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Paparkan Parameter
- Prompt Asal
- 人物：ウサギ耳の10才の女の子、パステルカラーの和服を着ている。正方形の形をした側面に丸く穴の空いた台座に、ごく小さく丸められた団子が4段積みで山の形に並べられていて、女の子はその台座に乗せられた団子を抱え、目の前にある大きな平たい石の上へと運ぼうとしています。その姿は早くお月見をしたくてそわそわしている表情です。 背景と構図：背の低い草が生い茂る草原。女の子の目の前には座ることの出来る程の背の低く平べったい大きな石があります。空は雲が少ない夜空で、天空には丸く大きな満月が浮かんでいます。周囲の背景は雑多にならない様綺麗にぼかして下さい。
- Mod
- lite
- Saiz
- 768 x 1280
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
中秋の名月
よろず屋
anime-style, a super-deformed, chibi-style Japanese girl with a [big head]++ and a [rounded proportion]++ is sitting on the ground with her legs stretched out. She has shiny, silver, very long, wavy hair that is dip-dyed light pink, deep red almond-shaped eyes, and a single ahoge on her head. She wears a traditional red hakama and has two long, white rabbit ears. The girl is eating, holding tsukimi dango to her mouth, with puffy cheeks. The scene is set during a full moon in a night sky, with an autumn atmosphere. The background features a tsukimi scene with the moon and night sky, and the style of the image is highly detailed, with a focus on a cute, deformed aesthetic and a serene, autumnal mood. The quality of the illustration is [incredibles quality] and [ultra detailed illustration], with [highly detailed beautiful texture] and [perfect beautiful realistic] rendering. The image is an [amazing,masterpiece]++, with [high resolution] and a focus on the character's slim body and narrow waist.
Ilice Kawai
中秋の名月
よろず屋
ぉだんご
価値観の古い人
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).｡*♡ 🍁 ☕
(mai)
Komen