超高校級の○○×_÷
「いつだって“希望”は、弱者の側から生まれるものなんだ。」
Di PixAI, prompt bersifat awam secara lalai, tetapi pencipta boleh menyembunyikannya pada mana-mana karya yang mereka terbitkan. Pencipta karya ini memilih untuk berbuat demikian, jadi perkataan yang digunakan untuk menjana imej ini kekal peribadi dan hanya penciptanya sahaja yang boleh melihatnya. Menyembunyikan prompt tidak mengubah apa-apa yang lain: karya ini masih awam, dan anda masih boleh menyukai, mengulas dan berkongsinya seperti biasa.
Disembunyikan oleh penulis
Pembantu Prompt
Model & LoRA yang digunakan
Imej Serupa
Papar lagi
希望。
Astel
Chiaki Nanami's Gamer Dream!
honeylemon77
character: nanami_chiaki, monokuma, copyright: danganronpa_2:_goodbye_despair, danganronpa_(series)
, , character: nanami_chiaki, copyright: danganronpa_2:_goodbye_despair, 1girl, solo, full body, from above, tilt-shift, depth of field, (inside claw machine:1.3), crane game, trapped, trapped in glass, prize, girl as prize, (hands on glass:1.2), palms on glass, against glass, open palm, spread fingers, both hands up, squatting, crouching, one knee up, knee raised, sitting on plushies, pink hair, salmon pink hair, medium hair, blunt bangs, pink eyes, parted lips, blank expression, surprised, looking at viewer, black hood, hood up, cat hood, animal hood, hooded jacket, black jacket, dark gray hoodie, pink ribbon, neck ribbon, white skirt, pleated skirt, black thighhighs, stuffed toy, plushies, pile of plushies, monokuma plush, monokuma, chibi plush, character plush, rows of plushies, prize shelves, capsule balls, colorful balls, crane claw, claw, prize chute, clear acrylic box, arcade, arcade cabinet, red cabinet, marquee, logo, text: "GOODBYE DESPAIR", text: "Danganronpa 2", text: "PRIZE OUT", text: "01:07", digital timer, blue lcd display, joystick, red ball-top joystick, coin buttons, glass reflection, glare streaks, reflective glass, faded colors, pink-red palette, retro filter, soft blur, film grain, lonely, melancholy,
A red arcade claw machine seen from slightly above, the camera tilted down onto its control panel with tilt-shift blur softening the top and bottom edges and the gray tiled wall to either side. Inside the glass case, in place of a prize, a single girl crouches on a heap of plush toys and small pastel capsule balls: her right knee lifts up close to the front glass, her left leg folds beneath her, black thighhighs disappearing into the pile so the plush heap hides her feet. Both hands press flat against the inside of the front glass — her right palm open wide with all five fingers spread at the left of the case, her left hand pressed higher against the glass at the right edge — as if trying to push out. Her salmon-pink hair falls to her jaw in blunt bangs under a black hood with small cat-ear points pulled up over her head; her pink eyes stare out at the viewer with lips slightly parted in a blank, startled look. She wears a dark gray hooded jacket over a white shirt with a pink neck ribbon and a white pleated skirt, a black-and-white Monokuma plush wedged against her side. Behind her the case is stocked like any crane game: two shelves lined with rows of small chibi plushies that share her pink hair, several half-white half-black bear plush heads, a brown-haired chibi plush near the clear acrylic prize chute at bottom left, and the metal claw hanging from its cable at the top left corner. The cabinet's marquee above reads 「Danganronpa 2」 in large stylized logo lettering with 「GOODBYE DESPAIR」 smaller beneath it, cut off by the top edge; the red front panel below carries two coin buttons, a small blue LCD timer reading 「01:07」, a red ball-top joystick on the right, and the words 「PRIZE OUT」 printed faintly near the bottom, all worn and scuffed. Pale diagonal glare streaks run across the glass, lying on the glass surface in front of her rather than inside the case, and the interior glows pink under the machine's own light while the room outside stays dim gray. The whole image sits in a faded pink-red palette with a retro filter, soft blur and fine grain. Lonely, melancholy,
Mizuki
冷凍金槍魚
Terokai lebih banyak
Pengguna Disyorkan
Anda Mungkin Suka
yoimiya!
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Mine / 私のもの
みーちゃん
✦ ₊ ⊹ 🌑
(mai)
❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
the lancer
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🎵Surtur
helanx
マシュ
Atlas
Sakura Chiyono O: A Springtime Portrait
AfterThoughts
Love live! School idol maid - Hanayo koizumi
AMnatsu
음안
character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
🍧💙
Janet reno
໒꒱· ﾟ◼️
生魚2(Raw Fish 2)
Gojo & Geto's Playful Selfie! ✨
Momo
The Empress of the Violet Abyss 👑💜
wisely
👻 💬 📂
(mai)
⋆⁺₊⋆🪞🕯️⋆⁺₊⋆
(mai)
(-_-)🚬⚡︎
(mai)
(っ.❛ ᴗ ❛.)っ🫧🐟
(mai)
🌩️🐾(⸝⸝ᵕᴗᵕ⸝⸝)⛳️
(mai)
❓
(mai)
耍车
星空sky
1
✧ 🍁 🧣 🍂 ✧
(mai)
(*˘︶˘*).｡*♡ 🍁 ☕
(mai)
Komen