Paparkan Parameter
- Prompt Asal
- ,dandadan style, anime coloring, anime screenshot (( 1girl, momo ayase, short hair, brown hair, closed eyes, bangs, thick eyebrows, medium breasts, anime screencap,))(( 1boy, takakura ken (dandadan), black hair, black eyes, male round glasses, toned male, )), Emotional and deeply romantic post-battle scene from the anime Dandadan, set in a traditional Japanese-style bedroom (tatami flooring, shoji paper screens, simple wooden accents, low futon bed with white bedding) at night, large open sliding window or glass door in the background revealing a perfectly clear dark night sky filled with thousands of bright twinkling stars and visible constellations, soft silvery starlight and faint moonlight gently illuminating the room with cool blue-silver tones, creating a quiet, healing, and intimate atmosphere. Composition framed from just above the knees upward, centered on the characters on the bed with the starry window clearly visible behind them. Momo Ayase (beautiful teenage girl, exactly 160cm tall, long dark purple hair messy and tangled with strands sticking to her face from sweat and minor blood, sharp green eyes filled with overflowing tears that run in visible streaks down her cheeks, emotional expression blending pain, relief, and deep affection with slightly trembling lips) kneeling on the soft futon facing forward, straddling Ken 'Okarun' Takakura's lap in a tight intimate embrace. She is nude underneath but wearing only an oversized loose white men's button-up shirt heavily dirtied and stained with mud, dust, and multiple dark red bloodstains (both fresh and dried), small tears and rips in the fabric from fighting, top 4 buttons completely undone to naturally reveal subtle cleavage and collarbone area without being explicit, sleeves unevenly rolled or pushed up, shirt hem bunched and stained at upper thighs due to kneeling position. Her exposed skin shows realistic battle injuries: multiple purple-blue bruises of varying sizes on arms, neck, shoulders, and thighs, fresh cuts and abrasions with light blood smears and trickles, some scabs forming. Ken 'Okarun' Takakura (teenage boy, exactly 160cm tall, short messy black hair disheveled and matted with dirt and faint blood streaks, gentle yet exhausted features) kneeling on the bed beneath her, shirtless with his lean torso fully visible and covered in similar injuries: scattered bruises across chest, ribs, shoulders, and arms in realistic purple and yellowish tones, several scratches and shallow cuts with dried blood edges and minor fresh bleeding spots. He is wearing only fitted black pants that are heavily soiled with dirt patches, bloodstains, and small rips, fabric clinging slightly from sweat. Both characters' clothing and skin are authentically battle-worn: visible dirt smudges, blood splatters, and realistic wound details without excessive gore. They are sharing a deep, tender lip-to-lip kiss amidst Momo's tears, her hands gently cradling and cupping his face with fingers threaded into his hair, his arms wrapped securely and protectively around her waist and lower back pulling her close against him, bodies pressed together conveying comfort and love after hardship. Since both are 160cm, no exaggerated height difference, natural and equal kneeling posture. Three-quarter view from a slight side angle to clearly capture the profile of the kiss, emotional tears, detailed injuries and stained clothing, embrace, and the beautiful starry night sky window backdrop without obstruction. Highly detailed anime style by Science SARU, realistic fabric textures for dirt/blood stains and wear, accurate bruise and wound rendering with proper shading and coloring, soft starlight creating gentle highlights on skin and tears, emotional depth through expressions and body language, tasteful artistic composition focusing on romance, healing, and vulnerability, precise proportions, clothing states, and injury placements to prevent generation errors such as mismatched wounds, incorrect attire, extra clothing layers, or obscured background.
- Saiz
- 768 x 1280
- Langkah Pensampelan
- 11
- Kaedah Pensampelan
- Euler a
- Skala CFG
- 4
- Negatif
- score_6, score_5, score_4, source_cartoon, 3d, (censor, low quality, worst quality, normal quality, error, bad, blurry, lowres:1.2), (disfigured, bad anatomy, bad proportions:1.2), (bad fingers, extra fingers, fewer fingers, fused fingers, bad hand, bad arms, fused arms, fused hands, bad feet:1.2), (bad feet, fused legs, bad legs:1.2), (signature, username, (watermark, jpeg artifacts:1.2) (,deformed face, bad eyes, deformed eyes, bad face:1.2) light, illumination
Pembaikan Muka
Model & LoRA yang digunakan
Imej Serupa
Papar lagiPengguna Disyorkan
Anda Mungkin Suka
yoimiya!
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
Mine / ็งใฎใใฎ
ใฟใผใกใใ
โฆ โ โน ๐
(mai)
โโโฆโ๐๐๐! ๐๐จ๐ฎ ๐ฐ๐๐ง๐ง๐ ๐๐จ๐ฆ๐ ๐ข๐ง?โฌฉโคโ
๐๐ข๐๐๐โ็งๅณ ้ฌผ็ซ~๐ป
the queen
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
the lancer
แฏแฏ ๐๐ค๐๐ค๐๐ก๐ช๐๐๐
๐ตSurtur
helanx
ใใทใฅ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
์์
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์๋ญ์ง ์๋์ ๋ค์ ๋ถ๊ณ๋ง๋ฌ
๐ง๐
Janet reno
เป๊ฑยท ๏พโผ๏ธ
็้ญ2(Raw Fish 2)
Gojo & Geto's Playful Selfie! โจ
Momo
The Empress of the Violet Abyss ๐๐
wisely
๐ป ๐ฌ ๐
(mai)
โโบโโ๐ช๐ฏ๏ธโโบโโ
(mai)
(โ -โ _โ -โ )โ ๐ฌโก๏ธ
(mai)
(ใฃ.โ แด โ.)ใฃ๐ซง๐
(mai)
๐ฉ๏ธโ๐พ(โ โธโธโ แตโ แดโ แตโ โธโธโ )โ โณ๏ธ
(mai)
โ
(mai)
่่ฝฆ
ๆ็ฉบsky
1
โ โง ๐ ๐งฃ ๐ โง
(mai)
โ (โ *โ หโ ๏ธถโ หโ *โ )โ .โ ๏ฝกโ *โ โก ๐ โ
(mai)
Komen