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AI art "A heartwarming after-school scene"
Hasilkan Karya Seni BaruJana Secara PercumaJana Secara Percuma

A heartwarming after-school scene

3人だけの時間

Contest Entry
Kizuna☆Akari
#Vocaloid#seragam sekolah#VOICEROID#beberapa gadis#Bilik darjah#Una Otomachi#Tohoku Kiritan#Kizuna Akari
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coolleon

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Komen

Di PixAI, prompt bersifat awam secara lalai, tetapi pencipta boleh menyembunyikannya pada mana-mana karya yang mereka terbitkan. Pencipta karya ini memilih untuk berbuat demikian, jadi perkataan yang digunakan untuk menjana imej ini kekal peribadi dan hanya penciptanya sahaja yang boleh melihatnya. Menyembunyikan prompt tidak mengubah apa-apa yang lain: karya ini masih awam, dan anda masih boleh menyukai, mengulas dan berkongsinya seperti biasa.
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character: barbara_(genshin_impact), nilou_(genshin_impact), sangonomiya_kokomi, herta_(honkai:_star_rail), clara_(honkai:_star_rail), An illustration of a school classroom scene with five characters: first is Barbara, the deacon of the Church of Favonius in Mondstadt from Genshin Impact; second is Nilou, the dancer of Zubayr Theater in Sumeru from Genshin Impact; third is Sangonomiya Kokomi, the shrine maiden and divine envoy of Watatsumi Island in Inazuma from Genshin Impact; fourth is Herta's puppet, the administrator of the Space Station from Honkai: Star Rail; fifth is Clara from the Underworld of Belobog on Jarilo-VI from Honkai: Star Rail. All five are sitting in their seats during a class. All five characters' outfits are changed to sailor uniforms, with a white base and matching red collars and skirts. The illustration emphasizes the cuteness of the girls with sparkling effects.
nattoukin
AI artwork
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character: fischl_(genshin_impact), character: kamisato_ayaka, character: furina_(genshin_impact), An illustration of a school classroom scene featuring five characters: first is Fischl from Mondstadt in Genshin Impact, second is Kamisato Ayaka from the Yashiro Commission in Inazuma in Genshin Impact, third is Furina the Hydro Archon from Fontaine in Genshin Impact, fourth is Sparkle (Hanabi) the popular streamer from the Two-Phase Paradise in Honkai: Star Rail, and fifth is Yan Shun Guang (Ye Shun Guang) the disciple of Yunyue Mountain in Zenless Zone Zero. All five are sitting in their seats during a lesson. All five have their outfits changed to sailor uniforms, with a white base and unified red collars and skirts. An illustration of the girls' classroom scene with sparkling effects to emphasize cuteness.
nattoukin
AI artwork
Avatar image of nattoukin
character: fischl_(genshin_impact), character: kamisato_ayaka, character: furina_(genshin_impact), An illustration of a school classroom scene featuring five characters: first is Fischl from Mondstadt in Genshin Impact, second is Kamisato Ayaka from the Yashiro Commission in Inazuma in Genshin Impact, third is Furina the Hydro Archon from Fontaine in Genshin Impact, fourth is Sparkle (Hanabi) the popular streamer from the Two-Phase Paradise in Honkai: Star Rail, and fifth is Yan Shun Guang (Ye Shun Guang) the disciple of Yunyue Mountain in Zenless Zone Zero. All five are sitting in their seats during a lesson. All five have their outfits changed to sailor uniforms, with a white base and unified red collars and skirts. An illustration of the girls' classroom scene with sparkling effects to emphasize cuteness.
nattoukin

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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