Sign up free, get 10,000 credits

Starter credits added when you sign up.

Sign up and create 8 images for free

Starter credits added when you sign up.

AI artwork featuring #PixAI Halloween 2026
Jana Secara Percuma

Tatsu Yuikane

Contest Entry
PixAI “Halloween Oddities Club” Special Contest - A Night at Higan Inn#PixAI Halloween 2026
ty

Tatsu Yuikane

Lebih Banyak untuk Dilihat

Komen

copyright: dragalia_lost 1girl, solo, victorian clothes, 17th century commoner clothes, apron, blood on clothes, blood on face, meat chunks in apron pocket, bone brush, holding brush, lectern, dock furnishing, bone furniture, blood on furniture, standing, kind innocent smile, closed mouth smile, soft eyes, looking at viewer, detailed face, full body, from above, wide shot, studio, seamless backdrop, dramatic spotlight, warm bone palette, grotesque still life, A single girl stands alone in a sealed, windowless photography studio, seen from a high, slightly wide angle that tilts down across the floor toward her. She stands just off-center, weight settled on her left leg with her right knee softened and her right foot turned a few degrees outward, hips canted, one shoulder dipped. A long bloodied apron hangs from her waist to her shins, its front pocket pulled heavy and sagging by the wet chunks of meat packed inside, one piece pushed up over the pocket lip. Her 17th-century commoner's clothes — a coarse wool bodice laced over a stained chemise, a plain linen coif tied at the back of her head with brown hair escaping in loose strands, rolled cuffs, a dark skirt — carry dark spatter dried in the weave of the sleeve, across the apron bib, and along the hem. Her face is smeared with drying blood: a streak from the brow to the cheekbone, a fleck at the jaw, and one small smear beside her mouth. She smiles a kind, innocent smile, lips together and corners softly lifted, eyes calm and warm, looking directly into the camera with no tension in the brow. Her right hand lifts the single bone brush to chest height, its carved handle pale and dry, the bristles dark and stiff with clotted red; her fingers wrap the shaft in a loose pinch, the brush tilted a few degrees off vertical. Her left hand rests flat on the slanted top of the lectern, fingertips spread, a faint tacky red print left on the bone surface. At her right side stands the lectern, built entirely from still-bloodied bones: long femurs as legs, ribs laid as a slanted reading top, a pelvic bone as the shelf, and fresh dark red still glossy at the joints. Behind and to her left sits the dock, a heavy witness box framed in stacked vertebrae and long bones, jawbones set as corner posts, a bone rail across its front, blood pooled dark and glossy in the cracks where the joints meet. The two pieces of furniture are angled so their planes meet and frame her between them, the lectern edge crossing in front of her right hip and the dock's rail running behind her left shoulder. The studio around her is a seamless curved backdrop of cold neutral paper, floor meeting wall in one unbroken sweep, the paper kept clean and pale while the blood, meat and bone hold all the red and cream in the image. A single hard overhead studio light with a tight reflector pours from directly above and slightly in front; it pools brightest on her coif, the tops of her shoulders, the lectern's reading top and the dock's rail, throws short hard shadows straight down beneath her feet and the furniture legs, and lets the edges of the frame fall into a deep clean shadow. The floor beneath the lectern carries one small dark droplet, still wet and catching a pinpoint highlight. Detailed face rendered with careful linework on the eyelids, lips and the blood smears, palette restricted to bone cream, warm brown, linen off-white and wet dark red, deep shadow at the edges. Quietly unsettling.
Paparkan Parameter
Prompt Asal
masterpiece, best quality, very aesthetic, absurdres, amazing quality, 1girl, victorian clothes, 17th century, commoner clothes, a girl in commoner victorian clothes with an apron, she stands in a studio with an Lectern and an Dock, the lectern and the dock are made made of still bloodied bones, her clothes and face are bloodied with chunks of meat in the apron, she has a single brush made with bone, she wears a kind innocent smile, detailed face, detailed Dragalia_Style, Raita style, gb_style,
Mod
pro
Saiz
1104 x 1824
Kaedah Pensampelan
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Pembantu Prompt

Model & LoRA yang digunakan

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.33k

Imej Serupa

Papar lagi
AI artwork
ty
copyright: dragalia_lost 1girl, solo, victorian clothes, 17th century commoner clothes, apron, blood on clothes, blood on face, meat chunks in apron pocket, bone brush, holding brush, lectern, dock furnishing, bone furniture, blood on furniture, standing, kind innocent smile, closed mouth smile, soft eyes, looking at viewer, detailed face, full body, from above, wide shot, studio, seamless backdrop, dramatic spotlight, warm bone palette, grotesque still life, A single girl stands alone in a sealed, windowless photography studio, seen from a high, slightly wide angle that tilts down across the floor toward her. She stands just off-center, weight settled on her left leg with her right knee softened and her right foot turned a few degrees outward, hips canted, one shoulder dipped. A long bloodied apron hangs from her waist to her shins, its front pocket pulled heavy and sagging by the wet chunks of meat packed inside, one piece pushed up over the pocket lip. Her 17th-century commoner's clothes — a coarse wool bodice laced over a stained chemise, a plain linen coif tied at the back of her head with brown hair escaping in loose strands, rolled cuffs, a dark skirt — carry dark spatter dried in the weave of the sleeve, across the apron bib, and along the hem. Her face is smeared with drying blood: a streak from the brow to the cheekbone, a fleck at the jaw, and one small smear beside her mouth. She smiles a kind, innocent smile, lips together and corners softly lifted, eyes calm and warm, looking directly into the camera with no tension in the brow. Her right hand lifts the single bone brush to chest height, its carved handle pale and dry, the bristles dark and stiff with clotted red; her fingers wrap the shaft in a loose pinch, the brush tilted a few degrees off vertical. Her left hand rests flat on the slanted top of the lectern, fingertips spread, a faint tacky red print left on the bone surface. At her right side stands the lectern, built entirely from still-bloodied bones: long femurs as legs, ribs laid as a slanted reading top, a pelvic bone as the shelf, and fresh dark red still glossy at the joints. Behind and to her left sits the dock, a heavy witness box framed in stacked vertebrae and long bones, jawbones set as corner posts, a bone rail across its front, blood pooled dark and glossy in the cracks where the joints meet. The two pieces of furniture are angled so their planes meet and frame her between them, the lectern edge crossing in front of her right hip and the dock's rail running behind her left shoulder. The studio around her is a seamless curved backdrop of cold neutral paper, floor meeting wall in one unbroken sweep, the paper kept clean and pale while the blood, meat and bone hold all the red and cream in the image. A single hard overhead studio light with a tight reflector pours from directly above and slightly in front; it pools brightest on her coif, the tops of her shoulders, the lectern's reading top and the dock's rail, throws short hard shadows straight down beneath her feet and the furniture legs, and lets the edges of the frame fall into a deep clean shadow. The floor beneath the lectern carries one small dark droplet, still wet and catching a pinpoint highlight. Detailed face rendered with careful linework on the eyelids, lips and the blood smears, palette restricted to bone cream, warm brown, linen off-white and wet dark red, deep shadow at the edges. Quietly unsettling.
Tatsu Yuikane
#PixAI Halloween 2026
AI artwork
ty
copyright: dragalia_lost 1girl, solo, victorian clothes, 17th century commoner clothes, apron, blood on clothes, blood on face, meat chunks in apron pocket, bone brush, holding brush, lectern, dock furnishing, bone furniture, blood on furniture, standing, kind innocent smile, closed mouth smile, soft eyes, looking at viewer, detailed face, full body, from above, wide shot, studio, seamless backdrop, dramatic spotlight, warm bone palette, grotesque still life, A single girl stands alone in a sealed, windowless photography studio, seen from a high, slightly wide angle that tilts down across the floor toward her. She stands just off-center, weight settled on her left leg with her right knee softened and her right foot turned a few degrees outward, hips canted, one shoulder dipped. A long bloodied apron hangs from her waist to her shins, its front pocket pulled heavy and sagging by the wet chunks of meat packed inside, one piece pushed up over the pocket lip. Her 17th-century commoner's clothes — a coarse wool bodice laced over a stained chemise, a plain linen coif tied at the back of her head with brown hair escaping in loose strands, rolled cuffs, a dark skirt — carry dark spatter dried in the weave of the sleeve, across the apron bib, and along the hem. Her face is smeared with drying blood: a streak from the brow to the cheekbone, a fleck at the jaw, and one small smear beside her mouth. She smiles a kind, innocent smile, lips together and corners softly lifted, eyes calm and warm, looking directly into the camera with no tension in the brow. Her right hand lifts the single bone brush to chest height, its carved handle pale and dry, the bristles dark and stiff with clotted red; her fingers wrap the shaft in a loose pinch, the brush tilted a few degrees off vertical. Her left hand rests flat on the slanted top of the lectern, fingertips spread, a faint tacky red print left on the bone surface. At her right side stands the lectern, built entirely from still-bloodied bones: long femurs as legs, ribs laid as a slanted reading top, a pelvic bone as the shelf, and fresh dark red still glossy at the joints. Behind and to her left sits the dock, a heavy witness box framed in stacked vertebrae and long bones, jawbones set as corner posts, a bone rail across its front, blood pooled dark and glossy in the cracks where the joints meet. The two pieces of furniture are angled so their planes meet and frame her between them, the lectern edge crossing in front of her right hip and the dock's rail running behind her left shoulder. The studio around her is a seamless curved backdrop of cold neutral paper, floor meeting wall in one unbroken sweep, the paper kept clean and pale while the blood, meat and bone hold all the red and cream in the image. A single hard overhead studio light with a tight reflector pours from directly above and slightly in front; it pools brightest on her coif, the tops of her shoulders, the lectern's reading top and the dock's rail, throws short hard shadows straight down beneath her feet and the furniture legs, and lets the edges of the frame fall into a deep clean shadow. The floor beneath the lectern carries one small dark droplet, still wet and catching a pinpoint highlight. Detailed face rendered with careful linework on the eyelids, lips and the blood smears, palette restricted to bone cream, warm brown, linen off-white and wet dark red, deep shadow at the edges. Quietly unsettling.
Tatsu Yuikane
#PixAI Halloween 2026
AI artwork
ty
copyright: dragalia_lost 1girl, solo, victorian clothes, 17th century commoner clothes, apron, blood on clothes, blood on face, meat chunks in apron pocket, bone brush, holding brush, lectern, dock furnishing, bone furniture, blood on furniture, standing, kind innocent smile, closed mouth smile, soft eyes, looking at viewer, detailed face, full body, from above, wide shot, studio, seamless backdrop, dramatic spotlight, warm bone palette, grotesque still life, A single girl stands alone in a sealed, windowless photography studio, seen from a high, slightly wide angle that tilts down across the floor toward her. She stands just off-center, weight settled on her left leg with her right knee softened and her right foot turned a few degrees outward, hips canted, one shoulder dipped. A long bloodied apron hangs from her waist to her shins, its front pocket pulled heavy and sagging by the wet chunks of meat packed inside, one piece pushed up over the pocket lip. Her 17th-century commoner's clothes — a coarse wool bodice laced over a stained chemise, a plain linen coif tied at the back of her head with brown hair escaping in loose strands, rolled cuffs, a dark skirt — carry dark spatter dried in the weave of the sleeve, across the apron bib, and along the hem. Her face is smeared with drying blood: a streak from the brow to the cheekbone, a fleck at the jaw, and one small smear beside her mouth. She smiles a kind, innocent smile, lips together and corners softly lifted, eyes calm and warm, looking directly into the camera with no tension in the brow. Her right hand lifts the single bone brush to chest height, its carved handle pale and dry, the bristles dark and stiff with clotted red; her fingers wrap the shaft in a loose pinch, the brush tilted a few degrees off vertical. Her left hand rests flat on the slanted top of the lectern, fingertips spread, a faint tacky red print left on the bone surface. At her right side stands the lectern, built entirely from still-bloodied bones: long femurs as legs, ribs laid as a slanted reading top, a pelvic bone as the shelf, and fresh dark red still glossy at the joints. Behind and to her left sits the dock, a heavy witness box framed in stacked vertebrae and long bones, jawbones set as corner posts, a bone rail across its front, blood pooled dark and glossy in the cracks where the joints meet. The two pieces of furniture are angled so their planes meet and frame her between them, the lectern edge crossing in front of her right hip and the dock's rail running behind her left shoulder. The studio around her is a seamless curved backdrop of cold neutral paper, floor meeting wall in one unbroken sweep, the paper kept clean and pale while the blood, meat and bone hold all the red and cream in the image. A single hard overhead studio light with a tight reflector pours from directly above and slightly in front; it pools brightest on her coif, the tops of her shoulders, the lectern's reading top and the dock's rail, throws short hard shadows straight down beneath her feet and the furniture legs, and lets the edges of the frame fall into a deep clean shadow. The floor beneath the lectern carries one small dark droplet, still wet and catching a pinpoint highlight. Detailed face rendered with careful linework on the eyelids, lips and the blood smears, palette restricted to bone cream, warm brown, linen off-white and wet dark red, deep shadow at the edges. Quietly unsettling.
Tatsu Yuikane
#PixAI Halloween 2026
AI artwork
ty
copyright: dragalia_lost 1girl, solo, victorian clothes, commoner clothes, long coarse beige linen dress, off-white cotton apron, apron pocket bulging with chunks of meat, bloodstains on clothes, blood splatter on face, blood on hands, single bone brush, holding brush, standing, lectern, dock, bone lectern, bone dock, bloodied bone furniture, wet bone surface, studio, interior, wooden floor, plaster wall, from below, cowboy shot, dutch angle, looking at viewer, kind innocent smile, soft closed-lip smile, gentle raised brows, head tilt, detailed face, masterpiece, best quality, very aesthetic, absurdres, amazing quality, Shot from a low dutch angle inside a bare studio, the floorboards tilting up across the frame. A single girl in commoner Victorian dress stands at the center of it: a long coarse beige linen dress with a high buttoned collar and plain long sleeves, an off-white cotton apron tied at her waist and gone brown-red down the front, its pocket sagging heavy with chunks of raw meat that bulge the fabric and leave a slow wet sheen at the seam. Blood is spattered across the apron bib, the cuffs and the hem of the skirt; blood freckles her cheeks, her chin and the backs of her hands, one dried streak running from her temple into her hairline. She stands with her weight on her right leg, left hip dropped, shoulders loose, one hand resting flat on the slanted top of a lectern built entirely of bones -- femurs and ribs lashed and mortared together, still wet, dark blood beading along the lowest joints and hanging in a single thread before it falls. Behind her and to the left, a witness dock rises on the same bone construction, its rail of stacked vertebrae and long bones, blood pooled in the hollows of the joints and one dark drip working down a shin bone. Her other hand lifts a single brush carved from one pale bone, its handle a slim shaft, its ferrule bound with sinew, the bristles tipped dark red, held up at chest height between two fingers as though she has just paused mid-stroke. Her chin tips down toward the viewer, head canted with the dutch angle, and she looks straight into the lens with wide calm eyes and a soft closed-lip smile, brows gently raised, entirely at ease -- the kind innocent smile of someone showing you her work. Overhead studio light falls from the upper right: it catches the wet highlights on the bone lectern and dock, glosses the blood on her cheek and the bristles, and drops soft shadows to the lower left of every upright, the far wall falling into a dimmer grey. Palette held to beige linen, off-white cotton, the yellowed ivory of dry bone, and deep venous red, nothing else admitted. The meat in the apron pocket presses a damp print through the cotton where it rests against her thigh. Quiet, unsettling charm.
Tatsu Yuikane
#Siri Fate#Fate/Grand Order#Leonardo da Vinci

Terokai lebih banyak

Pengguna Disyorkan

Anda Mungkin Suka

AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
3#Puella Magi Madoka Magica#Madoka Kaname#Puella Magi Madoka Magica
Laman UtamaModelJanaRecipeProfil