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AI artwork featuring #Akane Kurokawa
Jana Secara Percuma

Akane Kurokawa

#Akane Kurokawa
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Komen

character: kurokawa_akane 1girl, 1orc, male orc, 2girls, no humans, long hair, bangs, swept bangs, black hair, blue hair, multicolored hair, gradient hair, heterochromia, blue eyes, green eyes, star-shaped pupils, enormous breasts, colossal earrings, colossal engagement ring, colossal bracelets, ornate dress, tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, sad, crying, tears, tears streaming down face, unhappy, arms at sides, arms down, orc holding her by the waist, hand on waist, grabbing from behind, from side, cowboy shot, profile, anime screencap, screencap, film grain, wide shot, A wide anime screencap shot in profile: a green-skinned, broad-shouldered, tusked orc stands to the right of frame, one thick arm wrapped firmly around the waist of a long-haired young woman from her left side, his hand planted flat at her side over the dress fabric, her body pulled slightly off balance toward him while her feet stay planted. She is seen in three-quarter profile, and her arms hang straight down along her sides, fingers limp and barely curling, knuckles brushing the glittering skirt. Her hair is long and falls in a smooth gradient from black at the crown through deep blue to a lighter blue at the tips, with straight bangs and a strand falling between her eyes; her eyes are mismatched — one blue, one green, both with star-shaped pupils — and they are wet, red-rimmed, and brimming, tears cutting bright tracks down her cheeks and off her chin, mouth drawn tight and downturned, jaw trembling, brows pinched upward in distress. Her enormous chest presses against the bodice of the dress, which is a ludicrous, overstuffed confection of pink and white satin: layered tiers of lace at the neckline and cuffs, cascading ruffles stacked on ruffles, knots of bows at the shoulder, the waist, and down the back, sequins and glitter fabric scattered across the skirt so the surface throws tiny hard sparks, and absurd ornamentation clustered over the bodice — beaded rosettes, dangling charms, ribbon medallions — all jammed together with no restraint. The skirt is enormous, ballooning out in a puffy mass that fills the lower half of frame, its hem pooling and crumpling against the floor. At her ears hang colossal earrings, heavy discs that drag her earlobes down; on her right hand a colossal engagement ring, its stone absurdly oversized and catching the light; around both wrists enormous bracelets, wide bands that hang loose and clatter against the dress. The orc's head is turned toward her, his expression a broad, satisfied, oblivious grin, tusks bared, while her gaze is cast down and away toward the lower left corner, unfocused, fixed on nothing, wet lashes lowered. Light comes strong and uniform from the upper left, as on a filmed set: it picks out the sequins in hard specular points, glints off the ring's stone and the giant earrings, and lays a soft shadow of the orc's arm across the front of her skirt. Background is a flat, indistinct, slightly washed-out interior wall in a cool neutral tone, out of focus, with no readable signage. Palette is dominated by the pink and white of the dress, offset by the orc's olive-green skin and the black-to-blue gradient of her hair. Her shoulders are hunched, her posture rigid and resisting without struggling, and the whole composition reads as a garish, deeply unhappy spectacle — tacky, miserable.
Paparkan Parameter
Prompt Asal
akane kurokawa, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair,enormous breasts, anime screencap,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,pink and white dress,sad,cry,tears,colossal engagement ring,colossal bracelets,1 orc,,la mujer no lo disfruta,la mujer tiene los brazos abajo,el orco lleva a la mujer agarrada de la cintura
Mod
pro
Tag Kualiti
﹝Arahan﹞
Saiz
1104 x 1824
Kaedah Pensampelan
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Pembantu Prompt

Model & LoRA yang digunakan

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.25k

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Papar lagi
AI artwork
al
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1boy, orc, female orc, monster girl, interspecies, wedding, forced marriage, eris_greyrat \(mushoku_tensei\), red hair, very long hair, long hair, ahoge, hair between eyes, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, sad, crying, tears, streaming tears, tear streaks, scary, angry, indignant, furious glare, gritted teeth, colossal earrings, colossal hoop earrings, colossal engagement ring, colossal bracelets, tiara, overly ornate dress, tacky dress, pink and white dress, too much lace, excessive ruffles, many bows, sequins, glitter fabric, ridiculous ornaments, huge skirt, puffy skirt, long skirt, oversized dress, wedding dress, from below, dutch angle, close-up, foreshortening, height difference, size difference, arm grabbing, grabbing wrist, pulling, looking at another, looking down, looking up, crying while angry, clenched fist, wide shot, dramatic lighting From a low dutch angle that tilts the whole world a few degrees off its axis, two figures fill the frame, the enormous pink-and-white wedding dress flooding the lower half of the composition while the orc looms over it from the left. The woman with the red hair stands off-balance, her weight thrown onto her back foot as the orc's thick green hand clamps around her wrist and drags her arm forward and up, the colossal engagement ring on that hand catching the light like a small stone. Her red eyes are wide and wet, tears cutting shining tracks down her cheeks, but her thick brows are drawn down hard and her teeth are bared in a furious, indignant glare aimed straight up at the orc's face — grief and rage locked in the same expression. The orc, a hulking grey-green brute with jutting tusks and small deep-set eyes, leans in from the upper left, its other hand raised as if to present or claim her, its gaze fixed down on her face with a greedy, proprietary stare. The dress is a catastrophe of excess: a pink and white gown so overdecorated it looks absurd, layered in excessive ruffles and too much lace, studded with sequins and glitter fabric that scatter hard little points of light, sprouting bows at every seam and waist and shoulder, hung with ridiculous ornaments and baubles, and finished with a colossal tiara perched in her long red hair and colossal earrings swinging at her ears. The skirt is so huge and puffy and long that it balloons out around her pregnant belly and spills across the floor, its hem pooling and dragging. The pregnancy is visibly present, the ornate fabric stretched taut over her rounded middle beneath the lace and bows. Lighting is harsh and theatrical from a single high source to the right, throwing the orc's shadow across the dress and making the tears and the sequins glint while the orc's face falls into deep shadow. The palette is clamped to the pink and white of the gown, the raw green of the orc, and the red of her hair and eyes. The mood is cruel and garish, a nightmare wedding.
Aizeth Lomardi
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
sg
character: kurokawa_akane 1girl, 2girls, kurokawa akane, long hair, bangs, blue eyes, green eyes, black hair, blue hair, multicolored hair, gradient hair, enormous breasts, rococo style, colossal earrings, colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, sad, colossal bracelets, tiara, blush, sighing, standing, facing viewer, slave collar, chain, ((1 female monster)), ugly female monster, kissing, height difference, yuri, monster girl, from below, close-up, dutch angle, profile, leaning forward, eyes closed, parted lips, hands clasped, arm support, long sleeves, gradient background to black Low dutch angle from just under waist height, tilted so the ornate skirt spills diagonally across the frame and the two figures tower into the upper corners. On the right stands the girl: long black hair melting into blue at the ends in a smooth vertical gradient, straight bangs to the brow, and under those bangs her eyes are mismatched — the right iris blue, the left green — both downcast and half-lidded, wet at the lower rim, cheeks heavily flushed. She stands square to the viewer, weight on her left leg, right knee slack, one hand pressed flat to her collarbone just above the slave collar's riveted metal band, and she is caught mid-sigh: shoulders dropped, ribcage fallen, mouth barely open, a small breath-cloud of cold air escaping. Her enormous chest strains the dress's boned bodice, the red and white silk of the front panel pulling taut while the lace at the neckline stands away from her skin. The dress is monumentally, absurdly overbuilt: tier on tier of white lace, ruffles stacked so thick they cast their own small shadows, bows crowding every seam until the shoulders and hip line are buried, sequins and glitter fabric scattered across the red and white panels so that each one catches the single light and throws a pinprick. Her skirt is enormously wide and long, an oversized bell of red and white that buckles outward under its own weight and pools in folds at the floor; the back of it will not fully clear the ceiling of the frame. A spiked tiara sits slightly crooked on her head. Nested in each ear is a disc of a colossal earring dragging the lobe down; a colossal engagement ring weighs her left hand toward the floor and colossal bracelets stack so thick up her right forearm that the sleeve is pushed back above them. A chain drops from the ring on the slave collar and goes taut, angling left, up into the other figure's grip. On the left, leaning down into the frame from above the girl's shoulder height, is the ((1 female monster)): a hulking, ugly female monster, head bigger than the girl's whole chest, mottled grey-green skin loose over a blunt brow, one eye set high, the other low, a squat flat nose and a wide undershot jaw with a couple of crooked tusks. She is ugly and unglamorous — coarse hair knotted at the nape, thick neck, no finery — and she leans so far forward that her mouth closes on the girl's mouth in a kiss: the girl's lips parted under the pressure, the monster's jaw clamped over them, one huge hand cupping the back of the girl's skull with four fingers buried in the black-blue hair. The monster's other fist holds the chain wrapped twice around the knuckles, chain links pulled into a hard straight line between the fist and the girl's throat. The monster's high-set eye is closed, the low-set one open and angled down at the girl's face. The girl does not lean in. Her spine stays upright, her head tipped back only as far as the monster's cupping hand forces it, and her freed right hand hangs limp at her side, fingers loose. Her gaze goes nowhere — lids shut except for a sliver, the blue and the green almost gone. Light: one hard, cold source from the upper left, just off-frame, striking the sequined panels and the tiara and leaving the monster's back and the lower folds of the skirt in spoiled shadow; the sequins make small hard specular points only on the planes facing that source, and the shadow side of the skirt drops to deep maroon and black. Palette confines itself to red, white, cold silver and the monster's grey-green against a near-black gradient backdrop. Everything in frame is fabric, jewel or skin in compression — the chain is the only straight line. Quiet, gaudy misery.
Shylpfiette greyrat
AI artwork
fl
character: eris_greyrat, copyright: mushoku_tensei 1girl, 1boy, interspecies, human female and male orc, red hair, very long red hair, long hair, ahoge, hair between eyes, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, sad, crying, tears, streaming tears, tear streaks, trembling lower lip, looking down, looking at object, tiara, colossal earrings, huge hoop earrings, colossal bracelets, colossal engagement ring, huge gemstone ring, overly ornate dress, tacky dress, overdecorated, too much lace, excessive ruffles, too many bows, ridiculous ornaments, glitter fabric, sequins, puffy sleeves, puffy skirt, huge skirt, long skirt, oversized dress, pink and white dress, pink and white palette, forced marriage, wedding ceremony, holding hands, ring finger, not resisting, limp hands, standing, chapel, altar, from below, dutch angle, close-up on hands, wide skirt filling lower frame, dim candlelight, oppressive atmosphere The view is a low, tilted angle looking up from near the floor of a small stone chapel: in the foreground the enormous pink-and-white skirt floods the lower third of the frame in swollen puffy tiers, so wide its hem drags out of the picture on both sides, and the camera sits almost at hem level so the fabric's glitter and sequins throw small hard sparks back at the lens. Above the skirt rises the pregnant woman with long red hair, an ahoge lifting from her crown and a strand falling between her heavy brows; a tiara sits pushed slightly crooked into the red hair, and colossal hoop earrings hang from both ears, so heavy they pull the lobes down, while colossal bracelets stack from wrist to forearm and clink against each other. Her hands are clasped inside a much larger green-grey hand: on her right ring finger a colossal engagement ring rides, its stone the size of a plum, tilted by the weight so it hangs toward the floor. She does not pull away; her wrists stay slack inside his grip, her arms hanging without tension, her shoulders dropped. Her face is turned down and to the side, eyes lowered to the ring on her own finger, lids heavy and wet, tears sliding in two clean lines down her cheeks and one drop caught on her jaw, her lower lip pushed out and trembling. The dress itself is a joke of excess: lace edging every tier, ruffles stacked on ruffles, bows knotted at the waist, both sleeves and every seam, ridiculous ornaments and sequin rosettes pinned at random, puffy sleeves ballooning at the shoulders. To her left and towering above her, the orc fills the right edge of frame from below: massive green-grey shoulders, a heavy jaw and one small tusk, his thick hand wrapped entirely around both of hers, his head bent toward her, his gaze fixed on her face. Behind them a narrow altar table with two guttering candles, and the candles are the only light source — warm low light from the right strikes the woman's wet cheek, the sequins and the great ring, while the orc's back and the far wall fall into absolute darkness. Candle flames stand still; the tears on her chin catch a single highlight. Pink, white, and dark green-grey stone, nothing else admitted. Quiet dread, ceremonial and oppressive.
Fitentia Lombardy
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
sg
character: kurokawa_akane 2girls, 1girl, 1man, tall man, ugly man, man from behind, man grabbing woman's shoulders, hands on another's shoulders, from behind, long hair, bangs, hair between eyes, swept bangs, black hair, blue hair, multicolored hair, gradient hair, two-tone hair, blue eyes, green eyes, heterochromia, star-shaped pupils, enormous breasts, rococo style, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, red and white dress, (((((la chica lleva un abrigo largo negro encima del vestido))))), ((((fur coat)))), fur trim, colossal earrings, colossal engagement ring, colossal bracelets, tiara, diamond collar, blush, sad, sighing, standing, woman standing, close-up, dutch angle, depth of field, Composed at a slight dutch angle in a medium close-up that crops the woman at mid-thigh, the frame is split between two depths: she faces the camera in the near plane while the man stands squarely behind her, his back to the lens so that only his broad shoulders, the back of his thick neck and the shaggy back of his head are visible, and his height carries his chin above the top of her tiara. He grips both of her shoulders from behind, one thick hand on each shoulder, fingers digging into the fur of her coat and the white lace beneath, thumbs pressed in above her collarbone; his bulk occludes the far wall entirely, and her long black fur coat bunches and rides up where his palms compress it, the black fur springing into tufts around his knuckles. Beyond them the environment is a bare, dim interior: a seamless deep-plum wall, a strip of parquet floor at the lowest edge of frame, nothing else admitted, the entire detail budget spent on the two figures and the costume. She is caught mid-sigh: chest lifted high on a slow inhale of the enormous bust, then shoulders dropping under his grip, lips parted on the exhaled breath, jaw slack, eyes half-lidded and cast down and to her left away from him and away from the lens, a wet gleam along the lower lid, brows drawn up at the inner ends. Deep blush sits high on both cheeks, warm and uneven. Her head is tilted slightly back and turned minutely over her left shoulder without meeting his hidden face. Her hands hang at her sides, the colossal engagement ring on her left ring finger dragging that hand down a little lower than the right, both colossal bracelets stacked heavy on her wrists, the diamond collar a band of cold white light at her throat above the endless lace of the neckline. Her hair falls long past the puffy shoulders of the dress, black at the crown and bleeding into deep blue at the ends in a smooth gradient, straight bangs squared across her forehead with a lock between her eyes; the tiara is pinned back among the bangs, its stones catching the light. Beneath the open black fur coat the dress is a catastrophe of ornament: red and white satin swollen into a huge puffy skirt that spreads to both edges of the frame, layer after layer of white lace in excessive cascades, ruffles stacked into ridiculous tiers, bows knotted everywhere a bow could be knotted, sequins and glitter fabric scattered across the red panels so that the whole costume throws back light in scattered points, and at the hem, absurd little ornaments dangle. Through the front of the dress enormous breasts push up and out, straining the ornate bodice and the lace trim across it, the fabric dimpling under the strain. Colossal earrings swing from both earlobes, heavy enough to pull the lobes down. Light comes from a single hard low-key source, high and to camera left: it rakes the woman's face and the glittered front of the dress, rims the fur coat in pale grey where the nap faces the light, and leaves the entire back of the man in silhouette so that his turned-away bulk is a dark shape with only the edges of his shoulders picked out; the shadow he casts falls across her left side and the wall behind her, and the undersides of the fur and the ruffles go deep black. The palette holds red, white, black fur, blue-black hair, and the plum wall, nothing else admitted. She does not pull away; his fingers stay clamped, and the two bodies read as heavy and still. Quietly miserable.
Shylpfiette greyrat

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
2#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
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