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AI art "LoRA Test" for keywords detailed background, beautiful landscape, no humans, scenery, ocean
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LoRA Test

Avatar image of marukado
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marukado

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detailed background, beautiful landscape, no humans, scenery, ocean
매개변수 표시
원본 프롬프트
no humans, scenery, ocean, detailed background, beautiful landscape
모드
ultra
크기
1408 x 1408
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
7.30k
Detailed BG LoRA (Ver. Advanced) - AI Model 커버 이미지

사용자 LoRA

Detailed BG LoRA (Ver. Advanced)
1

비슷한 작품

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AI artwork
mh
scenery, no humans, anime background, stage scenery, sea, beach, light blue sky, clear sky, cumulus clouds, horizon, waterline, shoreline, wave foam, wet sand reflections, distant clouds, otome game background, visual novel background, wide shot, low eye-level camera, one-point perspective, empty stage, from side A wide low eye-level view straight out across an empty stretch of shoreline, the horizon line a clean level cut a third of the way down from the top of the frame. Pale light blue sky fills the upper two-thirds, deepening only slightly toward the zenith, and a low bank of round cumulus clouds stands in the distance to the left, their flat undersides shaded a soft grey-lavender while their sunlit crowns glow warm off-white; the clouds thin to nothing on the right so the sky there is bare pale blue. Beneath them the sea runs the full width of the frame, a calm surface of layered blue-greens — turquoise near the horizon shading to a deeper marine green in the near water — broken by thin white parallel lines of swell that steepen and crest into a single row of low breaking waves as they approach the beach. The waves fold over and dissolve into a ragged white foam line that curves gently across the lower right of the frame, following the beach's own sweep rather than running parallel to the frame edge. The sand in the foreground is fine and pale, dry and matte at the lower left, turning dark and glossy in a wet band where the last wave has withdrawn; that wet sand holds a soft inverted reflection of the sky, dimmer and less saturated than the sky above it, and the shallow film of water lies in it in thin sheets that follow the sand's faint ripples. Scattered along the tideline, a few small dark pebbles and a curl of dry seaweed sit as the only objects on the whole strand, scaling the beach's emptiness. No people, no buildings, no boats, no signage anywhere — the stage is entirely open and unoccupied. Sunlight comes from high and behind the camera's left shoulder, so the cloud crowns are lit warm on their upper-left faces, the sea carries a broad shimmering highlight path toward the middle-left, and the foam throws small hard shadows onto the wet sand; nothing in the frame is lit from the front-right. The palette is disciplined: pale light blue for sky and wet-sand reflection, white and off-white for clouds and foam, a narrow band of turquoise-to-marine green for the water, and warm pale ochre for the dry sand, with nothing else admitted. The composition is deliberately clean and open, the horizon-level lines of sea and shore offering a plain uncluttered stage for a visual-novel scene, and the flat cel-shaded rendering keeps every surface crisp and readable. Serene, sunlit.
Meryl Hope
AI artwork
mh
scenery, no humans, anime background, stage scenery, sea, beach, light blue sky, clear sky, cumulus clouds, horizon, waterline, shoreline, wave foam, wet sand reflections, distant clouds, otome game background, visual novel background, wide shot, low eye-level camera, one-point perspective, empty stage, from side A wide low eye-level view straight out across an empty stretch of shoreline, the horizon line a clean level cut a third of the way down from the top of the frame. Pale light blue sky fills the upper two-thirds, deepening only slightly toward the zenith, and a low bank of round cumulus clouds stands in the distance to the left, their flat undersides shaded a soft grey-lavender while their sunlit crowns glow warm off-white; the clouds thin to nothing on the right so the sky there is bare pale blue. Beneath them the sea runs the full width of the frame, a calm surface of layered blue-greens — turquoise near the horizon shading to a deeper marine green in the near water — broken by thin white parallel lines of swell that steepen and crest into a single row of low breaking waves as they approach the beach. The waves fold over and dissolve into a ragged white foam line that curves gently across the lower right of the frame, following the beach's own sweep rather than running parallel to the frame edge. The sand in the foreground is fine and pale, dry and matte at the lower left, turning dark and glossy in a wet band where the last wave has withdrawn; that wet sand holds a soft inverted reflection of the sky, dimmer and less saturated than the sky above it, and the shallow film of water lies in it in thin sheets that follow the sand's faint ripples. Scattered along the tideline, a few small dark pebbles and a curl of dry seaweed sit as the only objects on the whole strand, scaling the beach's emptiness. No people, no buildings, no boats, no signage anywhere — the stage is entirely open and unoccupied. Sunlight comes from high and behind the camera's left shoulder, so the cloud crowns are lit warm on their upper-left faces, the sea carries a broad shimmering highlight path toward the middle-left, and the foam throws small hard shadows onto the wet sand; nothing in the frame is lit from the front-right. The palette is disciplined: pale light blue for sky and wet-sand reflection, white and off-white for clouds and foam, a narrow band of turquoise-to-marine green for the water, and warm pale ochre for the dry sand, with nothing else admitted. The composition is deliberately clean and open, the horizon-level lines of sea and shore offering a plain uncluttered stage for a visual-novel scene, and the flat cel-shaded rendering keeps every surface crisp and readable. Serene, sunlit.
Meryl Hope
AI artwork
no humans, scenery, landscape, beach, tropical, sea, ocean, turquoise water, white sand, clear water, gentle waves, surf, seafoam, water caustics, sparkling water, sunbeam, sunlight, sparkling, lens flare, bright summer day, sunny, blue sky, cumulus, clouds on horizon, horizon, wide shot, establishing shot, from beach, anime background art, vibrant colors, saturated, high contrast, crisp highlights, A wide-angle establishing shot from the sloping beach, gazing across an open tropical ocean under radiant midday illumination. In the foreground, fine pale ivory sand slopes gently toward the water's edge, where a smooth, translucent sheet of incoming surf glides over the beach, fringed with a thin ribbon of crisp white seafoam that recedes to leave glossy, mirror-reflective damp sand. Through the crystal-clear shallow water, sharp luminous caustic networks project moving diamond patterns of refracted sunlight onto the submerged sand bed. The ocean deepens outward in smooth gradients from glowing aquamarine and vivid turquoise to deep azure swells, each gentle surface ripple catching the direct overhead zenith sun in brilliant, sparkling starburst highlights that shimmer across the water. A sharp, level horizon stretches across the lower third of the composition, where the deep blue sea meets an expansive cyan summer sky. Along the far horizon, several voluminous, billowy cumulus clouds rise with crisp, sculpted outlines, their upward-facing edges glowing with pure white solar rim light while their flat bases cast faint lavender undertones against the distant ocean. The scene is drenched in high-key, crystal-clear midday light with intense contrast, saturated tropical blues, and dazzling highlights. Radiant summer serenity.
user-2068684368122602097
AI artwork
mh
scenery, no humans, anime background, stage scenery, sea, beach, light blue sky, clear sky, cumulus clouds, horizon, waterline, shoreline, wave foam, wet sand reflections, distant clouds, otome game background, visual novel background, wide shot, low eye-level camera, one-point perspective, empty stage, from side A wide low eye-level view straight out across an empty stretch of shoreline, the horizon line a clean level cut a third of the way down from the top of the frame. Pale light blue sky fills the upper two-thirds, deepening only slightly toward the zenith, and a low bank of round cumulus clouds stands in the distance to the left, their flat undersides shaded a soft grey-lavender while their sunlit crowns glow warm off-white; the clouds thin to nothing on the right so the sky there is bare pale blue. Beneath them the sea runs the full width of the frame, a calm surface of layered blue-greens — turquoise near the horizon shading to a deeper marine green in the near water — broken by thin white parallel lines of swell that steepen and crest into a single row of low breaking waves as they approach the beach. The waves fold over and dissolve into a ragged white foam line that curves gently across the lower right of the frame, following the beach's own sweep rather than running parallel to the frame edge. The sand in the foreground is fine and pale, dry and matte at the lower left, turning dark and glossy in a wet band where the last wave has withdrawn; that wet sand holds a soft inverted reflection of the sky, dimmer and less saturated than the sky above it, and the shallow film of water lies in it in thin sheets that follow the sand's faint ripples. Scattered along the tideline, a few small dark pebbles and a curl of dry seaweed sit as the only objects on the whole strand, scaling the beach's emptiness. No people, no buildings, no boats, no signage anywhere — the stage is entirely open and unoccupied. Sunlight comes from high and behind the camera's left shoulder, so the cloud crowns are lit warm on their upper-left faces, the sea carries a broad shimmering highlight path toward the middle-left, and the foam throws small hard shadows onto the wet sand; nothing in the frame is lit from the front-right. The palette is disciplined: pale light blue for sky and wet-sand reflection, white and off-white for clouds and foam, a narrow band of turquoise-to-marine green for the water, and warm pale ochre for the dry sand, with nothing else admitted. The composition is deliberately clean and open, the horizon-level lines of sea and shore offering a plain uncluttered stage for a visual-novel scene, and the flat cel-shaded rendering keeps every surface crisp and readable. Serene, sunlit.
Meryl Hope

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#마법소녀 마도카☆마기카#카나메 마도카#마법소녀 마도카☆마기카
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