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AI art "Matikanetannhauser"
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Matikanetannhauser

#Telinga haiwan#Figur#Payudara#perut terdedah#Belahan dada#ekor kuda#pusat#Latar belakang ringkas#hiasan rambut#pakaian alternatif#rambut coklat#rambut pelbagai warna#Klip rambut#Loose socks#Kogal#anting-anting#tali pinggang#Mulut terbuka#Kemeja#memandang penonton#barang kemas#1 perempuan#Seluruh badan#skirt biru#telinga kuda#payudara sederhana#Gyaru#Umamusume: Pretty Derby#gadis kuda#ekor kuda#American School Gyaru#Matikanetannhauser
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Mev

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Komen

character: matikanetannhauser_(umamusume), copyright: umamusume 1girl, solo, figure, action figure, ((pvc style)), ((pvc)), figure plate, ((full body)), curvy, large breasts, wide hips, animal ears, horse ears, horse girl, brown hair, multicolored hair, streaked hair, medium hair, long hair, ponytail, hair ornament, hairclip, blue bow, hair between eyes, ears through white hair, yellow eyes, ((gyaru)), school girl outfit, ((white blouse)), tied blouse, open blouse, bare navel, midriff peek, microskirt, pleated skirt, loose socks, bracelet, belt, ring on belt, fingernails, earrings, sweater tied around waist, squatting, hands on ground, looking at viewer, smile, tongue out, from above, dutch angle, foreshortening, Shot from above and slightly off-axis, tilted a few degrees into a dutch angle, looking down the length of a squatting figure who has been lifted straight out of her packaging and set down on her own display plate: ((full body)) in frame from the crown of her head to the soles of her loose socks, no cropping at either end. The figure plate is a slim glossy cream disc under her, its rim catching a small hard highlight, and her weight is genuinely on it -- both palms planted flat on the plate in front of her spread feet, fingers splayed and their painted tips gripping the surface, the plate's thin edge reading as a crisp ring around the contact. She is squatting low with knees dropped wide apart, hips sunk between her heels, so the wide hips and the large breasts both read plainly in the compressed perspective from above; the pleated microskirt fans over her thighs and stops well above the knee, its pleats holding as stiff sculpted folds. The white blouse -- modelled in PVC, not cloth -- is tied in a knot at the front hem so its open placket hangs in two rigid wings to the sides of her ribcage, exposing the bare navel and the strip of midriff above the skirt's waistband; a cream sweater with joined sleeves is knotted around her waist, its loose arms hanging on one side. The belt sits on the skirt with a metal ring hanging from its loop, and a slim bracelet circles one wrist; small molded earrings sit in both earlobes. Her torso is tipped down toward the lens so her face is the nearest thing in frame, chin lifted, yellow eyes dropped slightly to meet the viewer dead-on, ears pricked forward through the pale streak in her brown hair, the ponytail's streaked lengths swinging back and down behind her shoulder in a single stiff arc; her tongue pokes out of the corner of a wide open-mouthed smile, one smiling cheek squashed a little by the angle, and the blue bow and hairclip sit pinned in the hair above one ear. Rendering: the entire image reads as a photographed collectible -- skin, blouse, skirt, socks and hair all share a single smooth semi-gloss sheen, the specular highlights tight and slightly too clean, the sleeve openings and placket edges showing the faint thickness of molded plastic, and a thin seam line running up the outer thigh. Light: one soft key from the upper left, striking the tops of her shoulders, the crown of her head, the flat of the plate and the front of her thighs, so a narrow soft reflection slides along the belly and the collar, while the undersides of her breasts, the shadow beneath her chin and the dark cavity between her crouched legs hold a dense, product-photography darkness; a short soft cast shadow pools under the plate and under each hand. Ground: a seamless pale studio sweep with no horizon line, empty all the way back. Palette: cream and white against warm brown, with the blue bow and the yellow eyes as the only saturated notes. Bright, glossy, playfully leering.
Paparkan Parameter
Prompt Asal
figure, action figure, figure style, ((pvc style)), ((pvc)), figure plate, ((full body)), 1girl, solo, curvy, lage breasts, wide hips, matikanetannhauser (umamusume), animal ears, horse girl, horse ears, brown hair, hair ornament, hairclip, medium hair, ponytail, multicolored hair, streaked hair, long hair, bow, yellow eyes, ears through white hair, hair between eyes, blue bow, ((gyaru)),(tied blouse),(open blouse), wearing school girl,bare navel, (microskirt), pleated skirt, midriff peek, ((white blouse)), loose socks, bracelet, belt, ring on belt, fingernails, earrings, sweater tied around waist, looking at viewer, squatting, hands on ground, smile, looking at viewer, tongue out,
Mod
pro
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Pembantu Prompt

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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