Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Notice: PixAI iOS App Temporarily Unavailable on the App Store — Dear PixAI users, The PixAI iOS app is currently unavailable for search and download on the App Store. We are actively w…

View details
AI artwork featuring #Blue Archive, #Hayase Yuuka and #Noa Ushio
Jana Secara Percuma

Hayase Yuuka, Noa Ushio

#Blue Archive#Hayase Yuuka#Noa Ushio
Avatar image of 句点むら寿司
avatar-frame

句点むら寿司

Lebih Banyak untuk Dilihat

Komen

character: noa_(blue_archive), yuuka_(blue_archive), copyright: blue_archive 1girl, solo, fused body, two girls fused into one body, right half purple long hair, left half white very long hair, pale bluish-white square noise covering the seam, pixelated seam, glitch seam, hollow expression, empty eyes, vacant stare, aiming gun, holding gun, gun in both hands, ruined town, desolate city, rubble, from below, dutch angle, cowboy shot, looking to the side, glowing seam, half-closed eyes, jacket, white shirt, blue necktie, long sleeves, skirt, gloves, pantyhose, long hair, white hair, purple hair, purple eyes, blue eyes A low, tilted dutch-angle cowboy shot looks up at a single fused body standing in the middle of a ruined town: the figure is one girl made of two halves, the right half with long vivid purple hair and one blue eye, the left half with very long white hair and one purple eye, both halves dressed alike in a white jacket, white shirt, blue necktie, long sleeves, skirt, with a glove on the right hand and a dark pantyhose-clad left leg. The two halves meet down the exact center of the torso and head, and that vertical seam is completely hidden under a band of pale bluish-white square noise — a blocky strip of glowing pixels that clings to the curved surface of the body, following the shape of the shoulders, the throat, and the crown of the head, brighter than the surrounding skin and casting no shadow. Both halves hold a single handgun together at chest height, the gloved right hand and the bare left hand clamped on the grip, the barrel angled up and out toward the side of the frame. The fused face wears a hollow, vacant expression: both eyes half-lidded and unfocused, gaze drifting off to the side away from the lens, lips slightly parted, no emotion in the brow. Tattered jacket hem and hair edges flap toward the camera as if a wind pushes from behind the figure. The background is a desolate ruined town: cracked asphalt, collapsed storefronts, broken concrete slabs and bent steel gritting out of the ground, distant dust-hazed buildings with boarded windows, an overcast sky of dull grey. Diffuse cold daylight from above and slightly behind the figure rims the hair and the gun with a thin pale edge, and the palest light in the whole image is the square-noise seam itself. Palette is muted grey city, ash, and dust, with the single brighter note being the bluish-white pixel band and the two girls' purple and white hair. Detail budget sits on the fused hands on the gun, the hollow face, and the pixel seam that reveals the fusion. Quiet dread.
Paparkan Parameter
Prompt Asal
二人の女の子の体が融合して一つになっている。右半身と左半身がくっついている。体のつなぎ目は、青白い四角のノイズで隠れている。うつろな表情を浮かべている。銃を構えている。背景は、荒廃した町。,yuuka (blue archive), noa (blue archive),
Mod
ultra
Gaya
Pastel Flat
Tag Kualiti
﹝Arahan﹞
Saiz
1104 x 1824
Kaedah Pensampelan
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Gaya: Pastel Flat
Pembantu Prompt

Model & LoRA yang digunakan

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.18k

Imej Serupa

Papar lagi
AI artwork
Avatar image of 句点むら寿司
character: noa_(blue_archive), yuuka_(blue_archive), copyright: blue_archive 1girl, solo, fused body, two girls fused into one body, right half purple long hair, left half white very long hair, pale bluish-white square noise covering the seam, pixelated seam, glitch seam, hollow expression, empty eyes, vacant stare, aiming gun, holding gun, gun in both hands, ruined town, desolate city, rubble, from below, dutch angle, cowboy shot, looking to the side, glowing seam, half-closed eyes, jacket, white shirt, blue necktie, long sleeves, skirt, gloves, pantyhose, long hair, white hair, purple hair, purple eyes, blue eyes A low, tilted dutch-angle cowboy shot looks up at a single fused body standing in the middle of a ruined town: the figure is one girl made of two halves, the right half with long vivid purple hair and one blue eye, the left half with very long white hair and one purple eye, both halves dressed alike in a white jacket, white shirt, blue necktie, long sleeves, skirt, with a glove on the right hand and a dark pantyhose-clad left leg. The two halves meet down the exact center of the torso and head, and that vertical seam is completely hidden under a band of pale bluish-white square noise — a blocky strip of glowing pixels that clings to the curved surface of the body, following the shape of the shoulders, the throat, and the crown of the head, brighter than the surrounding skin and casting no shadow. Both halves hold a single handgun together at chest height, the gloved right hand and the bare left hand clamped on the grip, the barrel angled up and out toward the side of the frame. The fused face wears a hollow, vacant expression: both eyes half-lidded and unfocused, gaze drifting off to the side away from the lens, lips slightly parted, no emotion in the brow. Tattered jacket hem and hair edges flap toward the camera as if a wind pushes from behind the figure. The background is a desolate ruined town: cracked asphalt, collapsed storefronts, broken concrete slabs and bent steel gritting out of the ground, distant dust-hazed buildings with boarded windows, an overcast sky of dull grey. Diffuse cold daylight from above and slightly behind the figure rims the hair and the gun with a thin pale edge, and the palest light in the whole image is the square-noise seam itself. Palette is muted grey city, ash, and dust, with the single brighter note being the bluish-white pixel band and the two girls' purple and white hair. Detail budget sits on the fused hands on the gun, the hollow face, and the pixel seam that reveals the fusion. Quiet dread.
句点むら寿司
#Blue Archive#Hayase Yuuka
AI artwork
Avatar image of 句点むら寿司
character: noa_(blue_archive), yuuka_(blue_archive), copyright: blue_archive 2girls, fused, conjoined, single body, one girl, right half-body and left half-body joined, glitch, digital glitch effect, pale blue square noise, rectangular noise blocks covering the seam, hollow eyes, empty expression, expressionless, vacant stare, holding gun, aiming gun, aiming to the side, both hands on weapon, ruined town, destroyed city, rubble, crumbling buildings, post-apocalyptic, from below, dutch angle, cowboy shot, long hair, purple hair, purple eyes, white hair, very long hair, grey hair, jacket, white shirt, necktie, blue necktie, pleated skirt, pantyhose, ominous, cold light The camera looks up at her from a low dutch angle, the horizon of the ruined town tilted so the collapsing shells of buildings lean over her from behind and the sky closes down at the top of the frame. She stands in the middle of a cracked street scattered with broken concrete, buckled rebar and gutted storefronts, one shared body made of two halves joined down the middle of the face, the chest and the hips: the right half bears a mass of long purple hair falling over a blue eye and a pale cheek, the left half bears very long white-grey hair sweeping past the shoulder, a purple eye, the bangs hanging heavier on that side; the two hairstyles meet and overlap at the centre of the skull. The seam between them — down the nose bridge, through the collar and the torso — is covered entirely by a band of pale bluish square noise blocks, flat pixel rectangles of differing sizes stacked along the join, an error in the image itself rather than on the skin, some of the squares hanging slightly proud of the body's edge and one or two displaced a hand's width to the side. Her face above the noise holds no expression at all: both eyes wide and unfocused, pupils fixed on nothing in the distance, mouth a slack straight line, brows level, eyelids motionless. She holds a long dark handgun in a two-handed grip, both forearms locked out toward the left edge of the frame, muzzle angled slightly up and off-frame, elbows braced and shoulders raised into the recoil that has not yet come; her weight is on the back foot, the front knee bent, torso twisted half a turn from the hips. Both eyes look past the front sight, past the frame, at something not in the picture. The right half's jacket sleeve and the left half's white jacket sleeve meet at the elbow pressed into the grip; the pleated skirt hangs in two different falls, trousers-smooth pantyhose on the left leg, bare shin on the right. Cold overcast daylight comes from a single high, veiled source behind the buildings, flattening the figure into a hard silhouette at the joined shoulder and dropping long soft shadows forward across the rubble; colour is drained — grey concrete, dull ochre dirt, and the only saturated thing in the frame is the pale cyan of the noise blocks. Dust hangs and does not settle. quiet dread
句点むら寿司
#Blue Archive#Hayase Yuuka#Noa Ushio
AI artwork
Avatar image of 句点むら寿司
character: noa_(blue_archive), yuuka_(blue_archive), copyright: blue_archive 2girls, fused, conjoined, single body, one girl, right half-body and left half-body joined, glitch, digital glitch effect, pale blue square noise, rectangular noise blocks covering the seam, hollow eyes, empty expression, expressionless, vacant stare, holding gun, aiming gun, aiming to the side, both hands on weapon, ruined town, destroyed city, rubble, crumbling buildings, post-apocalyptic, from below, dutch angle, cowboy shot, long hair, purple hair, purple eyes, white hair, very long hair, grey hair, jacket, white shirt, necktie, blue necktie, pleated skirt, pantyhose, ominous, cold light The camera looks up at her from a low dutch angle, the horizon of the ruined town tilted so the collapsing shells of buildings lean over her from behind and the sky closes down at the top of the frame. She stands in the middle of a cracked street scattered with broken concrete, buckled rebar and gutted storefronts, one shared body made of two halves joined down the middle of the face, the chest and the hips: the right half bears a mass of long purple hair falling over a blue eye and a pale cheek, the left half bears very long white-grey hair sweeping past the shoulder, a purple eye, the bangs hanging heavier on that side; the two hairstyles meet and overlap at the centre of the skull. The seam between them — down the nose bridge, through the collar and the torso — is covered entirely by a band of pale bluish square noise blocks, flat pixel rectangles of differing sizes stacked along the join, an error in the image itself rather than on the skin, some of the squares hanging slightly proud of the body's edge and one or two displaced a hand's width to the side. Her face above the noise holds no expression at all: both eyes wide and unfocused, pupils fixed on nothing in the distance, mouth a slack straight line, brows level, eyelids motionless. She holds a long dark handgun in a two-handed grip, both forearms locked out toward the left edge of the frame, muzzle angled slightly up and off-frame, elbows braced and shoulders raised into the recoil that has not yet come; her weight is on the back foot, the front knee bent, torso twisted half a turn from the hips. Both eyes look past the front sight, past the frame, at something not in the picture. The right half's jacket sleeve and the left half's white jacket sleeve meet at the elbow pressed into the grip; the pleated skirt hangs in two different falls, trousers-smooth pantyhose on the left leg, bare shin on the right. Cold overcast daylight comes from a single high, veiled source behind the buildings, flattening the figure into a hard silhouette at the joined shoulder and dropping long soft shadows forward across the rubble; colour is drained — grey concrete, dull ochre dirt, and the only saturated thing in the frame is the pale cyan of the noise blocks. Dust hangs and does not settle. quiet dread
句点むら寿司
#Blue Archive

Terokai lebih banyak

Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#Hatsune Miku: Colorful Stage!#Tsukasa Tenma
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
12#Kagamine Rin#Vocaloid#Lofi Dream
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#Attack on Titan#Mikasa Ackerman
Laman UtamaModelJanaProfil