling mansion hall, several desiccated charred male bodies, charred corpses, blackened skeletons, bodies on floor, background, depth of field, volumetric lighting, ominous lighting, backlighting, rim lighting, sharp cel-shading, high contrast, wide angle lens, white outline
From a low, tilted dutch-angle camera in the cowboy-shot range, the witch dominates the near half of the frame in three-quarter view, her body angled away to her left while her chin tips down and her eyes cut back toward the lens. She stands with her weight all on her right leg, left hip pushed out, right knee slightly bent, left boot heel lifted a few centimeters off the parquet with the toe grounded; her shoulders twist so the white cape drops in a long diagonal off her right shoulder while her left hand rests curled on the pushed-out hip, gloved fingertips pressed against the black belt just beside the heart-shaped buckle, and her right gloved hand rises to the brim of the white tricorn, thumb under the edge, tilting it a fraction lower over one brow. The very long black hair falls past her waist over the cape's white wool, and the strand of hair between her eyes catches a bright rim as it crosses the bridge of her nose. Her v-shaped eyebrows draw down hard over half-lidded eyes whose blue glow throws a faint cold wash onto her cheekbones, and her grin is asymmetric, one corner dragged high and one canine showing, an ugly joy under the beautiful face.
The white jacket and white skirt stay crisp and bright against a hall gone to rot: the long sleeves buttoned at the wrist, the skirt hem torn at one point from the fall through the briars, the boots dulled with chalky dust up to the ankles. Through the depth-of-field blur of the background, the parquet aisle behind her is strewn with several desiccated charred male bodies, blackened and drawn-in, ribs showing through burnt cloth, one arm flung out with the fingers curled, flakes of soot settled in a thin grey drift along the floorboard seams where the draft has pushed them. The person in the frame looks back over her own shoulder while the corpses behind her stay face-down and eyeless.
A single tall window behind and above her is the only light source: cold, blue-grey daylight rakes down through the mullions, rims her hat brim, shoulder, cape edge and the swing of her hair in a thin hard outline, and leaves her face half in shadow so the eye-glow reads as the second, unnatural light. Beyond that rim the manor interior falls away into brown-black shadow, with dust drifting in the visible beams and a chandelier hanging dark and empty. The palette is held to white, black, cold blue and the dead browns of the room, with the only saturated accents being the blue of her glowing eyes and the faint polished glint on her jewelry. High-contrast cel shading with a hard white outline separating her from the gloom, sharp rim light, cinematic wide-angle distortion stretching the nearest floorboards toward the lens. Ominous, deliciously wicked.
nyx2222
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A dreamy, ethereal anime illustration of a mysterious black-haired young man kneeling gracefully in shallow water, wearing an elegant dark gothic outfit with sheer flowing fabrics, delicate jewelry, and iridescent blue accents. A white dove flies beside him as he gently holds a glowing translucent orb. Flowing veils, delicate white flowers, floating feathers, and crystalline reflections surround him. Soft moonlike backlighting filters through translucent curtains, creating a melancholic, romantic atmosphere. Muted lavender, icy blue, silver, and pearl-white palette, delicate painterly anime style, intricate details, soft glowing highlights, dramatic shadows, beautiful fabric textures, cinematic composition, atmospheric lighting, elegant fantasy aesthetic, vertical portrait poster.
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Rich deep green, teal, and blue palette, intricate painterly detail, dreamy and ethereal mood, vertical composition.
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ethereal dreamy anime illustration of beautiful girl with long flowing silver white hair in high ponytail, glowing green blue eyes, small white angel wing near ear, blue flower hair clips with pearls, holding blue flowers near mouth and bouquet of blue irises, wearing elegant dark blue and white dress with pearl necklace and long sheer gloves, luminous fairy-like skin, large glowing full moon in background, dark blue starry night sky, white doves flying, sparkling stars and glitter effects, petals floating, floral silhouettes, musical staff lines overlay with cursive text "Kopper's Commission" and "COW SION", soft iridescent pastel palette of blue purple white, highly detailed, magical celestial atmosphere, glitter texture, ultra-detailed anime art. close up, dynamic perspective, ethereal casual aesthetic.
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character: qiao_ling, copyright: shiguang_dailiren
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