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犀川ちはや

Avatar image of 犀川ちはや

犀川ちはや

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Komen

1girl, ukiyo-e style, portrait, short white bob hair, soft bangs, slightly flipped ends, reddish calm eyes, thin eyebrows, small modest mouth, thoughtful expression, small cross earring, light indigo and beige kimono with cherry blossoms and floral/geometric patterns, elegant obi, composed posture, slightly turned face, downward gaze, fine smooth lines, muted Edo-period colors, minimal shading, blank washi-textured background with slight bleeding and print irregularities, vertical calligraphic cartouche 1boy, handsome, traditional japanese style, long black hair in high ponytail with red ribbon, loose strands, layered traditional chinese robes, black outer robe with red accents and intricate patterns, red inner layer, red sash, lean muscular build cyber_horror, cyberpunk, horror, cyborg, dark
Paparkan Parameter
Prompt Asal
浮世絵の美人画風、人物は一人、胸から上の構図。短い白髪のボブで柔らかな前髪、外はね気味の毛先。赤みのある穏やかな瞳、細い眉、小さく控えめな口元で静かに物思いにふける表情。片耳に細い十字架の下がる耳飾り。淡い藍と生成りを基調に、桜や草花・幾何学文様を繊細に配した上品な着物と帯。姿勢は落ち着き、顔はやや横向きで視線を落とす。線は細く滑らかで明確、色は江戸期らしい抑えた平坦色、陰影は最小限。背景は広い余白の和紙質感で、軽い滲みや摺りムラ、四隅に擦れ。端に縦書きの筆文字カルトゥーシュ風題字を配置。,男、イケメン、和,男、イケメン、和,Handsome young man,long black hair in a high ponytail with red ribbon,some strands loose. Wearing layered traditional Chinese robes: black outer robe with red accents and intricate patterns,over a red inner layer,secured with a red sash. Lean,muscular,cyber_horror,cyberpunk,horror,cyborg,dark,
Saiz
768 x 1280
Langkah Pensampelan
25
Kaedah Pensampelan
Euler a
Skala CFG
6
Negatif
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

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Papar lagi
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Avatar image of 茶しば
Rich and vivid colors, detailed hair, detailed fabric texture, intricate details, clean lineart, detailed illustration, glossy hair, detailed illustration, -2::simple illustration, cool lighting, pale colors Male, 20 years old, slender, beautiful, cute, black hair, bun tied at a low position, long hair, straight hair, straight hair, long bangs swept to the right, forehead is visible, black eyes with blue highlights, upturned eyes, half-closed eyes, wearing a loose red coat over a high-neck inner, expressionless Background is solid red
茶しば
AI artwork
Avatar image of Hi
delicate lineart, refined anime rendering, elegant facial features, expressive eyes, long defined eyelashes, detailed irises, soft gradients, smooth skin rendering, subtle blush, refined shading, luminous highlights, intricate details, a semi-realistic illustration characterized by a slightly rough, hand-drawn texture; soft, painterly rendering; hair drawn with meticulous attention to individual strands; and a color palette based on pale cool tones, soft grays, and low saturation., sharp facial features, slender jawline, narrow eyes, half-lidded sleepy eyes, long eyelashes, thin lips, pale skin, glossy hair, intricate lineart, soft shading, soft lighting, mature bishounen, alluring expression beauty, long sleek black hair reaching down to the lower back, loosely tied at a low position with a red cord, sharp upturned eyes with very long eyelashes, longest at the outer corners of the eyes, reddish at the outer corners, an extraordinarily beautiful man of graceful, fleeting, exquisite appearance, wearing a navy blue kimono with a black haori draped over it.
Hi

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
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