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AI art "さぞんかの宿／大川栄策" featuring #Latar belakang ringkas, #Kulit, #Kelopak bunga, #Halaman kulit, #bunga, #Tiada manusia, #kamlia and #kaligrafi
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さぞんかの宿／大川栄策

大川栄策さんの名曲「さぞんかの宿」のジャケット画像です。情念が込められた歌声と、凛と咲く赤い椿の花の美しさに、いつも心が惹かれてしまいます。哀愁漂う世界観がとても素敵ですね。もし気に入っていただけたら、いいねやフォローをお願いします！

#Latar belakang ringkas#Kulit#Kelopak bunga#Halaman kulit#bunga#Tiada manusia#kamlia#kaligrafi
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齋藤哲夫

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Komen

song title card, enka record jacket design, design piece register, text focus, no characters, vertical composition, single centred typographic layout, flat printed surface, close-up of the printed artwork A graphic song-title card rendered as a vintage enka record-jacket front, seen perfectly flat and square to the viewer, filling the whole frame with no depicted scene, no figures and no background location -- the entire image is printed artwork on paper. The layout is a single vertical Japanese record sleeve: a deep midnight-indigo field washed with a faint baren-squeegee gradient toward the lower left, a single large camellia bloom with glossy dark-green leaves sitting in the upper third slightly left of centre, its petals a muted crimson with one petal fallen and resting on the imaginary sleeve edge below the flower, a thin gold hairline rule dividing the flower field from the lower text band. The text band is a pale, slightly warm off-white panel across the bottom 40% of the sleeve, its upper edge a clean horizontal gold line. Everything is lettering on that flat surface; no letter floats over the flower, and the flower never overlaps the text band. Top-left of the upper field, in a vertical column of bold mincho-style characters, large and dominant, reads "さざんかの宿／大川栄策", set in a deep sumi black with a subtle crimson shadow offset one millimetre down and right like a slightly misregistered second plate; the characters run top to bottom down the column, evenly spaced, the slash separating title from performer name and given the same weight. In the lower off-white band, three credit lines stack left-aligned with generous leading, each in a smaller regular mincho face and a soft charcoal grey, reading in order from top to bottom "作詞：吉岡治", "作曲：市川昭介", "編曲：竹村次郎"; the colons align into a clean vertical seam, the names sit right of it, and the last line carries slightly looser tracking so the three lines end flush. The printed surface shows real paper tooth: fine fibrous grain across the off-white band, a faint ink-squeegee streak in the indigo field where the roller passed, and the crimson of the petals sitting very slightly proud of the black outline where two plates met imperfectly -- a single-variable printing artifact, consistent everywhere across the sheet. Light is a soft even studio raking slightly from the upper left, so the paper's fibre catches faintly on the off-white band while the indigo field stays matte and deep; there is no cast shadow and no environment beyond the sheet. Palette holds to midnight indigo, crimson, dark leaf green and the warm off-white band with a thin gold rule, nothing else admitted. Quiet, nostalgic, printed-and-faded.
Paparkan Parameter
Prompt Asal
さざんかの宿／大川栄策， 作詞：吉岡治， 作曲：市川昭介， 編曲：竹村次郎，
Mod
pro
Tag Kualiti
﹝Arahan﹞
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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traditional Japanese emakimono painting, Japanese picture scroll illustration, classical Japanese narrative scroll art, ancient Japanese handscroll aesthetic, traditional Japanese ink and mineral pigment painting, flat perspective, side-scrolling composition, continuous horizontal scene, delicate ink outlines, hand-painted texture, aged washi paper texture, subtle paper fibers, muted traditional Japanese colors, vermillion, indigo, ochre, pale green, warm beige, elegant restrained coloring, a traditional Japanese town where humans and yokai coexist peacefully, humans and yokai living together in the same town, humans and supernatural creatures naturally interacting, ordinary daily life shared by humans and yokai, a lively but peaceful Japanese street, traditional wooden townhouses, machiya buildings, small shops, wooden storefronts, paper lanterns, noren curtains, stone-paved street, narrow town road, wooden bridges, small canal, traditional Japanese architecture, various yokai walking among humans, friendly oni, fox yokai, tanuki yokai, kappa, small animal-like yokai, humanoid supernatural beings, humans and yokai shopping together, a human shopkeeper serving a yokai customer, a fox yokai carrying a basket, an oni helping carry goods, children playing near small yokai, natural everyday interactions, peaceful coexistence, no conflict, no battle, subtle traditional Japanese clothing, kimono, yukata, happi coats, simple everyday Japanese garments, yokai wearing clothing suited to their appearance, distant mountains, traditional rooftops, soft clouds, a few birds in the sky, seasonal plants, small details of daily life, rich environmental storytelling, many small narrative details, wide horizontal composition, panoramic emakimono composition, long continuous scene, side view, balanced composition, detailed background, calm atmosphere, quietly magical atmosphere, masterpiece, best quality, ultra detailed, high quality
乙U

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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