Spirit of Nature
zero
異形ヒト【金木犀】と猫
夕暮れ時 木の下に一匹の猫と異形ヒト【金木犀】がいた。 【金木犀】「キミモ、此処 キニイッタ？」 【猫】「…💤」 【金木犀】「……寝テル…。…カワイイ。」 猫が乗っていない方の手で撫でようとして止める。 【金木犀】「……。(…起コシタラ、カワ イソウ。ソットシテオコウ。)」 【猫】「……💤」 胡座の上にいる猫は変わらずスヤスヤと幸せそうに寝ている。 【金木犀】「…ボクモ..眠クナッテキタナ……。チョット ダケ 寝ルカ。」 夕暮れの木の下で 一人と一匹が眠っている。
Di PixAI, prompt bersifat awam secara lalai, tetapi pencipta boleh menyembunyikannya pada mana-mana karya yang mereka terbitkan. Pencipta karya ini memilih untuk berbuat demikian, jadi perkataan yang digunakan untuk menjana imej ini kekal peribadi dan hanya penciptanya sahaja yang boleh melihatnya. Menyembunyikan prompt tidak mengubah apa-apa yang lain: karya ini masih awam, dan anda masih boleh menyukai, mengulas dan berkongsinya seperti biasa.
Disembunyikan oleh penulis
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
Night Zenko Cat in Yukata
〒.,€●•.☆.♤※%◯~
Rino,smooth texture,matte skin,flat shading,fine texture,low contrast,soft focus,thick impasto,rough paint strokes,opaque colors,muted colors,semi-realistic,soft rendering,blurred lines,painterly rendering,soft texture, cinematic lighting, rembrandt lighting, Volumetric lighting, The lighting is harsh and directional, emphasizing texture and contrast., semi-realistic anime style, soft shading, painterly rendering, smooth skin, detailed face, defined muscles, Illustration, soft color palette, detailed clothing, beautiful eyes, clean lineart,
Rino, smooth texture, matte skin, fine texture, opaque colors, semi-realistic, painterly rendering, visible brushstrokes,
soft shading, smooth skin, detailed face,
soft semi-real rendering, smooth skin gradients, soft shadow transitions on the face,
cinematic lighting, volumetric lighting, god rays,
high quality, masterpiece,
upper body, three-quarter view, slightly high angle, resting at the foot of a colossal glowing tree, sitting with his head tilted back, eyes closed, sleeping peacefully, both hands relaxed in his lap,
his face completely bare and uncovered, nothing on his face, no mask on his face, both cheeks and both eyes fully visible, the cracked silver mask taken off and lying on the ground beside his hand, fracture lines still running across it, the mask separate from his face, not worn,
serene expression, completely at peace, a faint soft smile, no tension,
1man, male, solo, male focus, young adult man, slim build,
handsome face, pale skin, soft delicate features, eyes closed, long lashes, both sides of his face revealed for the first time,
light beige hair, voluminous short bangs covering the forehead, short soft hair, golden light glowing through the strands,
dark tattered noble robe, layered ragged cloth over fine silk, faded gold thread embroidery, the worn fabric warmed by the light,
an enormous mythical erdtree rising behind him, its colossal trunk made of pure white glowing light, luminous bark radiating like molten gold, the trunk impossibly wide and disappearing upward beyond the top of the frame, a vast canopy of blinding golden light filling the entire sky, the whole horizon glowing gold, radiant divine atmosphere, overwhelming scale, the man tiny at the base of the giant tree,
intense golden light pouring down from above, thick volumetric god rays, glowing motes of golden light drifting through the air like embers, a few luminous golden leaves settling on his shoulders,
warm amber and honey gold palette, the entire frame saturated with radiant gold light, glowing haze, everything beyond the tree dissolved into light,
vertical 3:4 composition
건강
A realistic graphite pencil sketch of a female elf in a vast forest at sunset, captured in a medium shot from a slightly low angle. The elf kneels on the forest floor, gently gathering flowers with both hands, her fingers delicately plucking petals. She has long flowing hair, pointed ears, and wears a voluminous flowing white dress with soft folds and drapery. A gentle maternal smile graces her face, her eyes half-closed in quiet contentment. Tall ancient trees with gnarled trunks and dense foliage surround her, their leaves catching the warm golden-orange light of the setting sun. Shafts of light filter through the canopy, illuminating the forest floor covered in moss and scattered leaves. The scene is rendered in monochrome pencil with rough lineart, visible hatching shading, and an unfinished sketchbook style, emphasizing texture and soft transitions of light and shadow.
Obito Dark
