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AI art "ヒシミラクル試作12" featuring #Raksasa Frankenstein, #Umamusume: Pretty Derby and #Hishi Miracle
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ヒシミラクル試作12

もうボルト持たせとこ　（それがボルトかどうかはさておき）

#Raksasa Frankenstein#Umamusume: Pretty Derby#Hishi Miracle
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わさトレ

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Komen

character: hishi_miracle_(umamusume). A high-angle, full body shot looking down at hishi_miracle_(umamusume) sitting on a tattered, decaying sofa in a ruined office laboratory. She has a vacant, feverish expression with her mouth slightly open. She is dressed as Frankenstein's monster, wearing a ragged white camisole and a light blue skirt that is hiked up to her upper thighs, with a torn white lab coat sliding off her shoulders. Her skin is glossy and pale, featuring stitched-on patches of bluish skin on her face, left arm, and right flank; iron hexagonal bolts are embedded in both temples. A large iron bolt is clamped onto her upper thigh, its head protruding from her skin. She is gently stroking the head of this bolt with the fingers of both hands. The background is a derelict room with broken furniture and windows showing a torrential rainstorm with flashes of lightning. The scene is lit by harsh, flickering lightning from the window, casting deep shadows and creating a chilling, horror-themed atmosphere with high-detail anime rendering.
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Prompt Asal
＃キャラクター：ヒシミラクル（ウマ娘）。 ＃表情：ぼんやりした、どこか熱っぽい表情。ぼんやりと口を開けている。 ＃衣装：フランケンシュタインの仮装。 -両方のこめかみに鉄製の六角ボルトが挿し込まれている。顔と左腕と右脇腹に青白い皮膚が縫い付けてある。 -服装は、ところどころ破れてボロボロな白いキャミソールと水色のスカート。肩の下まで引き下がっているぼろぼろの白衣。 ＃動作：ぼろぼろのソファに、座っている。 スカートが太腿の付け根まで捲れ上がっている。太腿の付け根で六角ボルト鉄製を挟んでおり、ボルトのヘッドの部分が太腿の付け根から飛び出している。 ヒシミラクルが両手の指で、太腿の付け根で挟んでいるボルトのヘッドを撫でている。 ＃場面：廃墟と化した研究所。元々オフィスだったと思われる廃部屋。窓の外は大雨・落雷。 ＃構図：ヒシミラクルを前方から、上から見下ろすアングルで撮影。光源は窓から差す落雷の光。 ＃スタイル：ハイクオリティなアニメ調イラスト。完璧な人体構造。緻密な描写。艶のある肌。ホラーな雰囲気。
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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