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Kanibalisme AI Art & Prompts

Explore the trending 156 Kanibalisme artworks

AI artwork
ty
copyright: dragalia_lost 1girl, solo, victorian clothes, 17th century commoner clothes, apron, blood on clothes, blood on face, meat chunks in apron pocket, bone brush, holding brush, lectern, dock furnishing, bone furniture, blood on furniture, standing, kind innocent smile, closed mouth smile, soft eyes, looking at viewer, detailed face, full body, from above, wide shot, studio, seamless backdrop, dramatic spotlight, warm bone palette, grotesque still life, A single girl stands alone in a sealed, windowless photography studio, seen from a high, slightly wide angle that tilts down across the floor toward her. She stands just off-center, weight settled on her left leg with her right knee softened and her right foot turned a few degrees outward, hips canted, one shoulder dipped. A long bloodied apron hangs from her waist to her shins, its front pocket pulled heavy and sagging by the wet chunks of meat packed inside, one piece pushed up over the pocket lip. Her 17th-century commoner's clothes — a coarse wool bodice laced over a stained chemise, a plain linen coif tied at the back of her head with brown hair escaping in loose strands, rolled cuffs, a dark skirt — carry dark spatter dried in the weave of the sleeve, across the apron bib, and along the hem. Her face is smeared with drying blood: a streak from the brow to the cheekbone, a fleck at the jaw, and one small smear beside her mouth. She smiles a kind, innocent smile, lips together and corners softly lifted, eyes calm and warm, looking directly into the camera with no tension in the brow. Her right hand lifts the single bone brush to chest height, its carved handle pale and dry, the bristles dark and stiff with clotted red; her fingers wrap the shaft in a loose pinch, the brush tilted a few degrees off vertical. Her left hand rests flat on the slanted top of the lectern, fingertips spread, a faint tacky red print left on the bone surface. At her right side stands the lectern, built entirely from still-bloodied bones: long femurs as legs, ribs laid as a slanted reading top, a pelvic bone as the shelf, and fresh dark red still glossy at the joints. Behind and to her left sits the dock, a heavy witness box framed in stacked vertebrae and long bones, jawbones set as corner posts, a bone rail across its front, blood pooled dark and glossy in the cracks where the joints meet. The two pieces of furniture are angled so their planes meet and frame her between them, the lectern edge crossing in front of her right hip and the dock's rail running behind her left shoulder. The studio around her is a seamless curved backdrop of cold neutral paper, floor meeting wall in one unbroken sweep, the paper kept clean and pale while the blood, meat and bone hold all the red and cream in the image. A single hard overhead studio light with a tight reflector pours from directly above and slightly in front; it pools brightest on her coif, the tops of her shoulders, the lectern's reading top and the dock's rail, throws short hard shadows straight down beneath her feet and the furniture legs, and lets the edges of the frame fall into a deep clean shadow. The floor beneath the lectern carries one small dark droplet, still wet and catching a pinpoint highlight. Detailed face rendered with careful linework on the eyelids, lips and the blood smears, palette restricted to bone cream, warm brown, linen off-white and wet dark red, deep shadow at the edges. Quietly unsettling.
Tatsu Yuikane
#PixAI Halloween 2026
AI artwork
ty
copyright: dragalia_lost 1girl, solo, victorian clothes, 17th century commoner clothes, apron, blood on clothes, blood on face, meat chunks in apron pocket, bone brush, holding brush, lectern, dock furnishing, bone furniture, blood on furniture, standing, kind innocent smile, closed mouth smile, soft eyes, looking at viewer, detailed face, full body, from above, wide shot, studio, seamless backdrop, dramatic spotlight, warm bone palette, grotesque still life, A single girl stands alone in a sealed, windowless photography studio, seen from a high, slightly wide angle that tilts down across the floor toward her. She stands just off-center, weight settled on her left leg with her right knee softened and her right foot turned a few degrees outward, hips canted, one shoulder dipped. A long bloodied apron hangs from her waist to her shins, its front pocket pulled heavy and sagging by the wet chunks of meat packed inside, one piece pushed up over the pocket lip. Her 17th-century commoner's clothes — a coarse wool bodice laced over a stained chemise, a plain linen coif tied at the back of her head with brown hair escaping in loose strands, rolled cuffs, a dark skirt — carry dark spatter dried in the weave of the sleeve, across the apron bib, and along the hem. Her face is smeared with drying blood: a streak from the brow to the cheekbone, a fleck at the jaw, and one small smear beside her mouth. She smiles a kind, innocent smile, lips together and corners softly lifted, eyes calm and warm, looking directly into the camera with no tension in the brow. Her right hand lifts the single bone brush to chest height, its carved handle pale and dry, the bristles dark and stiff with clotted red; her fingers wrap the shaft in a loose pinch, the brush tilted a few degrees off vertical. Her left hand rests flat on the slanted top of the lectern, fingertips spread, a faint tacky red print left on the bone surface. At her right side stands the lectern, built entirely from still-bloodied bones: long femurs as legs, ribs laid as a slanted reading top, a pelvic bone as the shelf, and fresh dark red still glossy at the joints. Behind and to her left sits the dock, a heavy witness box framed in stacked vertebrae and long bones, jawbones set as corner posts, a bone rail across its front, blood pooled dark and glossy in the cracks where the joints meet. The two pieces of furniture are angled so their planes meet and frame her between them, the lectern edge crossing in front of her right hip and the dock's rail running behind her left shoulder. The studio around her is a seamless curved backdrop of cold neutral paper, floor meeting wall in one unbroken sweep, the paper kept clean and pale while the blood, meat and bone hold all the red and cream in the image. A single hard overhead studio light with a tight reflector pours from directly above and slightly in front; it pools brightest on her coif, the tops of her shoulders, the lectern's reading top and the dock's rail, throws short hard shadows straight down beneath her feet and the furniture legs, and lets the edges of the frame fall into a deep clean shadow. The floor beneath the lectern carries one small dark droplet, still wet and catching a pinpoint highlight. Detailed face rendered with careful linework on the eyelids, lips and the blood smears, palette restricted to bone cream, warm brown, linen off-white and wet dark red, deep shadow at the edges. Quietly unsettling.
Tatsu Yuikane
#PixAI Halloween 2026
AI artwork
gs
character: nobi_nobita comic, 10 panels, multiple views, sequential art, page layout, three characters, nobi nobita, shizuka minamoto, giant enemy, black hair, blunt bangs, dark eyes, short stature, light shirt, dark shorts, white socks, black shoes, shizuka long dark hair, dark eyes, light dress, white socks, dark shoes, giant muscular brutish man, small head, heavy brow, torn clothes, fight, punching, grappling, shocked expression, wide-eyed, open mouth, grabbing knife, knife, stabbing, chest stab, blood, blood splatter, blood on ground, blood on shirt, multiple stab wounds, repeated stabbing, gripping knife, throwing knife, knife in head, head wound, blood on face, dead, corpse, lying on ground, pool of blood, gore, violence, speed lines, impact lines, screentone, hatching, monochrome, black and white, sweat, motion lines, speech bubble A single black-and-white manga page in ten panels with bold outlines and dynamic layouts, arranged in three tiers: four panels across the top tier, three across the middle tier, three across the bottom tier, each panel framed by a heavy black border with screentone shading and hatching, speed lines and spotting blacks, no colour anywhere -- every toned value is grayscale plus texture. Panel 1: wide shot from a low angle, the giant enemy lunging with both fists raised over the small dark-eyed boy in the light shirt and dark shorts, who braces low with one arm across his face and his feet planted wide apart; the giant's shadow falls over the boy, and the background is filled with slashing speed lines. Panel 2: medium shot from the side, the giant's fist driving down as the boy slips under it, one shoulder turned, his blunt bangs flying aside, his dark eyes fixed on the giant's hand. Panel 3: close-up from above on the girl watching from the left edge of the frame -- long dark hair, light dress, both hands pressed to her cheeks, wide eyes, open mouth, cold sweat beading at her temple, dense radial shock lines behind her head; her gaze aims at the fight off-panel right. Panel 4: close-up of the boy's hand closing on the handle of a knife lying on the ground, knuckles blanching, his shadow falling across the blade, hatching darkening the lower left corner. Panel 5: low-angle shot of the boy driving the knife into the giant's chest, both his hands on the handle, shoulders hunched behind the thrust, arms locked; the steel sinks to the guard and a wide fan of ink-black spray bursts sideways and upward, dark droplets scattered across the giant's shirt and flaring toward the panel border; the giant's head snaps back with his mouth open. Panel 6: the same stab repeated, three slashes of blurred motion across the boy's arms and the giant's torso, the knife pulled back and driven in again, more black splatter arcing and splashing down onto the earth around their feet in a spreading stain. Panel 7: the giant collapses backward with his knees buckling and his arms dropping slack, the boy still gripping the knife buried in his chest, blood pooling across the ground in a black puddle that spreads to the panel edge and runs along the seams of the floor. Panel 8: medium shot of the girl, thrusting one hand out at her side, shouting; a jagged speech bubble beside her face reads "what the heck", her wide eyes locked on the killing, her other arm trembling. Panel 9: the boy's arm whipping forward from the right side of the frame, the knife a blurred spinning streak of speed lines crossing the panel, blood spraying off the blade in black droplets. Panel 10: the knife buried in the girl's skull, her body toppling sideways with her hair flying, a heavy black splash bursting from the wound and spattering down across the front of her light dress so it runs down the fabric; blood flows across the ground beneath her and pools past her limp hand, her eyes gone empty and half-lidded; a second smaller speech bubble above her falling head reads "what the heck". Lighting is flat and graphic, ink blacks and paper white with mid-gray screentone gradients standing in for the light on the boy's face and the flat sheen on the blood; every splatter keeps its direction of impact, and the spray fans away from the wound in each panel. Bleak, brutal.
Gojosatoru Satorugu
AI artwork
純斗
character: cure_prism, shindoine 1girl, 2girls, from above, close-up, cure_prism, shindoine, immobilized, bound, wrapped, food_on_face, mouth_open, forced_feeding, blush, pained_expression, one_eye_closed, purple_skin, pointy_ears, purple_hair, short_hair, pink_hair, long_hair, pink_bow, white_bow, purple_whipped_cream, strawberry, plate, desk A high-angle close-up shot looking down at a ceramic plate resting on a heavy stone desk within a dark, gothic demon lord's castle. A girl with long pink hair and ribbons is completely immobilized, her body tightly encased in a thick, spongy, rotted black roll cake dough that wraps around her like a cocoon; a pulsing, sinister red-black aura radiates from the cake's surface. She is laid flat on the plate, her face deeply flushed red with a pained expression and one eye squeezed shut. Her head is topped with swirls of purple whipped cream and several dark red-black strawberries. A purple-skinned demon woman with short hair and pointy ears leans over her with a cruel, evil smirk. The demon's right hand firmly grips both of the pink-haired girl's cheeks, squeezing them to force her mouth wide open. With her left hand, the demon pours a thick stream of black-purple whipped cream directly into the girl's open mouth, which is already overflowing and filled with the purple cream. The pink-haired girl's entire face is messy and smeared with streaks of cream. The only light comes from flickering wall torches, casting deep shadows and highlighting the glossy, sticky texture of the cream against the matte, rotted black sponge. Oppressive and cruel.
純斗
12

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