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AI art "一期一振 - てん菜・てん菜糖の日" featuring #Touken Ranbu and #Ichigo Hitofuri
Jana Secara Percuma

一期一振 - てん菜・てん菜糖の日

#Touken Ranbu#Ichigo Hitofuri
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みずは

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character: ichigo_hitofuri A square 1:1 three-quarter illustration of Ichigo Hitofuri crouching at the edge of a sugar-beet field during the autumn harvest in Hokkaido. The freshly lifted sugar beet resting in his hands is the visual entrance, with his delighted face clearly visible above it. The camera is slightly below his crouched face level, viewing him from the front-left. The crop extends from the top of his head to just below his bent knees. He occupies the right two thirds of the frame; the broad beet leaves spread across the lower-left area without covering his mouth or the root's shape. The root and both supporting hands are in the same middle-ground plane, rather than appearing as a gigantic vegetable in a nearer separate foreground. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, (golden outer iris:1.25). Both eyebrows lift with open surprise and the corners of his naturally parted mouth rise into an unguarded smile. His eyes stay directed toward the pale beet root supported just beneath his chest. His shoulders are relaxed, but the bent arms clearly bear the root's weight. He balances in a comfortable crouch, his left knee resting on packed earth and his right knee bent higher beside the furrow. The pleasure comes from finding a substantial autumn harvest in such an ordinary-looking root. A storm-blue cotton canvas field jacket sits over an oatmeal ribbed knit shirt. The jacket has a short standing collar with an olive inner facing; its upper snap at the throat is open, exposing the shirt's narrow crew neckline. The remaining center-front snaps are closed from the upper chest down to the jacket hem at the natural waist. The left and right front panels meet along that placket, with two square patch pockets sewn low on the jacket. Long sleeves end in narrow snap cuffs; the right cuff is folded back once to clear the wrist. A small patch of tan reinforcing cloth is stitched over one elbow. A dark woven trouser belt is visible only where the hem lifts at the crouched waist, and muted charcoal work trousers fold around the knees. The canvas has a dry, sturdy surface, distinct from the textured knit and the darker twill trousers. Diagonal creases gather at both bent elbows, with deeper compressed folds at the thighs. The sugar beet has one heavy off-white swollen storage root, rounded at the shoulders and tapering into a short fibrous tail. It measures roughly twelve centimeters across and eighteen centimeters long, slightly wider than his supporting palm and considerably smaller than his head. Fine brown soil remains in its surface creases. Its crown produces multiple long pale-green stalks and broad green leaves with obvious central veins, several edges curled by the cool season. His left palm cups the underside of the root and supports most of its weight. His right hand gathers the thick stalk bases immediately above the crown, holding the leafy top steady without making the leaves carry the entire root. His elbows and wrists connect visibly to both hands. The pale outer skin stays intact over the entire root. The loosened earth of the furrow lies directly beneath the held plant. A few separate sugar-beet plants remain rooted in orderly rows behind his left shoulder, their leaves at a natural field scale. One small harvest pile rests farther back on the same bare-soil margin, distinct from the single plant in his hands. Furrows continue toward a distant line of yellowing windbreak trees; a low farm shed sits at the far edge of the field. The rows and soil connect the foreground, his crouched position and the background, without placing an unreachable plant in his hands. Cool late-October daylight comes from the upper left through thin cloud, making the pale root and the aquamarine hair distinct against the green leaves. Warm light reflected from dry straw at the field margin fills the lower face and forearms. The soil retains its granular dark texture, the broad leaves show softer reflections and the cotton jacket catches a wide, muted highlight. Contact shadows sit between his supporting palm and the root, beneath the curled leaves and around his supporting knee. single coherent lighting setup. masterpiece, best quality, detailed illustration, dense layered colored pencil, selective visible pencil strokes, smooth skin rendering, textured hair and clothing, paper grain background, multicolor shading, clean art painting style, slightly flat color, fine flowing colored lineart, tapered expressive strokes, subtle line weight variation, compact face, short midface, short chin, elongated almond eyes, layered iris colors, layered opaque color planes, crisp angular shadows, selective soft transitions, matte skin, neutral natural skin tones, balanced white balance, restrained skin saturation, defined flowing hair clumps, broken ribbon highlights, ornate details, muted hues, vivid accents, cool reflected light
Paparkan Parameter
Prompt Asal
A square 1:1 three-quarter illustration of Ichigo Hitofuri crouching at the edge of a sugar-beet field during the autumn harvest in Hokkaido. The freshly lifted sugar beet resting in his hands is the visual entrance, with his delighted face clearly visible above it. The camera is slightly below his crouched face level, viewing him from the front-left. The crop extends from the top of his head to just below his bent knees. He occupies the right two thirds of the frame; the broad beet leaves spread across the lower-left area without covering his mouth or the root's shape. The root and both supporting hands are in the same middle-ground plane, rather than appearing as a gigantic vegetable in a nearer separate foreground. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, smooth even complexion, realistic adult male proportions, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, no square jaw, no broad cheekbones, almond-shaped eyes, horizontally elongated eye shape, medium-sized eyes, natural short eyelashes, restrained upper eyelashes, neat straight eyebrows, softly arched brows, straight narrow nose bridge, short-to-medium nose length, refined small nose tip, subtle nose projection, small mouth width, thin upper lip, slightly fuller lower lip, restrained lip volume, refined Japanese male features, elegant delicate face, non-westernized facial proportions, (golden outer iris:1.25). Both eyebrows lift with open surprise and the corners of his naturally parted mouth rise into an unguarded smile. His eyes stay directed toward the pale beet root supported just beneath his chest. His shoulders are relaxed, but the bent arms clearly bear the root's weight. He balances in a comfortable crouch, his left knee resting on packed earth and his right knee bent higher beside the furrow. The pleasure comes from finding a substantial autumn harvest in such an ordinary-looking root. A storm-blue cotton canvas field jacket sits over an oatmeal ribbed knit shirt. The jacket has a short standing collar with an olive inner facing; its upper snap at the throat is open, exposing the shirt's narrow crew neckline. The remaining center-front snaps are closed from the upper chest down to the jacket hem at the natural waist. The left and right front panels meet along that placket, with two square patch pockets sewn low on the jacket. Long sleeves end in narrow snap cuffs; the right cuff is folded back once to clear the wrist. A small patch of tan reinforcing cloth is stitched over one elbow. A dark woven trouser belt is visible only where the hem lifts at the crouched waist, and muted charcoal work trousers fold around the knees. The canvas has a dry, sturdy surface, distinct from the textured knit and the darker twill trousers. Diagonal creases gather at both bent elbows, with deeper compressed folds at the thighs. The sugar beet has one heavy off-white swollen storage root, rounded at the shoulders and tapering into a short fibrous tail. It measures roughly twelve centimeters across and eighteen centimeters long, slightly wider than his supporting palm and considerably smaller than his head. Fine brown soil remains in its surface creases. Its crown produces multiple long pale-green stalks and broad green leaves with obvious central veins, several edges curled by the cool season. His left palm cups the underside of the root and supports most of its weight. His right hand gathers the thick stalk bases immediately above the crown, holding the leafy top steady without making the leaves carry the entire root. His elbows and wrists connect visibly to both hands. The pale outer skin stays intact over the entire root. The loosened earth of the furrow lies directly beneath the held plant. A few separate sugar-beet plants remain rooted in orderly rows behind his left shoulder, their leaves at a natural field scale. One small harvest pile rests farther back on the same bare-soil margin, distinct from the single plant in his hands. Furrows continue toward a distant line of yellowing windbreak trees; a low farm shed sits at the far edge of the field. The rows and soil connect the foreground, his crouched position and the background, without placing an unreachable plant in his hands. Cool late-October daylight comes from the upper left through thin cloud, making the pale root and the aquamarine hair distinct against the green leaves. Warm light reflected from dry straw at the field margin fills the lower face and forearms. The soil retains its granular dark texture, the broad leaves show softer reflections and the cotton jacket catches a wide, muted highlight. Contact shadows sit between his supporting palm and the root, beneath the curled leaves and around his supporting knee. single coherent lighting setup. masterpiece, best quality, detailed illustration, dense layered colored pencil, selective visible pencil strokes, smooth skin rendering, textured hair and clothing, paper grain background, multicolor shading, clean art painting style, slightly flat color, fine flowing colored lineart, tapered expressive strokes, subtle line weight variation, compact face, short midface, short chin, elongated almond eyes, layered iris colors, layered opaque color planes, crisp angular shadows, selective soft transitions, matte skin, neutral natural skin tones, balanced white balance, restrained skin saturation, defined flowing hair clumps, broken ribbon highlights, ornate details, muted hues, vivid accents, cool reflected light
Mod
pro
Gaya
Chromatic Pencil
Tag Kualiti
﹝Arahan﹞
Saiz
992 x 992
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Gaya: Chromatic Pencil
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