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AI art "絵コンテテンプレ試作品" featuring #Blue Archive and #Iori Shiromi
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絵コンテテンプレ試作品

動かすのが難しいアクションで使うための絵コンテですが、作れちゃいますねー(*´ω｀*)♡ コマ割りを指定し、コマの中にやらせたいアクション内容を記載。立ち絵さえあれば、あとは自動で完成です。 絵柄の破綻が気になる場所などは個別にシーンイラストを用意して、はめ込みたいパネルを指定するだけですね(*ˊ˘ˋ*)｡♪:*°

#Blue Archive#Iori Shiromi
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Komen19

白い用紙の絵コンテ・テンプレートシートを真上から完全にフラットに俯瞰した構図。影やグラデーション、透視歪みのない均一な照明で、インクのみで印刷された2Dドキュメントとして描く。 ページ最上部には小さな見出し行「STORYBOARD — SCENE ___」があり、シーン内容を書き込む短い空欄下線が付いている。 その下に、縦長の「2列×4行」グリッドで、同じ標準サイズ・等間隔・均一な太さの細い黒枠線を持つ空の長方形パネルがちょうど8枚、隙間なく並ぶ。各パネルの内部は完全な白紙で、絵・人物・影は一切なし。パネル枠のすぐ内側、左上の位置に太く小さな黒い数字が1つだけ記されている。 数字は左上から右下へ行ごとに順序通りに配置される： 1行目 左="1" 右="2" 2行目 左="3" 右="4" 3行目 左="5" 右="6" 4行目 左="7" 右="8" 全体はモノクロ白黒、クリーンな技術線画、ミニマルなアニメスタジオ制作配置の雰囲気で、コピーして配布できる白紙フォームそのものとして描く。 monochrome, line art, simple background, white background, technical drawing, storyboard sheet, 2x4 grid, document, frame, minimalist, printed page, eight panels, flat top-down view, no shadow, no gradient 上記の用紙にブルーアーカイブのイオリでアクションシーンをカラーで絵コンテにする。 「STORYBOARD — SCENE IORI　GUN　ACTION」 パネル１：イオリが正面を指差しながらスナイパーライフルを肩に当てているシーン。 パネル２：走り出すイオリ。横からのアングル。 パネル３：壁を蹴って大きくジャンプするイオリ。 パネル４：逆光で空中でライフルを構えて発砲するイオリ。マズルショット。正面アングル。 パネル５：手を付きながら着地するイオリ。 パネル６：しっかりと足を踏みしめて発砲するイオリ。 パネル７：イオリの顔アップ。口を開けて決め顔。 パネル８：最後に正面に向かって発砲するイオリ。 デザインが破綻しないように丁寧に、健全な描写をすること。
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character: noa_(blue_archive) Anime Style, アニメスタイル, well-featured face, beautiful eyes, soft skin, soft breasts, anime style, soft colors, (soft details), (round details:1.5), (youthful appearance), (high resolution), (masterpiece), (high detail), looking at viewer, cute expression, high-quality cute, (anime:1.1), black outline, sharp focus, intense shadow, 生塩ノア, beautiful features, uniform, shooting range, practicing shooting while aiming at a target while looking through a gun scope
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#Blue Archive#Noa Ushio

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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