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Game night
Paparkan Parameter
- Prompt Asal
- Usa37107692, usa style, rough line work,(cartoon style:1.5), player black outline,NetarDado style, 2 girls, furred girls, cat girls, Spotted white fur, striped orange fur, drink cans,Bag of potato chips, game console, dark room, playing video games, excited, angry,
- Saiz
- 1280 x 768
- Langkah Pensampelan
- 20
- Kaedah Pensampelan
- Euler a
- Skala CFG
- 4.5
- Negatif
- human, multiple tails, modern, recent, old, oldest, graphic, cartoon, text, painting, crayon, graphite, abstract, glitch, deformed, mutated, ugly, disfigured, long body, lowres, bad anatomy, bad hands, missing fingers, extra digits, fewer digits, cropped, very displeasing, (worst quality, bad quality:1.2), sketch, jpeg artifacts, signature, watermark, username, simple background, conjoined, bad ai-generated
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
Game Night
Mccarthy
Game Night
Mccarthy
am
artist: zinfyu
masterpiece, best quality, amazing quality, full body, detailed background, cute clean furry digital art, soft cel shading, gentle painterly rendering, conjoined, two heads, taur, big lower body, furry, anthro, single shared body, two slender humanoid torsos side by side, one feminine head, one masculine head, soft oversized shirts, comfortable shorts, big plush taur lower body, curled on a large rug, fluffy tail wrapped around the legs, cream-and-brown fur, darker markings, feminine head giggling, holding a video game controller, masculine head leaning over, watching a screen with interest, cozy living room indoors, warm lamp light, sofa, bookshelves, houseplants, large window with evening city glow, relaxed homely mood, one subject, from side, profile, low angle, three-quarter view, sitting, curled up, leaning forward, head tilt, open mouth, :d, one eye closed, ^ ^, blush, smile, looking at object, holding controller, game controller, tv screen, rug, wooden floor, tail around legs, fluffy tail, fur markings, oversized shirt, shorts, evening, lamplight, warm colors
A low three-quarter side view, slightly from below, of a single conjoined two-headed anthro taur resting curled on a large woven rug in the middle of a cozy living room, full body in frame head to tail tip. The shared body is one continuous mass: two slender humanoid torsos rise side by side from a single broad, plush taur lower body that folds down onto the rug, front legs tucked under, hindquarters settled to the right, the whole weight sunk into the pile of the rug so the fabric dimples under the belly and haunches. The feminine torso on the left is caught mid-laugh, shoulders lifted, one hand gripping a small game controller in both palms at chest height, thumbs on the sticks, elbows tucked in; her oversized shirt bunches at the shoulder seam where the two torsos share the join at the waist, one sleeve slipping down over her wrist. The masculine torso on the right leans over toward her and toward the off-screen screen, chin forward, neck extended so the join at the shared waist stretches, one forearm braced on the rug and the other hand flat on his own knee; his oversized shirt hangs loose and open at the collar, comfortable shorts on both torsos wrinkling at the hips where the humanoid halves merge into the furred lower body. Fur is cream-and-brown, cream on the face, chest and belly, warm brown along the back, shoulders and the taur haunches, with darker chocolate markings banding the forelegs, striping the spine and tipping the ears; the big fluffy tail sweeps around from behind the hindquarters, curls forward over the rug and wraps once across the tucked forelegs, the tail tip resting over one paw. The feminine head is tilted back with a wide open-mouthed giggle, eyes squeezed to happy crescents, cheeks flushed; her gaze flicks to the screen. The masculine head is turned in profile toward the same off-screen screen, ears pricked forward, one brow lifted, mouth slightly open with interest, eyes fixed on the glow. Warm lamplight falls from a table lamp on the left, striking the left side of the feminine torso, her shirt shoulder, the cream of the male's cheek and the top of the tail, leaving the undersides of the taur belly and the far haunches in deep soft shadow; the only other light is the cool blue spill of the screen reflecting faintly on the male's chin and the fronts of both shirts. Behind them a deep sofa with cushions, floor-to-ceiling bookshelves packed with spines, several houseplants with broad leaves, and a large window showing an evening city glow of amber windows and violet sky, the window glass faintly reflecting the lamp. Palette of warm honey lamplight, cream and chocolate fur, muted sage plants, and dusk blue-violet in the window glass. Soft cel-shaded furry digital painting with clean edges and gentle painterly blending in the background. Warm, relaxed, homely.
Adam Mozdzierz
Soccer season
Shadow_J
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).｡*♡ 🍁 ☕
(mai)
Komen