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AI art "一期一振 - さといもの日" featuring #Touken Ranbu and #Ichigo Hitofuri
Jana Secara Percuma

一期一振 - さといもの日

#Touken Ranbu#Ichigo Hitofuri
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みずは

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character: ichigo_hitofuri A square 1:1 autumn harvest scene on a taro field near the Hayade River in Gosen, Niigata, imagined as a peaceful personal moment amid the local satoimo season. Ichigo Hitofuri crouches beside an exposed cluster of Kinuotome taro, and his delighted reaction to the rich harvest is the emotional center. The camera is low beside the earth, looking diagonally toward him. Large heart-shaped taro leaves rise from a rooted clump in the near-left foreground, while Ichigo is a separate full-length figure on the right in the middle distance, about half the image height. His whole head and both boots remain visible; a sequence of soil ridges leads from the foreground leaves to the mound beside his knees. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, porcelain-pale cool-toned skin, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, refined Japanese male features, elegant delicate face, non-westernized facial proportions. He is crouched with his right boot planted forward and his left knee near the ground, his torso leaning toward the harvested taro at his own depth. His left palm supports the lower side of a small, freshly unearthed cluster where it rests partly on the low earth mound; the fingers of his right hand gently clear the crumbly soil around one round daughter corm. Both forearms run naturally from rolled cuffs to their respective contact points. He looks down at the revealed cluster, chin lifted just enough to leave the curve of his open, delighted smile visible. His head tips toward his working hands, his shoulders are loose, and the forward bend conveys unguarded pleasure rather than a rigid inspection. He wears a muted wheat-colored cotton work shirt beneath a dark slate-blue canvas apron. The shirt has a short standing collar with a narrow two-button placket, closed at the chest and open only at the throat. Both sleeves are rolled twice to expose his forearms, with compressed folds above the elbows. The apron has a broad continuous front panel from the natural waist to the upper thighs, secured by woven ties knotted at his left side; its hem bunches gently across the bent thigh. A small stitched utility pocket is set low on the apron rather than on his chest. Indigo straight-cut trousers gather behind the raised knee and tuck into soil-dulled charcoal rubber boots. The dry, softly wrinkled cotton contrasts with the coarser apron and the moist soil. The taro cluster beside him consists of a larger central corm and several attached, rounded smaller corms with brown fibrous, earth-coated skins and fine roots. The smaller tubers are roughly golf-ball to small-palm size beside his hands at the same distance, rather than enormous ornamental potatoes. A cut base of thick green leaf stalks rises from the crown; the underground corms and the stalk base form one connected plant. The leaf-bearing clump in the near-left foreground is a different plant still rooted in the soil. Its broad, drooping green leaves appear larger through proximity to the camera; he is touching only the cluster beside his knee, not the distant foreground leaves. Low earthen rows and a narrow walking ridge connect both plant groups across the frame. Farther back, a gentle riverside bank and the edge of cultivated green fields remain visible beneath a pale autumn sky, with no festival crowd required. Afternoon sunlight falls from the upper left across the taro leaves and catches the irregular soil on the corms. Light reflected from the pale earth softens his shaded face and apron folds. The foreground leaves cast coherent soft shadows on the ridges; the matte shirt, wet roots and dark boots each respond differently to the same light. The expanse of field and grounded harvest remain readable together. masterpiece, best quality, detailed environment,painterly,pastel texture,chalk texture,dry brush,visible brushstrokes,canvas texture,film grain,matte coloring,sketch lineart,soft edges,high-key lighting,blown-out highlights,bloom,backlighting,rim light,limited palette,muted colors,chromatic aberration,soft focus,depth of field,pixel-dithered gradients,dot-screen shading,painterly,sketch,rough sketch,expressive lineart,messy brush strokes,delicate rendering,soft shading,muted colors,airy atmosphere,subtle lighting,anime illustration
Paparkan Parameter
Prompt Asal
A square 1:1 autumn harvest scene on a taro field near the Hayade River in Gosen, Niigata, imagined as a peaceful personal moment amid the local satoimo season. Ichigo Hitofuri crouches beside an exposed cluster of Kinuotome taro, and his delighted reaction to the rich harvest is the emotional center. The camera is low beside the earth, looking diagonally toward him. Large heart-shaped taro leaves rise from a rooted clump in the near-left foreground, while Ichigo is a separate full-length figure on the right in the middle distance, about half the image height. His whole head and both boots remain visible; a sequence of soil ridges leads from the foreground leaves to the mound beside his knees. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, porcelain-pale cool-toned skin, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, refined Japanese male features, elegant delicate face, non-westernized facial proportions. He is crouched with his right boot planted forward and his left knee near the ground, his torso leaning toward the harvested taro at his own depth. His left palm supports the lower side of a small, freshly unearthed cluster where it rests partly on the low earth mound; the fingers of his right hand gently clear the crumbly soil around one round daughter corm. Both forearms run naturally from rolled cuffs to their respective contact points. He looks down at the revealed cluster, chin lifted just enough to leave the curve of his open, delighted smile visible. His head tips toward his working hands, his shoulders are loose, and the forward bend conveys unguarded pleasure rather than a rigid inspection. He wears a muted wheat-colored cotton work shirt beneath a dark slate-blue canvas apron. The shirt has a short standing collar with a narrow two-button placket, closed at the chest and open only at the throat. Both sleeves are rolled twice to expose his forearms, with compressed folds above the elbows. The apron has a broad continuous front panel from the natural waist to the upper thighs, secured by woven ties knotted at his left side; its hem bunches gently across the bent thigh. A small stitched utility pocket is set low on the apron rather than on his chest. Indigo straight-cut trousers gather behind the raised knee and tuck into soil-dulled charcoal rubber boots. The dry, softly wrinkled cotton contrasts with the coarser apron and the moist soil. The taro cluster beside him consists of a larger central corm and several attached, rounded smaller corms with brown fibrous, earth-coated skins and fine roots. The smaller tubers are roughly golf-ball to small-palm size beside his hands at the same distance, rather than enormous ornamental potatoes. A cut base of thick green leaf stalks rises from the crown; the underground corms and the stalk base form one connected plant. The leaf-bearing clump in the near-left foreground is a different plant still rooted in the soil. Its broad, drooping green leaves appear larger through proximity to the camera; he is touching only the cluster beside his knee, not the distant foreground leaves. Low earthen rows and a narrow walking ridge connect both plant groups across the frame. Farther back, a gentle riverside bank and the edge of cultivated green fields remain visible beneath a pale autumn sky, with no festival crowd required. Afternoon sunlight falls from the upper left across the taro leaves and catches the irregular soil on the corms. Light reflected from the pale earth softens his shaded face and apron folds. The foreground leaves cast coherent soft shadows on the ridges; the matte shirt, wet roots and dark boots each respond differently to the same light. The expanse of field and grounded harvest remain readable together. masterpiece, best quality, detailed environment,painterly,pastel texture,chalk texture,dry brush,visible brushstrokes,canvas texture,film grain,matte coloring,sketch lineart,soft edges,high-key lighting,blown-out highlights,bloom,backlighting,rim light,limited palette,muted colors,chromatic aberration,soft focus,depth of field,pixel-dithered gradients,dot-screen shading,painterly,sketch,rough sketch,expressive lineart,messy brush strokes,delicate rendering,soft shading,muted colors,airy atmosphere,subtle lighting,anime illustration,
Mod
pro
Gaya
Seasonal Glow
Tag Kualiti
﹝Arahan﹞
Saiz
992 x 992
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Gaya: Seasonal Glow
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