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nattoukin

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nattoukin

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Komen

2girls, masterpiece, hospital setting, alice timefield (zenless zone zero), blonde hair, heterochromia (right eye: orange, left eye: yellow), white blouse, black tight miniskirt, white coat, stethoscope (worn on neck), sitting on black round chair, left hand extended, gentle smile, ukiha fuha (zenless zone zero), pink hair, red eyes, light pink mini nurse dress, nurse cap, holding syringe in right hand, standing slightly bent forward, mischievous smile, background: hospital examination room, desk with medical records, round chair, white examination bed, window with pale green curtains, lighting: room lights and sunlight from window, sparkling effect, detailed setting, ultra-detailed, beautiful illustration
Paparkan Parameter
Prompt Asal
童顔で可愛らしい2人の美少女のイラスト、右にゼンレスゾーンゼロのアリス・タイムフィールドを配置、左にゼンレスゾーンゼロの浮波柚葉を配置、右のアリス・タイムフィールドの服は白いブラウスに黒いミニのタイトスカートに白衣を羽織って聴診器を首に１つだけ装備している、左の浮波柚葉の服は淡いピンク色のミニのナース服とナースキャップで右手に注射器を１つだけ持っている、右のアリス・タイムフィールドのポーズは黒い丸椅子に座り左手をこちらに差し伸べてこちらを見つめている、左の浮波柚葉のポーズは立ち姿で少しだけ前屈みで右手の注射器を顔の横まで持ち上げる、右のアリス・タイムフィールドの表情は柔らかい微笑みを浮かべる、左の浮波柚葉の表情は悪戯っぽい笑顔を見せる、背景は病院の診察室で右に診察用の机があり机の上にカルテが置いてありその左側に黒い丸椅子がありこの丸椅子にアリスが座りその左は何もなくここに柚葉が立ち一番左に診察用の白いベッドが置いてあり奥には窓があり淡い黄緑色のカーテンが掛かっている、エフェクトは診察室のライトと窓からの日差しがアリス・タイムフィールドと浮波柚葉の2人を美しくキラキラと輝かせる、以上の内容を全て盛り込んだ病院の診察室の一幕を描いた医師のアリス・タイムフィールドとナースの浮波柚葉の2人の美しい美麗イラストを作成する、右のアリス・タイムフィールドは金髪で右目がオレンジ色で左目が黄色のアシンメトリー、左の浮波柚葉は赤髪で瞳は赤色、右はアリス・タイムフィールドで左は浮波柚葉とそれぞれをしっかりと住み分けて描く
Saiz
1152 x 896
Langkah Pensampelan
8
Kaedah Pensampelan
DDIM
Skala CFG
4
Negatif
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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