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AI art "fan blade 2"
Jana Secara Percuma

fan blade 2

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Komen

character: blade_(marvel) 1boy, solo, dark-skinned male, black hair, short dreadlocks, red eyes, black ray-ban sunglasses, glowing red eyes visible through lenses, muscular, fit, bare pectorals, bare chest, black bulletproof vest, open vest, no shirt, black gloves, black belt, belt pouches, black baggy jeans, black boots, black tribal tattoos, neck tattoo, arm tattoos, holding sword, straight saber, black hilt, no handguard, right hand, standing, brave, nighttime, alleyway, from side, straight-on, full body, dutch angle avoided, dark alley lighting, rim light, A full-body straight-on eye-level shot from a slight side angle, camera level with his chest, facing him almost square but with his shoulders angled a quarter turn to his left, weight settled on his right leg with the left knee loosely bent and the left toe turned out — a stance that reads as planted and unbothered rather than theatrical. Both arms hang clear of the torso: his right hand, gloved in black leather that creases at the knuckles, wraps around the black hilt of the straight saber so the blade runs diagonally down and out past his right thigh, tip near the alley floor; the hilt continues past his fist into a plain unguarded juncture, no crossguard and no handguard, and the flat of the blade catches a thin rim of light along its upper edge. His left hand is loose, half-curled at his hip beside the belt pouches, thumb hooked into the strap of the nearest pouch. His head is turned slightly toward the camera, chin level, jaw set; behind the black Ray-Ban lenses two red glows sit clearly visible in the lens glass — one small hot point in each lens with a faint bleed around the rim, so the eyes read as burning through the sunglasses even though the eyes themselves are hidden. Expression: closed mouth, no smile, the faint downward crease between the brows of someone watching a threat he has already decided about; the red eye-glow does the acting. Bare brown chest and abdomen fill the gap of the open black bulletproof vest — the vest panels sit on his shoulders and hang open down the sternum, its fabric heavy and matte with a subtle stitched panel line; a broad pectoral and defined abdominal ridges are visible in the opening. Both forearms bare from wrist to shoulder carry black tribal tattoos — coiling, blade-like linework that runs them down to the wrist, with the densest cluster on the outer right forearm where the sword arm flexes. The back of his neck is turned enough toward the camera to show a black tribal tattoo band coming down from the nape and disappearing beneath the vest's collar. Black baggy jeans break over the tops of black boots, the denim loosely draped and hanging straight in a soft silhouette that contrasts the tight exposed torso; the boots are heavy-soled and laced, planted flat. Environment: a narrow nighttime alley, the camera placed so that the corridor recedes behind him — damp brick walls on both sides, a few shallow puddles in the cracked concrete under his boots, a fire escape or pipe line running up the left wall, and a pair of dim security lamps mounted high on opposite walls. The lamps are the only two light sources: a cooler one behind and above his left shoulder that rims his dreadlocks, the edge of his right shoulder, and the outer line of the blade, and a second warmer one above his right at a shallower angle that strikes the right side of his chest, the front of the vest, and the right cheekbone, leaving the center of his face and the inner chest in a soft shadow gradient. His long shadow falls forward across the concrete, cut at an angle by the near wall. In the puddles under him the reflection of his silhouette and the red glow of his glasses is darker and softer than the source, broken into ripples. Behind him the alley's depth goes to a wall of darkness with only an unreadable cluster of small distant signage as texture; nothing else is legible. Palette is deliberate and closed: black, brown skin, and red — black across the vest, gloves, belt, pouches, jeans, boots, tattoos and hilt; warm mid-brown in the exposed chest, arms and face; red confined to the two lens glows and their faint spill on the inner lens frames, with cool grey-blue only in the alley's shadow side. Mature anime style with glossy, high-finish rendering and soft lighting: skin blended with subtle warm gradients and polished highlights, controlled color harmony, smooth minimally visible brushwork, no flat cel banding. Mood: cool and quietly dangerous.
Paparkan Parameter
Prompt Asal
marvels Blade the daywalker, fit muscular brown skin boy, red eyes shining through black Ray-Ban sunglasses wearing a black bullet proof vest no shirt under the vest, wearing black gloves on both his hands, black belt with black pouches, wearing black baggy jeans, black boots, with black tribal tattoos down the back of his kneck and down his arms, holding his black handle straight saber sword with no handguard in his right hand, standing bravely, nighttime alleyway setting, camera facing straight level
Mod
pro
Gaya
Semi-Real
Tag Kualiti
﹝Arahan﹞
Saiz
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, no censored material
Gaya: Semi-Real
Pembantu Prompt

Model & LoRA yang digunakan

Imej Serupa

Papar lagi
AI artwork
s3
character: blade_(marvel) 1boy, solo, dark-skinned male, tall, fit, brown skin, short black dreadlocks, red eyes, glowing red eyes visible through black sunglasses, black Ray-Ban sunglasses, black tribal tattoos on back of neck, black tribal tattoos on both arms, bare chest, black zipped-up bulletproof vest, no shirt, black gloves, black belt, black pouches, black baggy jeans, black boots, holding sword, straight saber, black handle, no handguard, right hand holding sword, standing, brave, confident, nighttime, alleyway, outdoors, from front, eye-level, straight-on, full body, dutch angle absent, cinematic lighting, rim light, dark palette, red accent, mature anime style, glossy rendering, soft lighting, warm highlights, controlled color harmony, smooth brushwork A straight-on, eye-level frontal shot, camera dead level with the figure, framing him full-length from boots to dreadlocks with a sliver of brick visible above his head. He stands bravely at the center of a narrow nighttime alley: legs planted wide, weight settled evenly and slightly forward onto the balls of both boots, chin level, shoulders squared and pulled back so the black bulletproof vest sits cleanly on his torso. The vest is zipped fully up the front to the collar, its thick quilted panels catching light along their seams; at the open neck and between the vest's front edges across his chest the brown skin of his bare torso shows, no shirt fabric anywhere beneath. Both hands are gloved in black leather, fingers closed: his right hand grips the black handle of a long straight saber held at an easy downward angle beside his hip, the bare blade springing straight out of the handle with no handguard, no cross piece, nothing between grip and steel; his left hand hangs relaxed and slightly curled at his side, thumb hooked over the black belt where a row of black pouches rides. The black baggy jeans bunch and fold over the tops of heavy black boots, soles planted flat on wet asphalt. His head is turned a touch to his left, dreadlocks short and dense against his scalp, and behind the black Ray-Ban lenses two points of red glow burn steadily, the light bleeding faintly around the rim of each lens and laying a thin red sheen on the bridge of his nose. Black tribal tattoos curl down the back of his neck from the hairline, and the same black interlocking pattern runs in bold strokes down both bare arms from shoulder to wrist, broken only where the black glove cuffs close around them. Behind him the alley recedes: brick side walls close in on both flanks, a fire escape ladder cutting a diagonal above his left shoulder, a distant streetlamp throwing one warm pool of light across the far end of the passage while the near ground stays in cooler shadow. A single high lamp off-frame above and behind the camera rakes down his front, laying a crisp highlight along the top edge of the vest's zipper, the curve of each shoulder and the flat of the saber blade, and the blade's long reflection stretches and wavers in the puddle beneath his boots. Palette stays black, brown skin and cold wet greys, with red confined to his eyes and their faint glow. Steady, imposing, effortlessly cool.
sup3rmandc
AI artwork
s3
character: blade_(marvel) 1boy, solo, dark-skinned male, brown skin, muscular, fit, black hair, short dreadlocks, red eyes, glowing eyes, black ray-ban sunglasses, black gloves, black belt, black pouches, red long sleeve spandex muscle shirt, tight shirt, black bulletproof vest, zipped vest, black baggy jeans, black boots, black tribal tattoos, neck tattoo, arm tattoos, holding sword, saber, straight sword, sword without handguard, black handle, right hand, standing, standing bravely, serious, jitome, looking at viewer, nighttime, alleyway, dark, straight-on, eye-level, cowboy shot, dutch angle off, from front, ground level camera, Eye-level straight-on medium-wide shot, camera dead level on the subject's chest height, centered in the alley's narrow core. He stands square to the lens with weight settled on his back left leg, right hip pushed forward, shoulders squared and chin slightly down so the red glow behind the black lenses cuts straight at the viewer. His right arm hangs low off the hip, gloved fingers wrapped around a black cylindrical handle, the bare straight saber blade angling down and out toward the lower right of the frame, no guard where the blade meets the grip. His left hand is open at his side, fingers loose, thumb hooked lightly at the belt line beside a row of black pouches. The tight red spandex muscle shirt stretches over his chest under the black bulletproof vest, which sits zipped fully closed with its hard quilted front panel catching the light; the collar of the red shirt shows at his throat. Black tribal tattoos coil up his forearms from the glove cuffs and disappear under the sleeves, with the edges of the neck piece visible above the vest's collar at the nape. He is lean and built, jaw set, mouth flat, eyes narrowed and steady behind the glasses — only two small hot red points of reflection burning through the tinted lenses. The alley walls rise on both sides, damp brick, a bent downpipe on the left, a dumpster edge and stacked crates in the left midground, slick cracked asphalt under his boots with a shallow puddle reflecting the overhead light. One caged sodium lamp above and slightly behind his right shoulder is the only source: it throws a hard warm pool down the alley floor, rims the top of his dreadlocks, the vest's shoulder, and the flat of the saber blade in a hot line, while his face falls into cool shadow from the front and the deep alley behind him goes to near black. His boots cast long dark shadows toward the camera; the puddle holds a dimmer, softer, red-flecked reflection of his boots and the blade tip. Palette is black, deep red and warm sodium amber against cold blue-black shadow, nothing else admitted — red only in the shirt, the eye glow and their reflections. Glossy, high-finish rendering, soft blended skin gradients with warm highlights along the cheekbone and neck, smooth minimal brushwork, controlled color harmony. Cold, coiled, unimpressed menace.
sup3rmandc

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Anda Mungkin Suka

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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